REVIEWS I53 Wortman,Richard S. Scenarios ofPower. MythandCeremony inRussian Monarchy. Vol.2.- From Alexander II totheAbdication ofNicholas II. PrincetonUniversity Press, Princeton, NJ, 2000. xvii + 586 pp. Index. Notes. Illustrations. k38.oo. VOLUME Two of Richard Wortman's pioneering study of monarchical presentationsis even better than the first.It is remarkablehow little attention most twentieth-centuryhistorianspaid to the power scenariosof coronations, funerals, national anniversariesand royal visits, which, if mentioned at all, tended to be dismissedas 'mere' pomp and ceremony, icing on a cake made of institutions,ideology and theories of autocracy, reform and revolutionary movements. Volume two focuses on rulerscoping with the challenges of the modern age by takingadvantageof Russia'sbackwardness,notablyof the fact that ninety percent of the population were peasants. Alexander II, for example, raised on a diet of Official Nationality, favoured a sentimental discourse which presented reform from above as an expression of people's needs. His scenario 'sought to evoke love' (p. 26) through a new sort of sharing,caringimage, but also featuredmilitarydisplays,which presentedthe emperor as firmly in control, an illusion which was shattered by his assassinationin i 88I. The chapters on Alexander III are among the best in the book, supplementing the usual master narrativeof authoritarianclampdown by examining the elaboration of a myth of monarchy which entailed branding even Westernized moderates as 'bearers of foreign influence antagonisticto the national spirit'(p. I97). Alexander's 'peasant-like'appearance , complete with bushybeard, and grufftaciturnitysuitedhim for the role of epic folk hero (bogatyr'). He shared Pobedonostsev'sview that evil human nature needed strong authority, at the same time cultivating a moral bond with thepeople througha religiousscenario.Anniversariessuchasthebaptism of Rus' (i888) were lavishly marked, but celebrations for the twenty-fifth anniversaryof emancipation of the serfsin i886 were forbidden.Moscow and pre-Petrine Russia were exalted in an attempt to relocate the real Russian nation in 'a scene and a time of divinely and popularly sanctioned personal rule' (p. 34I). Nicholas II had a harder time honing his image. Not only did he lack his father's physical presence, but whereas Alexander III at least believed in a few 'trueRussians' around the throne, Nicholas trustedno one, either officialsor courtiers, outside the family and the narod. Competing for popular support involved marginalizing institutions, even the church, by claiming a 'direct though unspoken and invisible spiritual bond with the people' (p. 366). Wortman turns the old Soviet historiographyon its head by emphasizing not peasant revolt but popular acclaim, epitomized by the peculiar 'Russian Hoorah'. Thirteen-year old Nicholas wrote a composition describing how during his parents' visit to the Kremlin in i88I crowds raised 'a deafening "Hoorah" '(pp. 3I5- I6).A 'perfecthurricaneofsound'(p. 35I)accompanied his own coronationparadein I896 and the shoutsfromthepeasantdelegation which greeted him at Poltava in I909 led Stolypin to declare: 'This marks the end of the revolution' (p. 424). It would be easy to dismiss all this as I54 SEER, 8o, I, 2002 stage-managed, narodas expendable extras in plays always ending with rapturouscries reminiscent of the burnye aplodismenty recorded at Soviet Party Congresses.But evidence drawnfroma wide range of sources,includingeven cynical foreign observers, suggests that enthusiasm from below generally complemented the scenario from above. It was those who didn't get a part in the play who proved to be the problem. Wortman skilfullydemonstratesthe dynamics of self-delusion in, for example, the lavish ceremonies for the canonization of Serafimof Sarovin I903. God's apparentcuringof the sickin Sarov implied he would heal Russia, too, and scenes of popular devotion fuelled the royal couple's faith in the power of collective piety to defeat the subversiveactivities of 'aliens', especially in St Petersburg(which celebrated itsbicentenaryin the sameyear, but with lukewarmsupportfrom on high). In 1912 the unpleasantness of the Lena gold field massacre was offset by the Borodino jubilee celebrations, the joyous response' to which Moskovskie vedomosti hailed as 'dealing a final blow to the harmfullegend of the so-called revolutionarycharacterof Moscow' (p. 434). In retrospect, the dangers were all too clear. Richard Wortman quotes extensively from A. G. Elchaninov's Tsarstvovanie Gosudaria Imperatora Nikolaja Aleksandrovicha (I913), the first official biography of a living tsar, which propagated Nicholas's vision of himself on a mission ordained by God, devoted to...
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