Reviewed by: Dix-sept ans by Éric Fottorino William Cloonan Fottorino, Éric. Dix-sept ans. Gallimard, 2018. ISBN 978-2-07-014112-8. Pp. 263. If you rearrange the letters in the name Éric, you can create crié (169), a word which effectively captures the tone of this novel. Lina was seventeen years old when she [End Page 232] gave birth to an illegitimate child, Éric, who narrates the story. At the time of her son's birth, she was so naïve that there are hints she might not even have known how children are produced. The news of her pregnancy horrifies Lina's pious mother, and the discovery that the father is Jewish sends the older woman over the top. Her anger is further fueled by a bigoted curé and the heartless nuns who deliver the baby. The plan is to give the unwanted child away, but in a rare burst of anger, Lina insists on keeping him. Their early years together are trying financially, but mother and child are extremely close. Eventually, however, Éric finds it increasingly difficult to express his feelings for her, and when the story opens, the middle-aged narrator is emotionally stymied before the woman he calls Lina. Only in the final sections, during a car ride from Bordeaux to Nice, do Éric's feelings begin to break free, and in the final scene, where Lina lies in a coma, the son takes the mother's hand and allows himself to begin telling her how much he loves her. Dix-sept ans really has two parts. The first focuses on Éric's complicated and confounding feelings, which flirt with nombrilisme. It is never clear what precipitated his distancing himself from Lina. His attempts at explanation lack coherence, as do his occasional epiphanies. When a woman explains to him that he is Jewish because,"Être juif, c'est avoir des enfants juifs" (151), this appears to be a revelation for Éric, if not for anyone else. The second, somewhat more interesting part of the novel concerns Lina, her family, and her social milieu. Despite coming from a hardscrabble background, Lina lives primarily in a dreamlike world. She can occasionally express, but never sustain anger. Her mother is certainly a religious bigot, but during the Occupation her then-husband and she sheltered a Jewish family. Lina's brother, Paul, is a taciturn, rather unstable figure. Yet during Éric's early years he is a worthy surrogate father. Later, Paul accepts his identity as a gay man, finds a loving partner and a talent for horticulture. Unfortunately, the relationship and the business flounder, and Paul takes his life. Lina's beloved father left his family and moved to Madagascar where he fell in love with une Malgache. In order to marry her, the father had to renounce seeing his daughter ever again. Lina's story is more compelling than Éric's, and her family's complexity of greater interest than the narrator's ceaseless soul-searching. While Dix-sept ans is finally a rather average novel, it contains the potential for a quite good one. William Cloonan Florida State University, emeritus Copyright © 2019 American Association of Teachers of French
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