ABSTRACT In the contemporary Greek Cypriot popular music scape, we witness various and varying instances that feature cultural heritage elements: the frontman of a hard rock band performing in a vraka, the traditional male trousers; a trap song making references to lefkaritiko, a traditional lace; a metal band opening their album with an acapella tsiattisto, a traditional oral poetic style. This paper discusses these and other instances by placing them in the wider historical and political framework of the Republic of Cyprus. Distinguishing between tradition and heritage, as well as place and space, it suggests that the creative turn to the cultural past of Cyprus can be interpreted as a redefinition of the modernisation and decolonisation process of the Republic of Cyprus, which is accomplished through an inward look that emphasises the geographical and cultural particularities of the island. This inward look, it is argued, speaks back to the historical process of decolonisation that was defined by external references (attachment to the motherland(s), desire for Westernisation, and opposition to the ‘Other’). The decolonisation process, itself the cause and effect of conflict and sentiments of ethno-nationalism, defined the identity of postcolonial Greek Cypriot subjects.