Notable paradigmatic shifts in second language education have taken place over the course of the last several decades. During the mid-1990s, the ‘social turn’ was marked by moves away from the understanding of second language acquisition as a purely cognitive process toward a more holistic understanding of a language learner’s agency and situatedness within dynamic sociolinguistic contexts (Ellis, 2021). Over the last 10 years, the ‘multilingual turn’ has built upon the social turn to include critical and post-structural perspectives that address sociocultural and sociolinguistic power dynamics. These perspectives value learners’ fluid multilingual competencies, such as translanguaging, in an increasingly globalized world (Ellis, 2021). Presently, this shift continues to drive increased interest in linguistic plurality, multimodal learning and expression, and what is known as multiliteracies (Zapata et al., 2023). Multiliteracies refers to a theoretical and practical approach to literacy pedagogy developed by the New London Group (1996) which calls for educators to acknowledge the ever-increasing cultural and linguistic diversity of modern globalized societies as well as the increasingly diverse forms of texts, information, and technologies that circulate throughout them. In doing so, educators can better engage the contextual discourses, or “lifeworlds,” of learners, providing opportunities for the process of agentive (re)design, or meaning-making. In Multiliteracy Play: Designs and Desires in the Second Language Classroom, Chantelle Warner builds upon the New London Group’s framework by providing a vision for further realizing the current paradigmatic shift in second language teaching. The author’s core argument is that multiliteracy play, described as creative (and sometimes subversive) “tinkering” with linguistic, cultural, and semiotic meaning, further emphasizes and explores facets of the second language learning process that remain neglected: affect, aesthetic, design, and desire. [First Paragraph]
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