ABSTRACT This article considers An Cailín Ciúin’s adaptation of Claire Keegan’s Foster, arguing that analysis of the gaps that emerge during the adaptation process encourage new ways of thinking through assumptions underpinning a viciously patriarchal Irish State. This process, it will be suggested, opens a further dialogic space for viewers to reflect upon their reactions to the film and, by extension the degree to which they choose to confront the enduring legacies of 1980s Ireland. Drawing upon adaptation studies and intersectional feminist approaches, the article will track how the film’s critique extends centrifugally to address the constitutional linkage of Irish women to the home, the role played by a captured education system, and the naturalisation of patriarchal hegemony in popular Irish culture, before concluding with a consideration of how the film invites us to reflect upon the shadows that linger in our midst, by summoning the spectre of the Magdalene Laundries.
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