This article examines artistic practices that engage with digital technologies through a critical making methodology. Critical making is described as a hands- on practice that aims to merge critical thinking with making. This is a practice that focuses on the process of making and combines material experimentation with critical thinking about the effects of digital technologies. Critically-made artifacts in the artistic context have the potential to disrupt pre-established no- tions of art engaged with digital technologies as well as to challenge screen es- sentialism in artistic production and everyday life. In this paper, it is proposed that critically-made artifacts are a form of post-digital art based on hybridisation of digital and non-digital technologies. This turn in artistic practices engaged with digital technologies is seen as a way to rematerialise digital technologies unfolded in physical space as well as a critical reaction to the post-digital condi- tion, where all aspects of daily life are circumscribed around digital technologies in computational societies.