Reviewed by: Native Americans in the Movies: Portrayals from Silent Films to the Present by Michael Hilger Mª Elena Serrano Moya Native Americans in the Movies: Portrayals from Silent Films to the Present Michael Hilger Lanham, Md.: Rowman & Littlefield, 2015, 464 pages, ISBN 978-1-4422-4001-8 When Michael Hilger published From Savage to Nobleman: Images of Native Americans in Film in 1995, the United States of America was still recovering from the post-celebration blues of the quincentenary of the arrival of Christopher Columbus to the American continent. The first years of the decade witnessed a resurgence of Native protests about the American Holocaust, as some Native scholars have called it, and its problematic celebration. The film industry, which is always a measure of the social temperature, released several key Indian-themed movies with huge success. Thus, at that time, Hilger's book was a necessary shout-out to those who had suddenly discovered Native Americans in movies. Twenty years later it was necessary to continue with that work, as the portrayal of Native Americans in movies has not ended and the participation of Native American actors and directors in the movie industry has increased. Therefore, not only does Hilger add more titles from last decade of the 20th century and from the first two decades of 21st but he has also updated some of the information from the first edition, reorganized the book, corrected and changed some information and added a valuable index of movies. This update has made it a 'must' for scholars concerned with depictions of Native Americans in films or film history. The book is composed of three main chapters: a filmography chapter in which movies are organized in alphabetical order, and several appendixes organizing the titles according to the nation the native characters belong to; a chapter on the portrayal of Native Americans; and a classification of TV movies with a useful presentation of movies in chronological order. Hilger begins by presenting and explaining the two traditional stereotypes of Native Americans in movies, the Noble Red Man and the Savage, and how they have become tools for the white establishment to reflect and address the issues of their times. Thus, films with Native Americans characters have generally been concerned with white issues and have failed to fully represent or develop their native characters. In this introductory chapter, Hilger also comments briefly on Native American females and ends with some comments about the importance of editing and how it shapes our perceptions of these characters. Thus, a close-up of a Native American character with the appropriate lighting and low-angle shot will make him threatening, such as the first time Scar or Geronimo appears in The Searchers. The following chapter takes us on a visual tour from the Silent Period to the Present. In this edition, instead of writing individual chapters for each decade finishing with a comprehensive list of films from that decade as the author did in his previous edition, he has now opted to gather all the information in a unique chapter. I find this grouping more clear and effective as readers are offered a visual account of how the films and the depictions of Native Americans were embedded in social and historical events in those decades. For instance, the celebration of the arrival of Columbus not only brought a renewed interest in and image of Native Americans but it also brought attention to Native Americans directors like Chris Eyre or Sterlin Harjo, who are constructing a new visual portrayal of Native Americans with their own voices and words. The titles from the late 1990s and early 21st century are welcome, for there aren't many books that cover more current films. (An exception is M. Elise Marubbio's Killing the Indian Maiden (2006), with its analysis of images of Native American women in movies, which takes us to 2005). It is true that we encounter individual articles about specific movies but I believe that researchers, students [End Page 68] and historians need more comprehensive and thorough works like Hilger's. Even more, Hilger's book comments on some movies that rarely appear in the analysis of...