ABSTRACT This article explores the work of three fiction authors examining how they allow protagonists to bring originality to their use of stable mythological content to form new ways of organizing social relations. Across the three, the protagonist is led toward a pivotal moment, confronted by symbolic objects and figures that pose a real danger, from which some improvise, escape and form a more satisfying life. Fiction demonstrates how agency is possible, that humans can play with any given identities and roles and establish a different social order, at least sometimes effectively. Given the constraining power of mythology, this article builds on three core problems identified by Barthes to show how these writers can: first, undermine the naturalization of figures; second, challenge the notion that since order is largely given, then intentionality and agency are futile; and third, overcome how facts or veracity in myth-driven meaning lack any historical specificity by instead portraying direct experiences that produce their own identities, categories and relations. These findings are significant because the writers step outside politics to develop ideas about how political relations can be made differently through will, ability to experiment and enjoy experiments’ outcomes, and by living with greater multiplexity of perspectives.
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