Muslim women are often represented as lacking freedom of choice and agency in literary and media discourses. This supposed lack in native Muslim societies is thought to be redeemed by Western interventions by championing ideals of freedom, equality, and liberty. This assumption is problematic as it is governed by the thought that Muslim women are not “agentic” and need external forces to speak for them. It also prioritises the West as the superior other creating a vast gap between them and the rest. This may be seen as an effect of the Eurocentric or Neo-orientalist school of thought that strives at “othering” Muslims and Islam. These discourses include not only the writings of some eminent Western scholars in line with the Orientalist school of thought but Muslim writers as well. However, contrary to the majoritarian discourse, some writers debunk and subvert these stereotypes linked to Islam, offering an alternative picture of Muslims in a more nuanced way to challenge the didactics of Western superiority. To the latter scholarship belongs Sudanese-British writer Leila Aboulela and second-generation immigrant author of mixed descent Shelina Zahra Janmohamed whose writings offer a more nuanced version of Muslim women’s writing. This article assesses the engagement of freedom and agency in Aboulela’s novel Minaret (2005) and Janmohamed’s chick-lit memoir Love in a Headscarf (2009). Contrary to the prevalent discourses on Islam and Muslims these narratives posit a resistance to conforming to the Western modes of thought and conventions. This article articulates how immigrant Muslim women deny stereotypes regarding them through the choices they make.