This text is offering an overview of principles of feminist dramaturgical thinking, that have been identified and used in research on feminist dramaturgy through theoretical and practical work on the performance Still to Come, a Feminist Pornscape. Some of the principles are: the principle of bell hooks, the principle of relationality, the principle of significant otherness, the principle of negative capability, the principle of critters, and they can be related to a variety of aspects of politics and ethics in artistic practice. The text is an ending chapter of The Feminist Pornscapes, on Feminist Dramaturgical Thinking in Dance and Performance Practice book and is intentionally only sketching the current reach of the proposed principles with the wish to welcome the reader into a conversation, to pave the way for more thorough elaborations that are still to come.