it is my task briefly to memorialize the life of William Joseph Gavin. This is a sad task, as are all memorials, but it is also an important one. Bill was a beloved and respected colleague, and it is the duty of the Society to note his passing.The basic facts of Bill's life are easy to recount. Born in New York City on 16 December 1943, he was educated at Fordham from ninth grade on. He earned his BA in 1965, with a major in Russian language and Soviet-area studies. He completed his doctorate in 1970 with a dissertation entitled “An Aesthetic Approach to the Philosophy of William James.” Bill taught at the University of Southern Maine—with occasional periods in Belgium, Germany, Ireland, Japan and China—from 1968 until his retirement in 2014. He was the author, co-author, or editor of seven books, and wrote well over a hundred articles and reviews. Bill was an active member of SAAP forever. Long before we had T-shirts or posters, before there were prizes or even banquets, he was participating in our meetings and speaking on such figures as James and Dewey. A not irrelevant aspect in Bill's life was that he was married to the same woman, Catherine Kerley Gavin, for over fifty years, and together they shared a life of travel, sailing, and dancing. Bill died in Maine on 25 April 2021.In addition to his work in American philosophy with which we are most familiar, Bill's overall interests encompassed the sub-fields of ethics and aesthetics, medical ethics, Russian philosophy, and Existentialism. In his writings, these diverse aspects of his thought were seamlessly integrated and presented with a teacher's eye on the larger mission of philosophy: to try to answer such questions as these: “Why do we do what we do?” “What should we value?” “What should we believe?” “How should we live?”Running like a dark thread through Bill's writings are the themes of finitude and death. He emphasized that our beliefs in the secure and the permanent—our delusional expectations of control, our excessive demands for clarity, our hopeless quest for certainty—are all misguided. In his wonderfully clear volume, William James and the Reinstatement of the Vague, Bill writes: “[M]ost philosophers, and indeed most people . . . have pursued certainty, objectivity, and some form of universal truth” and “have assumed that such truth can be captured in language, that is, that a complete linguistic description of reality is at least possible and certainly desirable” (Gavin, William James and the Reinstatement of the Vague, Temple UP, 1992, p. 1). By means of his work, Bill shows us that all of this is delusional. He helps us to grasp what it is to live our lives without an adequate understanding of what we are doing, and to face the tragedy of having to endure when our choices prove mistaken. His view of life, and his approach to philosophy, are thus existential in the deepest sense.Philosophy for him was not some gussied-up academic pastime by means of which we polish and update the thoughts of others. Rather, philosophy lives only in a broader cultural context that also includes hunger and illness, yet has room for both poetry and dance. In the vital niche that Bill's work occupies between Pragmatism and Existentialism, he returned again and again to the diversity of our problematic contexts, and to the vague and tentative understandings that we cobble together to address our situation.