Principles Of Harmony Research Articles

Environmental Conservation and the Bulawayo CBD as a Linguistic Landscape Construction: An Ecolinguistics Perspective

This study deploys the ecolinguistics perspective to examine how purposively selected signs communicate environmental conservation issues in the city of Bulawayo as a linguistic landscape construction. Drawing on Haugen’s language ecology model and Halliday’s eco-discursive approach, the study reveals that the dominance of English and the invisibility of indigenous languages violate an inclusive ecosophy couched on principles of diversity and harmony, interaction and coexistence. The study also reveals an ecological orientation that is both beneficial and ambivalent. We therefore recommend the inclusion of indigenous languages and the framing of more eco-beneficial messages that foreground the benefit of positive environmental stewardship.

Musical Color Harmony: Application of the Principles of Musical Harmony to Produce Color Hue Sets

Abstract Aesthetic response to the visual harmony of color combinations is a very personal and widely differing subjective experience. To the contrary, musical harmony - consonance and dissonance - are mathematically defined and certain combinations of notes exhibit near universal aesthetic agreement across the globe. Although numerous metaphysicians, philosophers, scientists, poets, artists, and musicians have speculated on the existence of a relationship between color and music for over 2000 years, the establishment of a correlation between color and musical harmony has been elusive. The author describes a framework, Musical Color Hue Harmony (MCHH), initially developed for video display systems, that correlates musical and color harmonic consonance and dissonance by applying the physics of aural harmonic resonance and theories of musical harmony to produce sets of “harmonious” color hues based on the mathematically defined frequency relationships between two or more musical pitches. The methodology is applicable to any musical tuning system and any color hue wheel configuration. Color attributes of brightness/luminance and saturation/chroma are presently beyond the scope of the framework.

East meets west: integrating Yin-Yang theory with immunology teaching.

This perspective article delves into a novel integration of Yin-Yang theory-an ancient Chinese philosophical cornerstone-with the sophisticated realm of immunology. Given the intricate concepts inherent in immunology, many students find it challenging to comprehend the delicate mechanisms governing immune equilibrium and regulation. Given the deep-rooted understanding of Yin-Yang theory among Chinese students, we advocate for an educational strategy that contextualizes the concept of immune equilibrium within the framework of Yin-Yang, thereby offering a more intuitive and engaging learning experience. This method not only capitalizes on the cultural significance of Yin-Yang, but also corresponds to its principles of equilibrium and harmony, thus mirroring the homeostatic essence of immune responses. This article critically assesses this technique's capacity to bolster immune comprehension amongst Chinese students, while also considering its limitations. Despite these limitations, the fusion of these seemingly divergent fields holds substantial promise for augmenting immunology education, promoting critical thinking, and advancing cross-cultural academic discourse. The amalgamation of age-old philosophical insights with modern scientific exploration prompts a reassessment of educational methodologies within immunology, underscoring a novel pedagogical approach that bridges traditional wisdom with contemporary scientific education.

Reconciling Cultural Values with Legal Principles: Traditional African Justice Systems in Contemporary Context

This comprehensive study delves into the fundamental principles of the traditional African justice system, juxtaposing it against the broader philosophical and jurisprudential evolution of the concept of justice. Drawing on a robust literature review, the article uncovers the unique features that set African justice mechanisms apart from formal court systems - the central role of community leaders, active community participation, and a focus on reconciliation and harmony. Tracing the concept of justice from ancient Greece to the present day, the study situates the African approach within this broader context. It explores diverse conceptions, from natural justice to economic, social, and corrective justice, and how they have been interpreted and applied in the African context. Crucially, the article reveals how traditional systems have often filled the gap between community needs and formal legal services. The findings suggest that the guiding principles of reconciliation and community harmony, which underpin the African justice model, offer invaluable insights for developing more holistic and inclusive justice systems. In an era of globalization, these insights could inform the pursuit of social cohesion and the common good, presenting a compelling alternative to the individualistic orientations of mainstream justice frameworks. Through its in-depth analysis and interdisciplinary approach, this study makes a significant contribution to the understanding of traditional African justice, its resilience, and its potential relevance in the contemporary world. The article's rich, sharp, and well-crafted narrative offers policymakers, scholars, and practitioners a vital resource for exploring innovative pathways to justice that prioritizes community-centric values.

Locative grounding harmony

In this paper, we explore locative grounding harmony, according to which the location of the grounds mirrors the location of the grounded. We proceed in three stages. First, we clarify the notion of locative harmony and describe different locative harmony principles. Second, we offer two arguments for the claim that grounding between physically located entities obeys principles of locative harmony. Third, we consider and respond to a range of cases that seem to show that grounding relations between physically located entities do not obey such principles. We conclude that grounding between such entities obeys locative harmony.

Landscaping characterization of the campus at the UEMG Ituiutaba, Minas Gerais, Brazil

The purpose of this work was to characterize the landscape of the campus at the University of the Minas Gerais State (in portuguese, Universidade do Estado de Minas Gerais - UEMG), located at Ituiutaba. As for such, the local plants were identified ranging from herbaceous to shrub type, due to them being the most commonly employed to perform alterations for landscape purposes. Subsequently, some areas of the campus were photographed to create a landscape characterization of the scenery in regard to its landscape's composition and vegetation. 102 species of herbaceous, subshrub, and shrub plants were found belonging to 39 families; 38.23% being native and the other 61.77% being non-native (cultivated, naturalized, and exotic). In regard to the landscape’s composition in loco, the principles of message, equilibrium, scale, dominance, harmony, and climax were contemplated. Furthermore, in regard to the guiding principles for the selection of vegetable species, it was observed that aesthetic, functional and temporal attributes were incorporated in all the analyzed areas. In conclusion, the landscape’s composition of the campus at the UEMG Ituiutaba fulfills its aesthetic, functional and ecological roles, however it’s worth highlighting that the adequate handling can be the defining factor in assuring the continuity of these functions.

The Principle of Harmony Among the Orthodox Churches and Its Disruption

The Principle of Harmony Among the Orthodox Churches and Its Disruption

Studi Deskriptif Karya Seni Rupa Berbahn Clay Tepung

This study aims to describe the process of making art works made from clay flour and works of fine art made from clay flour in class IV A SDN 32 Bengkulu City. This type of research is qualitative, with participant observation techniques, and qualitative descriptive method. The research subjects were all students of class IV A 32 elemnetary school in Bengkulu City, totaling 20 students. The research instrument used was a human instrument (the researcher himself), by using observation guidelines and interview guidlines. Data collection techniques in the form of observation, interview, and documentation. Data analysis was carried out during the process of making the work and after the work was finished by referring to the fine arts elements and the principles of fine arts. Research results are (1)the process of making fine works of clay flour begins with preparing the tools and materials used, namely scissors, cutter, small rollers, straw, pins, toothpicks, cutton bud handles, ruler, lighters and painting brushes, followed by the implementation of making works from determining the theme, making shapes out of clay’s flour dough, laying out and arranging the forms that have been made and drying the work. (2) The results of artwork made with flour clay has used the guidelines elements of fine arts and the principles of fine arts, namely the elements of point, lines, fields, shapes, colors, textures and space. Then, the principle of unity, balance, rhythm, emphasis, proportion, and harmony.

Harmonious entrepreneurship: a sustainable model for addressing global inequality

Purpose This study aims to develop an entrepreneurial business model capable of addressing and preventing the exploitation and inequality that traditionally have resulted from entrepreneurship, particularly in emerging economies. Design/methodology/approach The research uses systems thinking, the first law of cybernetics, and the principles of harmony to formulate a systemic solution to the problem, which it exemplifies via six purposefully selected short cases drawn from diverse industry sectors and economies. Findings This paper demonstrates how the conventional model of entrepreneurship, often associated with colonial exploitation and resultant inequalities, can be transformed into a triple bottom line model—harmonious entrepreneurship – that integrates the traditional economic, eco-, humane, and social approaches and creates a synergy where profit, planet, and people are in harmony. The model challenges the profit maximisation/shareholder value doctrine of business success. Research limitations/implications Only six cases are presented here, and there is a need for further research in different political-economic contexts and industry sectors. Also, the way entrepreneurship is taught needs to change so that it addresses the sustainability challenge in general and the problem of inequality in particular. Practical implications There needs to be a change in the entrepreneurial mindset and the way entrepreneurship is taught and potential entrepreneurs are trained if entrepreneurship is to address the sustainability challenge in general and the problem of inequality in particular. Originality/value This is a novel approach to the study of entrepreneurship and its impact on inequality that shows how it can ameliorate and/or prevent inequality, particularly in emerging economies, by adopting a more holistic approach to business success and supplanting “having and needing” with “being and caring”.

Harmony as an Aesthetic Approach for Meditation Centers

In recent years, meditation centres have become increasingly popular among individuals seeking solace, tranquillity, and respite from the pressures of contemporary life. This research paper seeks to explore the significance of harmony as an aesthetic approach in designing and organizing meditation centres, with the aim of enhancing the overall meditative experience for practitioners. By conducting an interdisciplinary examination of architecture, interior design, and psychological well-being, this study aims to investigate the role of harmonious aesthetics in facilitating a more effective and fulfilling meditation experience. The study emphasizes the importance of harmonious aesthetics in shaping the design of meditation centres. The pursuit of visual appeal extends beyond mere aesthetics to encompass a multisensory experience that evokes a sense of calmness and promotes mindfulness. The interplay of colours, textures, and spatial arrangements come together to create a serene atmosphere that guides practitioners on a journey inward. The paper underscores the significance of interior design in fostering harmony in meditation centres. Interior spaces that incorporate calming colour palettes, natural materials, and minimalist aesthetics create an environment that is conducive to meditation. Researchers examine the psychological impact of these design choices on practitioners, exploring how a harmonious interior can facilitate a deeper sense of mindfulness and focus during meditation sessions. Furthermore, the study analyses case studies of existing meditation centres that are renowned for their aesthetic excellence. By identifying commonalities in their design philosophies and best practices, the paper aims to inform architects, designers, and meditation practitioners alike. The goal is to foster a deeper understanding of the role of intentional aesthetics in enhancing the meditative journey and contributing to holistic well-being. In conclusion, this research paper emphasizes the significance of harmony as a key aesthetic principle in meditation centre design. By focusing on harmonious aesthetics, architects, designers, and meditation practitioners can create an environment that promotes inner peace, mindfulness, and overall well-being. The findings of this study contribute to the evolving discourse on meditation centre design and have practical implications for those involved in the design and construction of such spaces. Keywords: harmonious aesthetics, design of meditation centres, multisensory experience, harmony principle

Fine dining multisensory restaurants and intermediality: an exploratory case study on Ultraviolet and The Alchemist

In today’s extended and dynamic gastronomic field, fine dining ventures such as the multisensory fine dining restaurants combine haute cuisine, arts, sciences and new digital technologies to deliver memorable and immersive journeys, in highly controlled and sophisticated layouts.Traditional disciplinary perspectives seem inefficient to grasp the heterogeneous and intricate dimensions of these multisensory objects and calls for renovated methodological approaches. This research proposes the original combination of a Media and Arts studies approach - intermediality - to analyze such objects. This “undisciplined” perspective enables to comprehensively consider the artistic, digital, technical, and culinary mediations that compose the multisensory experiences.The aim of this paper is to show how the tools and approaches of intermediality offer a way of analyzing and making sense of the encounters, layering or frictions between the different mediatic components - arts, techniques, technologies - that make up the gastronomic experience.The exploratory case study probes into two establishments: Ultraviolet by Paul Pairet (Shanghai, China) and The Alchemist by Rasmus Munk (Copenhagen, Denmark). Far from being a mere juxtaposition of mediatic forms, the two restaurants combine and integrate many heterogeneous mediatic components to produce embracing and meaningful experiences. The article concludes by proposing some initial interpretations of media integrations in the restaurants under study. It suggests that the augmented restaurant Ultraviolet composes an aesthetic and semi-immersive experiential journey driven by principles of harmony and echo, whereas the repurposed restaurant The Alchemist proposes a disruptive dispositive, inserting discontinuity and divergence at the core of a hedonic proposition.

Translating Pancasila in Global Justice Context: Does it matter?

Pancasila, the philosophical foundation of the Indonesian state, encapsulates the principles of justice, humanity, and social harmony. However, as the world becomes increasingly interconnected, questions arise regarding the relevance and translatability of Pancasila in the global context of justice. This paper explores the significance of translating Pancasila's principles into global justice frameworks, examining its implications and challenges. Drawing on philosophical, legal, and sociopolitical perspectives, this paper argues that while Pancasila offers valuable insights into justice, its translation into global contexts requires careful consideration of cultural, political, and ethical nuances. Through comparative analysis and case studies, this paper investigates the feasibility and desirability of integrating Pancasila into global justice discourses, shedding light on the potential contributions and limitations of cross-cultural ethical frameworks.

Концепция “экологической цивилизации” как основа “зеленой” стратегии Китая

The article is devoted to the Chinese concept of “ecological civilization”, which underlies the modern “green” strategy of the PRC. The prerequisites for its emergence are thoroughly examined: the influence of the international “green” agenda, current environmental problems in China, the background to the formation of an integrated state environmental policy in the PRC. The essence of the “ecological civilization” concept is revealed in terms of the aspiration of the Chinese leadership, on the one hand, to implement its unique approach to the interaction between human society and nature, based on the principles of harmony from traditional Chinese culture, and opposite to the “violent”, hegemonic Western approach; on the other hand – to play a leading role in the current global “green” development within the framework of the “green transition” launched by Western states, while becoming a unifying power for the Third World countries in this direction. In practice, the PRC’s environmental policy, implemented through five-year development plans, has achieved notable success over the past two decades. The combination of caution with pragmatism and pedantry in the political and economic spheres strengthens China’s leadership position in the world. The current political and energy global crisis, which at a deeper level reveals a struggle of ideological and cultural paradigms, the process of establishing a new world order, creates favorable conditions for the realization of the Chinese “ecological civilization” concept, since it contains a harmonizing principle contrary to the “aggressive” approach of man to nature, that has prevailed over the past few centuries and has caused a rough dissonance between the direction of human development and the environment.

Ecophilosophy of Semen Antonets, regarding organic farming as a method of non-traditional land use

The paper analyzes the scientific works and elaborates the technological aspects and significance of the unique system of organic agriculture of the outstanding scientist-innovator, Hero of Ukraine Semen Antonets. It is emphasized that the Poltava agrarian and scientist Semen Antonets, back in the 70s of the last century, formed philosophical approaches in the field of nature management based on the principles of harmony with the natural environment, due to the implementation of the organic farming system as a method of non-traditional land use. The eco-philosophical orientation and special ecological ethics of the life path and heritage of the famous agrarian, scientist Semyon Antonets, which correspond to the teachings of V. Vernadskyi, the philosophy of H. Skovoroda, H. Skolimovski, and A. Ness, are determined. It has been proven that Semen Antonets proved the truth of the ecological conclusions he defined with fifty years of practical experience, the real implementation and existence of organic farming in the enterprise "Agroecology" of the Poltava region, which has not used chemical substances and mineral fertilizers since 1978. It is emphasized that the paradigm of organic agriculture of Semyon Antonets develops ecophilosophical teaching, contributing to an ecological worldview and universal ecological humanism and thinking. The need for legal protection of organic farming enterprises, and especially the lands of the Agroecology State Enterprise, and their preservation for future generations, has been elaborated.

Decorative Arts for International Cultural Exchange in the Information Age: Implications for Global Art Education and Identity Formation

Abstract Using the “One Belt, One Road” initiative, the study constructs a model of decorative arts to promote international cultural exchanges, and analyzes its role in promoting the principles of harmony, tolerance and mutual benefit. Using principal component analysis and PLS-SEM model, the study focuses on the specific impact of decorative arts in four aspects: international cultural exchange concept, resource conditions, organizational structure and international cultural education. The study results show that decorative arts significantly promote the idea of international cultural exchange, optimize resource conditions, build an effective organizational structure and advance international cultural education. Specific data show that the impact coefficient of decorative arts in promoting the concept of international cultural exchange on global art education and identity shaping is 0.726, the impact coefficient of resource guarantee is 0.714, the impact coefficient of social organization is 0.788, and the indirect impact coefficient of international cultural education is 0.685.This indicates that decorative arts have an essential position in international cultural exchange and have a global art education and identity shaping has a significant favorable influence. The study highlights the critical role of decorative arts in the era of globalization, provides new perspectives for a deeper understanding of their role in international cultural exchange, and offers essential references for developing strategies to promote global arts education and identity shaping.

Comparative Study of Japanese and Indonesian Panji Mask in Light on Fine Art Elements and Principles

Panji masks are one of the mask arts that originated in Indonesia and come in a variety of styles. One of the existing Panji mask styles is the Yogyakarta style, made of Pule wood and used in dance or theater performances. While in Japan, masks used in dance or theater performances, known as Noh masks, are made of cypress wood. Panji masks and Noh masks are long-standing cultural heritage arts. This study aims to identify and analyze the similarities and differences between the elements of art and the principles of art preserved in the Panji and Noh masks. A comparative qualitative method was used for the study. Library research, observation, interviews, documentation, and focused group discussions (FGD) were used to collect the data. Data processing and preparation, data reduction, data presentation, and conclusion drawing were all completed in stages. The results revealed similarities and differences between the Panji and Noh masks. Several principles are shared by Panji and Noh masks, including point elements, line shape, the principle of unity, balance, rhythm, proportion, and the principle of harmony. The line, field/shape element, color element, texture element, and emphasis principle are all different. These similarities and differences are due to a variety of factors, including the two countries’ geographical proximity (both on the Asian continent), as well as their history, customs, and culture.

Studi Deskriptif Pemanfaatan Sampah Anorganik Dalam Membuat Karya Benda Konstruksi

This study aims to describe the process of utilizing inorganic waste in making construction work and the results of using inorganic waste in making construction work in class IV B SDN 45 Bengkulu City. This type of research is qualitative research, with participant observation techniques, and qualitative descriptive methods. The subjects in this study were all students of class IV B SDN 45 Bengkulu City, totaling 26 students. The research instrument used was a human instrument (the researcher himself), using observation guidelines and interview guidelines. Data collection techniques in the form of observation, interviews, and documentation. Data analysis was carried out during the process of making the work and after the work was finished by referring to the fine arts elements and the principles of fine arts. The results of the study are (1) The process of making construction art objects begins with preparing the materials and tools used, namely colorful straws, white glue, pedestals / scissors, and scissors / cutter, followed by the implementation of making works from preparing several slabs of straws , making the size of each slatted straw, gluing plates together, and developing variations in shape. (2) The results of construction works made using the art elements guidelines as well as visual art principles, namely point, line, shape, shape, color, texture, dark light. Then, the principle of unity, balance, rhythm, emphasis, proportion, and harmony / harmony. Keywords: Fine Art Work, Utilization of Inorganic Waste, Construction Objects

Damang's Existence as a Customary Justice of Peace in the Dayak Tribe Community in Palangkaraya

Demang is a customary leader who serves as the chief of customary region (kedemangan). The research method used in this research is based on empirical legal research on primary and secondary data. The data was qualitatively processed and analyzed. The overall results of the analysis are descriptively presented, that is describing the problems fully combined with critical commentaries. The theory used in this thesis is the theory of the Legal System Theory by Lawrence M. Friedman and some teachings on traditional case handling by Moh. Koesnoe. Both these theories are used as a analysis knife to dissect and analyze the issues being studied. The discussion and the conclusion of this thesis, can be described as follows: (1).The existence of the position of Demang as a Peace Judge of indigenous communities judicially recognized in the legislation in force and still adhered to by the Dayak people in Palangkaraya, (2).In performing its functions, Demang as a Peace Judge of indigenous communities, always prioritizes the ways of peace settlement based on the principle of harmony, mutual grindstones, mutual love, mutual care, so as to solve the problem completely and the results can satisfy all parties, (3).In fact, the Dayak community legal culture in Palangkaraya strongly supports the effective execution of tasks of Demang as a Judge of Peace, from the cases that came to kedemangan, none of the cases has been brought to the level above kedemangan or appeal to local courts, (4).In current conditions, the role of Demang as a Judge of Peace needs to be enhanced in order to remain effective and not lose its function. Steps of empowerment can be done internally and externally, internally more on improving human resources and ways to resolve cases of indigenous peoples. Then externally rather the provision of facilities and infrastructure supporting the Demang duties performance as a Indigenous Judge of Peace

Dynamics of Harmony: A Comparison of Principles between Ikebana and Mondrian’s Neoplasticism

The paper Ikebana and Mondrian's Neoplasticism explores the meaning and form of harmony. By integrating the principles of traditional Japanese floral arrangement, Ikebana with the principles of neoplasticism harmony evolves, not as a static state but that of push and pull drawn on the thinking of Piet Mondrian. The discussion sprung from a deeply personal search for harmony through two seemingly contradictory schools of thought and cultures: Japanese flower arrangement and the abstract art of Piet Mondrian. By bending branches and shaping lines, the nature of harmony takes a visceral form. Initially, they appear similar, not in expression but in their absolute stillness. The East seeks harmony through accord, the West through the reconciliation of discord. Yet beneath the surface, Ikebana and Mondrian grapple with a push and pull, searching for concord amidst tensions. I argue that harmony is a dynamic, fluctuating state that is deceptively perceived as a state of stillness.

A Systematic Generalisation of Chord Configuration Methods in Harmonic Writing Based on a Big Data Context

Abstract In this paper, we systematically summarize the chord configuration method in harmonic writing, start from the connection principle of functional harmony, and use the knowledge of harmonic theory to research and explain the harmonic variability writing and chord configuration method. Secondly, based on big data algorithms, it is proposed that according to the chord composition law and progression logic, a chord system construction objective function is proposed, and a dynamic planning algorithm for automatic chord arrangement is designed to realize automatic chord arrangement by machine. Then, after reducing the chord repetition rate of the generated music, it was found that the ideal style type of music could not be achieved. For this problem, a hidden Markov-based chord auto-configuration model is proposed for optimization and experimental analysis of the chord configuration method in harmonic writing is carried out. The results show that the emotional response of the major triad music fragment with an octave decrease in overall pitch is a positive emotion, and the intensity of the emotion is significantly reduced compared to the major triad with no pitch change. The emotional response to the music fragment of the major triad with an octave increase in overall pitch was positive, and the emotional intensity of the major triad with no pitch change was significantly increased. This study improved students’ musical aesthetics, cognitive abilities, and experiences.