Reviewed by: Pirqei deRabbi Eliezer: Structure, Coherence, Intertextuality by Katharina E. Keim Rachel Adelman Katharina E. Keim. Pirqei deRabbi Eliezer: Structure, Coherence, Intertextuality. Leiden: Brill, 2017. xii + 249 pp. Katharina Keim’s monograph, Pirqei deRabbi Eliezer: Structure, Coherence, Intertextuality, is based on her 2014 dissertation completed under the supervision of Professors Philip Alexander and Renate Smithuis at the University of Manchester. While scholarship on Pirke de-Rabbi Eliezer (PRE), a relatively late midrashic composition dating to the mid-eighth or early ninth century CE, has recently burgeoned, Keim provides a new perspective through her analysis of the overall structure and coherence of the composition. Applying the principles of “form criticism,” usually reserved for the study of Hebrew Bible and Second Temple literature, Keim reveals new insights into the genre and composition of PRE. Though considerably revised, the book still reads very much like a doctoral dissertation, with a review of the literature (chapter 1), an overview of the recension and redaction history of the text (chapter 2), a “text-linguistic” description of PRE (chapter 3), and an analysis of “intertextuality” (chapter 4), with a conclusion on the implications of this scholarship (chapter 5), and three appendices (on the overall structure of PRE, smalls forms, and comparison of Michael and Sammael in PRE). Chapters 3 and 4 are the heart of the book, where she deploys the terms “text-linguistic” and “intertextuality” rather idiosyncratically. Her characterization of the late rabbinic Hebrew of PRE is minimal; rather, the emphasis is on “small forms,” genre, and coherence of the text. Further, her concept of “intertextuality” differs from its classic use, namely how midrash reads one biblical passage through another (the Mekhilta’s use of Song of Songs in the reading of the Exodus narrative, for example) (Daniel Boyarin, Intertextuality and the Reading of Midrash [Bloomington: Indiana University Press, 1994]). Keim minimally engages PRE as an interpretive composition of the Hebrew Bible (qua midrash), focusing rather on the relationship of PRE to other sources: classic rabbinic literature, Aramaic Targum, Pseudepigrapha, piyyut (liturgical poetry), and Christian and Islamic traditions. This is hardly [End Page 221] “intertextuality,” but allows for a more open discussion about tracing the threads, the question of influence, and/or polemical interaction between sources. On the dating and provenance of PRE, Keim aligns with recent scholarship, which situates the composition in Palestine after the rise of Islam. Though not definitive, she adopts Gerald Friedlander’s date of the early ninth century. The argument for provenance is based on the minhag and Halakhah unique to Palestine, teachings in the names of Palestinian tannaitic rabbis (albeit pseudepigraphic), and the sources PRE draws on (such as Bereshit Rabbah). Most interesting is the implied alliance between PRE and the “Mourners of Zion” sect in the analysis of messianic motifs (section 3.5.4.4, pp. 106–10). She argues that the characterization of Menachem ben Ammiel, the one messiah named, aligns with that of the Davidic line, based on Philip Alexander’s work on Pesikta Rabbati (2016), though this figure is identified by the text in PRE 19 with Ephraim and Joseph (perhaps a scribal gloss). This calls for more research and a comparison of the manuscript traditions. In the second chapter, she reviews the very complex process of textual transmission, attributing much scholarly acumen to the recent work of Eliezer Treitl (“Pirke de-Rabbi Eliezer: Text, Redaction and a Sample Synopsis” [PhD diss., Hebrew University, 2012]). But she then cites only the second printed edition of Dagmar Börner-Klein’s work, recently beautifully presented in bilingual German-Hebrew edition (Pirke de-Rabbi Eliezer: Nach der Edition Venedig 1544 unter Beruecksichtigung der Edition Warschau 1852 [Berlin: de Gruyter, 2004]). The main body of the work, chapter 3, entails a reexamination of the genre of PRE as midrash through a study of “small forms,” based on the “Manchester-Durham Typology of Anonymous and Pseudepigraphic Jewish Literature in Antiquity” project, which seeks to create an “inventory of structurally important literary features” in the microstructure of the composition. By analyzing “small forms” such as lemmata, question and answer units, lists, and parables, Keim attempts to characterize the genre of PRE. Based on the format of citations from the...
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