In recent years, French authors have called for the mobilization of literature in favor of migrants’ rights and recognition. Writers, publishers, and booksellers have donated all revenue to humanitarian agencies such as La Cimade, Amnesty International, and UNHCR. At the same time, humanitarian NGOs have mobilized literary works to rally audiences around migrant issues. This essay examines how contemporary French literature and humanitarian organizations work in tandem to respond to the international migrant “crisis.” Drawing on George Yúdice's notion of “culture as resource,” I analyze two literary works—Matéi Visniec's play Migraaaants and Émilie de Turckheim's autofictional text Le Prince à la petite tasse—to argue that literary works’ ability to raise awareness about current migrations is enhanced when they sit alongside the actions of humanitarian NGOs.
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