968 Reviews of the Public Record Office in 1921 has caused irreparable losses. There is only one Dublin bookseller's ledger-book extant. However, the National Library of Ireland holds the records ofthe Guild of St Luke the Evangelist. Maire Kennedy shows great patience and ingenuity in fillingas many gaps as possible. She provides four valuable tables, including a list of library catalogues and a list of the top hundred French authors in Irish private libraries (disregarding grammars and dictionaries, Voltaire comes first,followed by Fenelon, then by Boileau and Moliere). Two recent books have transformed our knowledge ofeverything to do with French books in Ireland in the eighteenth century. Ireland and the French Enlightenment, edited by Graham Gargett and Geraldine Sheridan (London: Macmillan, 1999), to which Maire Kennedy made important contributions, complements her work, providing notably a list, compiled by Graham Gargett, of French books connected with the French Enlightenment published in Ireland, 1700-1800. Now Maire Kennedy's own book gives us a vast amount of information on the broader topic. Much remains to be done. Further archival research will certainly fillsome gaps in our knowledge, and international comparisons, however complex and delicate, will have to be undertaken . The absence of radical political texts from the library catalogues is discussed here; erotic books and other non-canonical genres, such as the scandalous vie privee ofthe later eighteenth century, scarcely figure in this study, presumably forthe same reason. We look forward to Kennedy's future work in the field that she has pioneered so remarkably. Universite Lumiere Lyon II Michael O'Dea Les Prisons du roman (XVIIe-XVIIIe siecle): Lectures plurielles et intertextuellesde (Guzmand'Alfarache'a Jacques lefataliste'. By Jacques Berchtold. (Histoire des idees et critique litteraire, 386) Geneve: Droz. 2000. 784 pp. 76.80 SwF. The title and dimensions of this volume lead one to expect a descriptive thesis dealing with prison conditions in the early novel, but it offersmore than that. The descriptive element is there, but the main interest is the effect of prison, or its threat, on the individual, the evolution of narrative topoi relating to prison life,and the light thrown by the prison theme on the evolution of the early novel, a genre characterized by mobility and the quest for freedom, both social and aesthetic. In an opening section, the origins of the theme in classical antiquity are traced, fromthe pervading models of Socrates, Aesop, Epictetus, and Callisthenes to the rather differentChristian tradition, with a view to establishing a series of topoi, such as the road to prison, relationships between prisoners and visitors, jailers and magistrates, filth and stench, perverted sexuality, analogies between prison and hell, the urge to escape, and strategies for coping, ranging from Stoic ataraxia to Christian acceptance of tribulation. These topoi are then traced through the evolution of the novel, starting with the picaresque, in which the inherent mobility of the hero constantly risks punctuation by spells in prison. In Guzman de Alfarache prison becomes a spur to moral and theological reflection, but other works adopt a more cynical approach, especially in the sordid world of Quevedo's Buscon. The quest for liberty takes a differentform in French comic novels, influenced by the picaresque but more aristocratic in tone, notably Sorel's Francion and the works of Cyrano de Bergerac, which allow aerial escape from the horizontal hell of prison. With the 'faux memoire' of Courtilz de Sandras, we move from malodorous low-life jails to the state prison of the Bastille, in which minor political players are incarcerated, as Courtilz himself was, forreasons often unknown to themselves, coping with their situation with greater or lesser degrees of success. Lesage's place in the evolution is pivotal: his use of the picaresque genre appears MLRy 97.4, 2002 969 at first retrograde, but Gil Blas's imprisonment in Segovia marks a synthesis with Courtilz's world of state imprisonment. In Manon Lescaut links between prison and passion, itselfan imprisoning force,are explored, incidentallypresentingthe authority of Des Grieux pere in an unfashionably sympathetic light. Though imprisonment is less central in Candide and Jacques lefataliste, these two works are the subjects of the finalchapters. In Candide the prison theme serves as...
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