Presence Of Styles Research Articles

«Style» and «memory» in the publications of the collection «Culture of the word»

The article provides a segmental review of the publications of the «Culture of the Word» for more than half a century, the formal criterion for selecting materials was the presence of style and memory in the titles of the words. The argument in favor of the informative nature of such an analysis is the belief that the key problems of the research are usually reflected in the title of the scientific work. The chronological approach to the analysis is applied. The chronological structuring of the material will make it possible to reveal the time marking of the study of the stylistic specificity of the Ukrainian language. The articles in the collection "Culture of the Word" can be viewed as a coherent popular science text in which theoretical issues of linguistics are presented to the reader in an interesting narrative presentation, illustrated with a variety of linguistic and informational material. In fact, the overwhelming majority of the articles in the collection are permeated with the understanding of style, and the term style is represented in the titles of publications from the 70s of the twentieth century. The linguosophical reception of memory is projected in the following directions – national memory of the word and linguocultural memory. As the analysis shows, over the more than half-century history of the Culture of the Word collection, the methodological vector and interpretive practices in linguistic and stylistic studies of style and memory have changed. The center of the dynamic model of style is a person who creates and decodes stylistic varieties of language. And the national memory of the word (and the memory of the text) brighten the linguistic and cultural image of the modern literary language.

Early Pleistocene hominin deciduous teeth from the Homo antecessor Gran Dolina-TD6 bearing level (Sierra de Atapuerca, Spain).

During the last 13years, the late Early Pleistocene Gran Dolina-TD6-2 level (Sierra de Atapuerca, northern Spain) has yielded an additional sample of 26 dental specimens attributed to Homo antecessor. In this report, we present a descriptive and comparative study of the six deciduous teeth. We provide external and internal morphological descriptions following classical terminology, as well as the mesiodistal and buccolingual measurements of the teeth. The internal morphology was described by means of micro-CT technique. The TD6 deciduous teeth preserve primitive features regarding the Homo clade, such as the presence of styles in lower and upper canines and developed anterior and posterior foveae in the dm2 . However, other features related to the complexity of the crown morphology (e.g., cingulum) are not present in this sample. Furthermore, the great reduction of the talonid of the dm1 s is also noteworthy. Despite the limited comparative evidence, the presence of a remarkably well-developed tuberculum molare in the dm1 and dm1 s from TD6 can be also considered a derived feature in the genus Homo. The TD6 hominins exhibit dental dimensions similar to those of other Pleistocene hominins. The dm1 s are buccolingually elongated and the buccolingual diameter of ATD6-93 is the largest recorded so far in the Homo fossil record. This study expands the list of plesiomorphic features of H. antecessor, and provides some information on the evolutionary status of this species. However, the identification of some advanced traits evinces a step towards the derived morphology of European Pleistocene teeth. The study of the deciduous dentition confirms the mosaic pattern of H. antecessor morphology revealed in previous studies of this hominin sample.

Style v dans le bassin du Douro : Tradition et changement dans les graphies des chasseurs du Paléolithique Supérieur européen

The documentation of some figures of hoofed in Siega Verde on panels of palaeolithic style and its stylistic references in the whole south of Europe, constitutes the starting point of the reflection on the presence of style v in the outdoors sites of the peninsular occident. In the Douro's region exists a richer documentation than the habitual in Europe: the outdoors panels of Côa and Siega Verde, the engravings on palaeolithic figures of La Griega, the paintings with direct chronologies of Ojo Guareña, the decorated plaquettes of the level 4 of Fariseu and the pebbles and plaquettes of Estebanvela. Painting in the caverns, outdoors and cave engravings and mobile art, with good references of absolute chronology between 11,500 BP and 9000 BP that confirm the continuity of the Palaeolithic art. If we compare the data of the peninsular occident with those of the north, those of Levant and those that begin to be known in Andalusia, the coincidence of dates is astonishing. In the same way if we compare these ones with the dates of the South of France and Italy. The external art of the western facade of the Iberian Peninsula possesses not only a unite palaeolithic contrasted sequence but rather it also puts in evidence the reality of the recurrent and continued locations in the whole sector during 30,000 years. Above the 11,000 BP, the transformations of the hunter groups begin to be evident in the whole south of Europe and the graphics demonstrate these changes, with a progressive transformation of contents and style that leads to a bigger schematization. The interesting cohabitation among naturalism and schematism that demonstrate the direct dates of C 14, apparent a progressive transformation that discards radical ruptures between the social and graphic world of the palaeolithic hunters and their heirs.

Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning

The presence of style indicates strong community, an intense sociability that has been given shape through time, an assertion of control over collective feelings so powerful that any expressive innovator will necessarily put his or her content into that shaping continuum and no other. (Keil 1985:122)

A REVISION OF THE GENERA « ASPILIA », « BLAINVILLEA » AND « WEDELIA » IN WEST AFRICA

SUMMARY A discussion of the taxonomy and nomenclature of the West African representatives of the genera Aspilia, Blainvillea and Wedelia (COMPOSITAE— Helianthoideae), while drawing attention to misconceptions which have confused the proper understanding of the constituent taxa in the past, leads to a re-assessment of the value of certain morphological features and results in the following conclusions:— 1. The genus Wedelia is not indigenous in West Africa being represented only by the introduced Wedelia trilobata (L.) Hitchc. 2. The genus Blainvillea is represented by the single indigenous species Blainvillea gayana Cass. 3. The critical distinction between Aspilia and the other two genera rests in the fertility of the ray florets, i. e. the capacity of these florets to develop mature achenes rather than the mere presence of styles and stigmas. The existence of species of Aspilia which possess « functionless » styles and stigmas is of interest in relation to the evolution of sterility in that genus. In on...