it is today.Any scholar of Lewis and Clark his toryshould recognize thispublication as a great addition to the topic. The story thatPotter tells about Sheheke is also a prime example of the divisions among the various tribal leaders in regard to the in fluences of the newcomers. The story of this Mandan Indian diplomat is also the story of many Tribes, not only during this time period, and of thehard decisions thatall tribal leaders had tomake tohelp protect and preserve their tribal land base, culture, and way of life. When readers complete thisbook, theywill have the opportunity to reflect upon theLewis and Clark era as described by theTribes. The Tribes have survived the centuries with dignity, and now they must look to the twenty-first century and future generations. Lewis and Clark Territory:Contemporary Artists Revisit Place, Race, andMemory By Rock Hushka and Thomas Red Owl Haukaas University ofWashington Press, Seattle, and Tacoma Art Museum, Tacoma, Wash., 2004. Photographs, bibliography, 80 pages. $21.95 paper. Reviewed by Jeffry Uecker Hillsboro, Oregon CONTEMPLATING THE LEGACYof theLewis and Clark Expedition, Thomas Jefferson wrote that the endeavor's purpose was to "delin eate with correctness the great arteries of this great country: those who come after us will... fillup the canvas we begin" (Jeffersonto Law rence Dunbar, May 25,1805). The art metaphor employed byAmerica sEnlightenment president cleverly implies two important components of exploration: learning and imagining. Actually, to record experience and to visualize import are tasks common to both explorers and artists. Rock Hushka, associate curator of the Tacoma Art Museum, phrases itwell when he writes: "artists and explorers share awillingness to be society's avant-garde" (p. 23). Navigating the frontierbetween the Lewis and Clark Expedition's journal accounts and American beliefs about theCorps ofDiscovery, theTacoma ArtMuseum's brilliant exhibitpub licationLewis and Clark Territory: Contemporary ArtistsRevisit Place, Race, andMemory features stimulating discussions and captivating recent works of art that shed lighton contemporary understandings and experiences of the region throughwhich Lewis and Clark traversed two hundred years ago. Effectively describing the museum's 2004 exhibition of the same name, the book focuses on the title themes of place, race, andmemory, exploring "currentconditions that shape our perceptions of the AmericanWest and ourselves as a people" (p. 21). Brief enough to be read in one or two sittings, this handsomely designed book is mainly composed of twomajor essays, fulland detail photographs of artworks featured in the exhibition, and a sizable, well-researched bib liography. Written in thefirstperson, Thomas Haukaas's "We Are All Related" is themore personal of the two essays,making reference to his own creations and those of selected other artists in the show and providing a Native American perspective on the exhibit's three themes. Emphasizing that the ideas of place, race, andmemory are overlapping, interrelated concepts, the artist and psychiatrist outlines changes inhow Americans have looked atNa tive American art over the past two centuries and places Native American art in the context of a largerAmerican arthistory. 530 OHQ vol. 105, no. 3 Punctuated with sidebar quotes from the Lewis and Clark journals, Rock Hushka's essay, "Traces of theLegacy ofLewis and Clark inCon temporaryArt,"more deeply explores the three exhibit themes and alludes that the journals are metaphors for contemporary artists' responses to those themes. Stressing that the exhibit does not specificallydeal with the Lewis and Clark Expedition nor itslegacy, Hushka demonstrates that recent artists' interpretations of place, race, and memory nevertheless fitwithin the same two-hundred-year-old traditionof illuminating the American experience. Hushka's most intriguingdiscussion is that dealingwithmemory, in which he grapples with the relativenature of history and itsreliance on subjective experiences, stating that "the effort to separate fact from fiction, regarding Lewis and Clark... often resembles psychoanalysis at a cultural level" (p. 59).He likens today's artists tophilosophers and historians? he could eas ilyadd psychoanalysts ? in their attempts to explore ideas,providing a freshpoint ofview on the workings of communal memory. Despite its attractive presentation and myriad images, thispublication does notmake fora casually read coffee-tablebook. The diverse media and topics encountered in a quick skim will make ithard to resist furtherexploration of the volume's profound subject matter and provocative ideas. From...