Music Industry Research Articles

Artificial Intelligence: Duality in Applications of Generative AI and Assistive AI in Music

This paper explores the multifaceted role of Artificial Intelligence in the field of music, more specifically, examining the positives and negatives of generative and assistive capacities. Artificial Intelligence (AI) in music involves the application of computational techniques to various aspects of music creation, production and consumption. In the domain of assistive AI, the concentration is on how machine learning could potentially help musicians in the area of composition and performance to enhance their musical creativity. The paper will discuss an interesting collaborative effort between pure human creativity and computational assistance covering an explanation for a vast number of tools using generative as well as assistive artificial intelligence models. In addition, the paper will address the concerns facing the music industry while this technology keeps on improving, the potential drawbacks and ethical considerations. It opens the question of authenticity and emotional depth, and when or if this new technology could be able to replicate it. Further explanation in the paper will consider music examples with a focus on music styles assisted and generated by the use of artificial intelligence, from pop to classical music. With a thorough analysis of the aforementioned subject, the paper aims to provide a detailed perspective on the constant evolution of AI tools used in music with highlights on the need for a balanced approach. In providing a detailed perspective on the evolving landscape of AI tools in music, this study adopts a methodological approach that involves comprehensive analysis of both the benefits and challenges associated with these innovative gadgets. The paper contributes to the ongoing discussion on the intersection of technology and artistic expression. By examining the potential benefits and challenges with these innovative models, the paper signifies ongoing discourse on the impact of technology on artistic expression.

Vulnerability detection techniques for smart contracts: A systematic literature review

The number of applications supported by blockchain smart contracts has been greatly increasing in recent years, with smart contracts now being used across several domains, such as the music industry, finance, and retail, to name a few. Despite being used in business-critical contexts, the number of security vulnerabilities in smart contracts has also been increasing, with many of them being exploited and resulting in huge financial and reputation losses. This is despite the enormous effort that is being placed into the research and development of vulnerability detection tools and techniques, which have also greatly increased in number and type in the last few years. Motivated by the recent increase in both vulnerabilities and vulnerability detection techniques, this paper reviews the latest research in smart contract vulnerability detection, emphasizing the techniques being used, the vulnerabilities targeted, and the characteristics of the dataset used for evaluating the technique. We mapped the vulnerabilities against two common vulnerability classification schemes (DASP and SWC) and performed a consolidated analysis. We identified the current research trends and gaps in each technique and highlighted future research opportunities in the field.

Innovation and Use of AI Intelligent Virtual Technology in Music-Based Non-Genetic Heritage Culture

Traditional wise calculations for the most part pick artificially the mathematical qualities of the picture prior to grouping and distinguishing it in light of these attributes. Human factors much of the time slow down the mathematical elements of the physically picked working pictures, prompting incorrect component extraction and diminished grouping exactness. A shrewd acknowledgment approach in view of an artificial intelligence system is recommended to address the previously mentioned issues. We'll completely look at how the system s fundamental technology is utilized practically speaking and present the application s virtual instruction highlight through appropriate material. The utilization of this technology can fundamentally build the viability of music guidance and give understudies admittance to a more complete instructive experience. To make a new, exceptional model of music training digitization, this concentrate initially explores what informatization has meant for imaginative music schooling in scholastic establishments prior to tending to informatization techniques in music training innovation practice. In light of distant organisations and AI calculations, a system for music guidance is suggested after examining the purposes of artificial intelligence in the field of music training. The viability of the suggested structure is tested appropriately to demonstrate its viability, and the future of artificial intelligence technology in the music business is discussed.

Transformation of digital technologies in music industry in the late XX – early XXI century

Transformation of digital technologies in music industry in the late XX – early XXI century

She Creates, She Controls, She Commands Respect:

This essay examines how women have been represented in Western rock music through their role as deities. In particular, it aims to understand how these portrayals can reflect the evolution of feminist thought and theory in the Western world. A comparative analysis of Rhiannon by Fleetwood Mac and Lazaretto by Jack White aims to demonstrate how these depictions connect with and respond to Western feminist thought from the second wave of feminism in the 1970s to the fourth wave of feminism in the 2010s. Along with musical characteristics, the analysis of these portrayals focuses on spatial and temporal factors regarding the relation of the deity to the narrator while incorporating discussions of systemic issues that have impacted women in both the music industry and general Western society.

Barriers to playing digital games: Why do some people choose not to play digital games?

While the global gaming industry has become a significant economic force, surpassing the film and music industries in market size, it has not achieved the same level of universality as its entertainment counterparts. Previous literature has mainly focused on gaming motivation, addiction, and regulation, ignoring non-game players and their barriers. Therefore, this study explores why people are hesitant to play digital games and investigates the factors that contribute to this resistance. The current study incorporates Crawford and Godbey’s (1987) leisure barriers into Innovation Resistance Theory. Of the seven barriers identified, this study categorizes four as intrapersonal, two as interpersonal, and one as a structural barrier. Further, it explores the differences between non-game players by categorizing them into those without any digital gaming experience (NG-N) and those with previous digital gaming experience (NG-F). The findings of this study suggest that perceived incompetence and negative social perception are the main barriers to playing digital games. As for the group analysis, there is a statistically significant difference between NG-N and NG-F players. These results provide valuable insights for both gaming industry, and regulatory bodies to create a better environment for the gaming ecosystem and expand its potential user base.

The Importance of Friendship; Storytelling in Korean Music Industry by SEVENTEEN

Hallyu or K-Pop or pop culture from South Korea divided into several generations, the third generation that truly blasted through their most distinguishable of developing and storytelling concepts, conveying more than music, but stories and own concepts. SEVENTEEN's storytelling conveyed messages about friendship lead to being a support system in the community seek answering the where some researchers also mentioned having a strong support system led to many positive benefits and with many estimations of adult over the world experienced loneliness to mental illness. Using the narrative paradigm and observing SEVENTEEN’s concerts and its contents to discover the meaning of SEVENTEEN’s storytelling. Based on Friendship research by Parker & Asher, founded SEVENTEEN growth, relationships, and life are all embodied in performances the members create together becoming the value they brought to the world. Their shared moments, music and performances lead to a positive special and unique relationship with their audience and establishing a supportive and affective environment throughout the community. SEVENTEEN lights up the positive energy, as a support system were it being able to minimize the negative effects from youth-hood period.

Digital transformation, blockchain, and the music industry: A review from the perspective of performers’ collective management organizations

This study examines the challenges related to the music industry's digital transformation and potential role of blockchain from the perspective of collective management organizations (CMOs). Building on desk research and primary data from semi-structured surveys conducted with C-level executives and managers, this empirical analysis identifies major projects, their state of development, and prospects for digital transformation based on blockchain in the music industry. The findings reveal that there are a limited number of blockchain projects led by and/or with the relevant participation of CMOs. However, most are just research projects, proofs of concept, or pilots, showing that blockchain is currently in an experimental phase of development on the periphery of the music industry's digital transformation. This is not very different from analysts' understanding of the current situation and perspectives on the mass adoption of blockchain in other industries. In summary, blockchain is neither at the core of the music industry's digital transformation nor a priority for CMOs leading this process from the perspective of intellectual property rights management. The limited quality of music metadata, sparsity of sound data sources, and absence of a common data governance framework among different stakeholders within the industry are the main impediments to transforming blockchain into a global solution with transformative potential. Overall, the results provide a snapshot of the current status and possible future trajectories of blockchain adoption as a paradigm for intellectual property rights exchange within the music industry.

Ethical Dilemmas and Copyright Challenges among Independent Artists in Kenya's Music Industry

This qualitative phenomenological research aims to find out the ethical dilemmas around revenue generation and copyright practices among independent artists in Kenya. The study delves into various aspects, including collective management organisations (CMOs), copyright laws, governmental policies, exploitative practices, and regulatory frameworks, through an extensive analysis of existing literature and qualitative data. It reveals that while Kenya's music industry has experienced substantial growth with the introduction of new music genres and disruptive innovations, it still struggles with systemic barriers that limit the welfare and success of independent artists. Governmental policies and copyright laws revealed gaps in protecting independent artists' intellectual property rights. The study shed light on issues such as corruption, mismanagement, and failure to distribute royalties to artists fairly, with a close examination of CMOs, thus calling for the need for increased transparency and accountability. These issues are linked to numerous challenges, including inadequate industry support, limited access to resources, and unfair compensation. Exploitative practices conducted by industry participants and intermediaries are subjecting independent artists to illegitimate contractual agreements, delayed royalties, and predatory behaviours from industry participants. The presence of weak regulations magnifies these concerns, resulting in the degradation of artists' rights and limited recourse in cases of copyright infringements or contractual disputes. This research, therefore, calls for regulatory reforms and industry-wide interventions to address these structural barriers and to give light on how to promote a more sustainable and equitable music ecosystem in Kenya. The study recommends the strengthening of copyright enforcement mechanisms, improving transparency and accountability within CMOs, and establishing tailored support systems for independent artists.

Being a “Global Music Platform”: Platform Work in Light-Tech Capitalism

While the literature on music digital platforms has focused mainly on the consequences of production and consumption, few works have looked at platformization from the perspective of companies active in the music business. Drawing on an ethnographic inquiry of Sofar Sounds—a London-based company that organizes intimate and secret concerts in unconventional spaces—I introduce platform work to explore the kinds of practices in which platforms engage. I identify three operations in Sofar Sounds’ platform work: the incorporation of Sofar Sounds concerts into digital devices; its financing by venture capital (VCs) funds; and the activation and generification of its global community. In conclusion, I argue that being a platform involves organizational practices and that studying these practices shifts our attention beyond a few limited successful companies. I propose that light-tech capitalism accounts for this mundane and unsophisticated aspect of platform work.

Penerimaan dan Cabaran Inovasi Muzik Digital Terhadap Industri Muzik di Malaysia

Acceptance and Challenge of Digital Music Innovation to the Music Industry in Malaysia ABSTRACT: Music is an important element that greatly influences society through cultural adaptation and creativity. It is constantly evolving and innovating along with technological changes and advances. The development of digital music has had a significant impact on the adaptation of Malaysian musicians to technological advances. This paper examines aspects of the acceptance and challenges of digital music innovation among musicians in Malaysia. Christensen's perspective on disruptive innovation has been used as a research framework to understand these aspects of the acceptance of innovation more clearly. Five prominent Malaysian industry players were interviewed as informants to collect data on acceptance-related aspects. The results show that Malaysian industry players are embracing the digital revolution, especially with the emergence of digital streaming platforms such as TikTok, YouTube, Spotify, Instagram and SoundCloud, which facilitate fan access and help to accept work. The strengths and weaknesses of the local music industry structure can also be identified, where the overall economic picture shows a positive impact despite the difficult transition to digital media. Overall, local industry players accept the changes in Malaysian digital music innovation and adapt to technological progress. This innovation is viewed as a wide-ranging opportunity for industry players to better understand the current landscape and take appropriate measures to ensure the continuous development of the Malaysian music industry. Keywords: Digital music, innovation disruption, digital platform, Malaysian music industry, technology.

Impact of Selected Fourth Industrial Revolution Technologies on the Music Industry: An Exploration of the Pros and Cons

The fourth industrial revolution (4IR) is changing the creative industry. This article examines the impact of selected technologies within the 4IR—artificial intelligence as well as virtual and augmented reality as case examples—on various aspects of creative production, distribution, and consumption of creative art. Using the theory of knowledge organisation, the article deals with the principles and practices of arranging information and concepts. This qualitative literature review focused on systematically collecting, analysing and synthesising data from existing research to gain a deeper understanding of 4IR from a creative arts perspective. Specifically, the article analyses how 4IR tools influence artistic expression in music and the evolving role of the artist, in addition to exploring the transformation of musical art distribution and audience engagement through online platforms and immersive experiences. The impact of selected technologies on the art industry has both positive and negative consequences. Positive impacts include new forms of artistic creation and collaboration, composition with artificial intelligence, art installations with virtual reality and audience engagement, democratisation of art production and accessibility, opportunities for innovation and growth, new forms of creativity, and better traceability of works. On the downside, there are technological challenges, skills and labour development, disruption of traditional art markets and business models, ethical considerations and concerns about 4IR-generated music art and information overload. This research contributes to a deeper understanding of the complex interplay between technology and artistic practice in the 4IR. Keywords: Creative industry, music, fourth industrial revolution, Artificial intelligence, virtual and augmented reality

Faculty of Management, Sremski Karlovci, “Union-Nikola Tesla“ University

Re-defining important changes in the music and film restoration industry, exploring the possibility to: 1. Extract individually chosen sounds from the final movie track in order to re-balance (re-mix) its audio content. 2. Extract chosen sounds from the original audio recording and re-mix, with separated audio stems. The Results section starts by describing the process of creating a completely new mixdown made from AI-generated audio stems (previously extracted from the original mono recordings) joining it with restored original 16 mm video footage, resulting in a full eight-hour movie, separated into three episodes, each with a duration between two and three hours, covering about one week each, of the 21 days of studio time. The material was recorded during the filming of The Beatles’ “Get Back” sessions at Twickenham Studios, London, in January 1969, and chronicles the making of “Let It Be” and the band’s famed final “Rooftop Concert.” The second episode describes the audio/video production of the last-ever song by The Beatles (“Now and Then”) literally made from scratch, as the core of the project was only a poor-quality analog recording made by John Lennon, singing and playing piano to an old, mono, compact cassette recorder.

Autoethnographic Memoirs of Rimba Resonance Vibes Ensemble Festival Performances

Marimba music performance practice has emerged globally in hundreds of marimba ensembles since the Kwanongoma marimba was designed in Bulawayo in the 1960s. The purpose of the study is to explore, the situation of marimba performance within Zimbabwe from an emic perspective. The country has a fledgling economy which is a push factor leading to the problem of about eighty-five percent of the population intending to relocate to other countries. This has not spared the marimba music industry as numerous marimba builders, performers and tutors have already, or intend to migrate. In this autoethnography I present perspectives on my marimba music performance experiences at local and regional festivals in Zimbabwe and South Africa. I conduct a qualitative autoethnographic exploration of Rimba Resonance Vibes Ensemble’s performances, describe the culture of Zimbabwe marimba music performance practices, and reflect on various permutations of the practice in which the art has been kept alive in Zimbabwe in the wake of a brain drain. The findings show multiple challenges that we face as marimba musicians. There is a glaring need for agency and advocacy to sustain the art of marimba music performance by bands based in Zimbabwe.

Economic Sustainability of the Music Industry through Copyright Fiduciary Guarantees with a Legal Economic Analysis Approach

This study investigates the economic sustainability of the music industry through the implementation of copyright fiduciary guarantees, employing a legal economic analysis approach. The primary objective is to explore how copyright as a financial asset can enhance the industry's economic resilience by providing a reliable framework for securing loans and investments. The research examines the intersection of intellectual property law and economic theory to evaluate the potential of copyright fiduciary guarantees in mitigating financial risks and promoting sustainable growth in the music industry. The methodology includes a qualitative analysis of existing legal frameworks, case studies of jurisdictions that have successfully integrated copyright fiduciary guarantees, and interviews with industry stakeholders such as artists, producers, legal experts, and financial institutions. Data were collected from a range of sources including legislative documents, industry reports, and academic literature. The analysis focuses on the legal mechanisms for establishing copyrights as collateral and the economic implications for stakeholders in the music industry. The findings indicate that the use of copyright as collateral can significantly improve access to financing for music professionals, thereby enhancing economic stability and growth potential within the industry. Case studies reveal that countries with robust legal frameworks for copyright fiduciary guarantees have experienced increased investment in the creative sector and reduced financial volatility. The study also identifies key challenges, such as the need for clear legal definitions and enforcement mechanisms, and the importance of raising awareness among industry participants about the benefits and procedures of copyright collateralization.

Research on popularity of American pop singers songs based on machine learning

The U.S. market of music is the largest market in the globe with its huge influence spreading around, which enables it to be the dominant of the world music industry. The article is produced due to the prevailing music market in U.S. that has phenomenally influence around the world. Therefore, this article takes Taylor Swift as an example thanks to the significant influence power to calculate whether some factors such as acousticness that might directly affect the popularity of singers songs for the purpose of formulating some market strategies by corresponding suggestions and advice. The research methods include 3 common mathematical model: linear regression, decision tree and random forest, which indicates that the year of release has the most contribution to the prediction with the value of importance of 0.549929. However other factors seem to have less relativity given the small values for the following 2 factors folklore and reputation with values of importance both below 0.2.

Harmonizing Rights and Rewards: Music NFTs as a Paradigm for Equitable Compensation in the Digital Era

This paper provides a critical examination of Music Non-Fungible Tokens (NFTs) within the context of the digital transformation of the music industry, focusing on the implications for equitable artist compensation. As digitalization reshapes consumption and revenue models, the advent of Music NFTs, predicated on blockchain technology, presents a nuanced paradigm for artist-fan interactions and compensation structures. Through an interdisciplinary methodology that integrates literature review and expert interviews, this study scrutinizes the operational mechanisms of Music NFTs, their potential to reconfigure the economics of music production, and the attendant legal and technical challenges. While Music NFTs proffer an innovative approach to direct artist revenue and engagement, this inquiry reveals a complex landscape fraught with legal ambiguities, technological hurdles, and market volatility. The findings underscore the dialectical relationship between the potential benefits of Music NFTs for artists and the prevailing challenges that circumscribe their efficacy.

Bland velocipedmarscher och pingpongpolkor

Towards the end of the 1800s, interest in sports and physical education increased in Sweden. One consequence of this is that music linked to sports in many different styles and by a disparate group of composers of character pieces and dance music became available for sale in the music market. The purpose of this article is to study the ‘sports music’ published in Sweden as a form of middle music and to discuss the music’s relationship and connections to sport as a programme (‘theme’) and social context for music. Thus, the article explores the dimensions of music about and for sports. Based on material consisting of 85 pieces of sheet music for piano (marches, polkas, waltzes, popular songs [“Swedish schlager”] etc.), the article shows that the music was both intended for domestic music making and was also arranged to be played by orchestras at private and public events as part of the sports life. These musical arrangements brought the music closer to the context it purports to describe or be dedicated to. At the turn of the century, many of the composers seem to have had personal interest in sports or a connection to the sports associations. From the 1920s onwards sports became an increasingly common theme for popular songs, while interest in the publication of instrumental piano music dedicated to sports associations declined.

Legal Protection For Unauthorized Copying Of Songs On Digital Platforms Through Audio Watermarking Method

The objective of this research is to investigate the effectiveness of the Copyright Law in safeguarding digital songs with audio watermarking from illegal duplication, and to analyze the legal responsibilities of those who duplicate songs on digital platforms using such methods under the Copyright Law. The research methodology employed is normative juridical, focusing on the internal aspects of positive law and utilizing literature sources like journals, books, case law, and relevant legislative materials, particularly Law No. 28 of 2014 on Copyright. Legal materials are gathered through a literature review as a secondary data source, along with descriptive analysis to elucidate the legal implications concerning copyright protection in the digital age. The novelty of this research lies in the integration of advanced and effective audio watermarking technology in addressing the challenges of copyright protection in the digital era. The research results highlight the importance of copyright protection in the music industry in the digital era. Audio watermarking methods are used to insert data into digital content to protect content ownership and identify copyright holders. There are efforts to overcome the challenges in preventing illegal acquisition of copyrighted content by utilising watermarking technology. It can thus be concluded that despite efforts made to regulate the digital marketplace and improve legal standards, illegal distribution of material is still quite rampant. YouTube is cited as an effective platform in protecting intellectual property rights by successfully addressing the issue of copyright infringement by removing infringing content.

Peran Platform Weverse Sebagai Sarana Interaksi Dan Ekonomi Dalam Industri K-Pop

Weverse is a platform launched by HYBE Corporation in 2019 and has played a central role in facilitating interactions between fans and artists in the Korean music industry (K-pop). Through exclusive access to content, direct communication with artists, and a membership system offering discounts and exclusive content, Weverse has become a "home" for K-pop fans and an important revenue source in the industry's economy. This study uses a qualitative approach with a systematic literature analysis design to explore the impact of Weverse in the K-pop industry, highlighting the importance of this platform in deepening the relationship between artists and fans as well as its contribution to the business model and economy in the Korean music industry.