In my experiments with computer-assisted etchings over the past eight years I have tried to harness the graphic potential of available computers to the traditional art of fine printing, without sacrificing the refined beauty of gravure on rag paper. I have tried to integrate computer functions with the functions of engraving, aquatint, monotype, and other hand techniques in enhancement of a complex, figurative, lyrical style. The completed prints display little of the geometry usually associated with 'computer graphics'. Employing principles of metamorphosis, I have used the computer for codification, development, transformation, and composition of visual images. With the technology available to me-a Digital Equipment Corporation PDP10 computer with display, later a 'home computer', the Radio Shack TRS80 micro-computer and dot matrix Microline 80 printer, a Calcomp plotter, a Varian electrostatic printer, a Thermofax machine, a copy camera and darkroom, Revere photo-sensitive etching plates and chemicals, and an etching studio with press-I am able to process ideas through several steps into fine intaglio prints. I rely on graphics programs of three types: edge-finder programs, dot matrix programs for letter type, and drawing programs. In the first two kinds of programs a video camera directed by a PDP10 computer shoots artwork, objects or type fonts. The value information of the video input is digitized and processed to a linear codification suitable for etched line. The edge-finder program finds edges of real or illusional objects and sorts out levels of contrast. It establishes thresholds for value change. Demarcation of maximum value change creates a firm line. Less value change creates broken lines. Minimum value change creates dots. The thresholds for value change 'readings' can be moved easily. The drawing program is a general purpose computer graphics package. It is used to create libraries of pictures which may be called on by other programs or output on any kind of hard copy system. It permits editing by the insertion and deletion of points, by the movement of points, or by the combination of drawings or fragments of drawings. An x-y coordinate system is established. The x-y information may be entered into the computer memory from a typewriter keyboard, or from files produced by mathematical formulas, T.V. pictures, or by a light pen. The output of the programs is stored as hundreds of short line segments which may be produced as line drawings by the computer-operated plotter or electrostatic printer. Since visual data are expressed in numbers, distortions of the image can be effected by applying different factors to the numbers. To modify an image, I set it up on a vertical-horizontal axis, establishing x as a horizontal coordinate and y as a vertical coordinate. Every line is made up of hundreds of points, each having a vertical and horizontal number coordinate. Once these coordinates are given, they can be shifted by multiplication, division, addition or subtraction. The image can undergo gradual metamorphosis; it can be curved, turned inside out,