Portrayal Of Women Research Articles

Unveiling New Feminist Insights into the Inspiring Narrative of Women Pioneering India’s Accomplished Mars Mission in the Film Mission Mangal

The present research article delves into the transformative journey of women in society, with a particular focus on their education and emancipation, as depicted through the lens of cinema. In recent years, women have evolved from traditional roles to multifaceted individuals who actively shape their destinies. This transformation encompasses their education, as they gain access to knowledge and learning, and their emancipation, as they assert their rights and seek opportunities for personal and professional growth. Furthermore, this study explores the representation of these transformations in films, examining how cinema is a potent tool for educating and empowering women. “There are various works that deal with feminism through writings and movies which bring out the nature of women in a way that every woman can relate and reflect it with their daily lives.” (Shalini & Alamelu 2018) It investigates the portrayal of women’s lives and their journey towards self-realization and sheds light on the societal dynamics and challenges they encounter. Through cinematic narratives, women’s stories gain the potential to inspire and mobilize positive change, challenge existing norms and promote gender equality. The present study employs content analysis as the methodological approach, and this study seeks to provide a comprehensive analysis of the representation of women in “Mission Mangal” from a feminist viewpoint, revealing fresh insights into the portrayal of women’s roles and contributions in India’s Mars Mission exploration story.

Opposing The Construction of Femininity in Неделя Как и Любой Другой by Natalya Baranskaya

The media in Russia, particularly initiatives such as the Stakhanovite movement, has significantly contributed to promoting women's empowerment in Russia. Despite leaving a lasting influence, these efforts also resulted in unintentional outcomes, including the portrayal of women idealistically through propaganda that can be seen in one of Russian Literatures. This article delves into the construction of femininity in Natalya Baranskaya's novel Неделя Как и Любой Другой (1969) within the context of the Soviet state. The qualitative method is used for analysis with the aim to demonstrate that terms addressed to women in the Soviet Union were forms of propaganda rather than empowerment, aimed at shaping female characters according to the state's needs. The paper employs Gender and Nation theory by Nira Yuval-Davis (1997). The study reveals that slogans like “The Real Soviet Women” along with women-targeted questionnaires and state-imposed childbirth quotas, served as instruments employed by the government to manage women's reproductive choices, influence gender norms, and uphold patriarchal ideals. In conclusion, this critique serves as Baranskaya’s opposition against heavily enforced patriarchal systems within the Soviet government.

Rebekah Hyneman’s The Black Izba: The Moscovite Jews and the Tzar’s Jewish Doctor’s Triumph over an Anti-Semitic Plot

ABSTRACT Rebekah Hyneman, born in Pennsylvania in 1816, played a significant role in documenting Jewish existence. Beyond her unique historical novel, The Black Izba: A Tale of Ancient Russia,1 serialized in 1855 in The Masonic Mirror and Keystone, she made a noteworthy contribution through her extensive oeuvre. Raised by a Jewish-German father and a Christian mother, Hyneman converted to Judaism in 1845. Despite her multifaceted literary output, her substantial contributions have been overlooked. This paper seeks to rectify the historical neglect surrounding Hyneman's work by shining a light on her novel, The Black Izba. This novel stands out as a rare piece by a nineteenth-century Jewish female writer. It offers a unique perspective on Jewish women, exploring a female literary culture documenting its own story, its relationship with prevailing Christian norms, and striving to uphold religious and cultural values in restrictive contexts. Through an examination of Hyneman's work, the paper underscores her portrayal of Jewish women and their role in preserving their identity. Hyneman's poetry and prose extend beyond mere artistic expression; they harbor political and social agendas. She believed that Christians' unfamiliarity with Jewish traditions fostered alienation. Through her writings, Hyneman endeavors to bridge this gap, emphasizing mutual recognition.

A Comparative Analysis of Intersectional Feminist Identities in Caryl Churchill’s Vinegar Tom and Cloud Nine

The portrayal of women in patriarchal communities and their resistance against the tyranny of males are one of the most evident themes of literary texts. Feminist writers and scholars object to the conventional premise that women are inferior, silenced, or marginalized figures, and they aim to alter the mindsets of traditionalists’ by implementing and analyzing the sense of the rebellious spirit of female characters through their works. The advocates of intersectional feminist theory hold a notion that the oppression, from which women suffer, is the result of intersected social factors combined with the gender identity of women. In other words, gender cannot be the sole reason for tyranny but women’s social status, race, poverty, sexuality, ability, or disability are some of the crucial issues that accompany and reinforce the oppression they experience. In this regard, the purpose of this article is to scrutinize Caryl Churchill’s Vinegar Tom and Cloud Nine by analyzing the female characters’ miserable conditions and their struggles to find their real identities since the female characters suffer from patriarchal dogmas and norms in each play.

Impact of Perceived Insecurity Due to Portrayal of Women in Ads on Buying Behaviour

The study aims to determine the significance of the Portrayal of Women in advertisements on perceived insecurity and consumer buying behaviour. To do so, primary data was collected by a floating questionnaire comprising closed-ended questions with five points on the Likert scale. The data was collected from 203 respondents by means of a convenience sampling method. SPSS was used to test and analyse the data. Regression was used to investigate the significance of the variable. The outcomes of the study we conducted show that the portrayal of women in advertisements significantly impacts perceived insecurity and consumer buying behaviour. The mean value for perceived insecurity and consumer buying behaviour is 3.52 and 3.30, respectively, so we can conclude that both constructs are statistically significant.

Content Analysis of Drama Promos: Exploring Instances of Violence Against Women across three Leading Pakistani TV Channels

This study investigates the portrayal of violence against women in Pakistani TV drama promos, employing Bandura’s Social Cognitive Theory. A quantitative content analysis of drama promos from three channels was conducted. The study revealed a staggering prevalence of violence, with 97% of the promos featuring some form of violence against women. In a bid to determine the frequency of foul language across all the channels, only 1% was found. The analysis also revealed that the overwhelming majority of violence took place in domestic settings, accounting for 77 percent of all cases. 8% of the cases and intimate partners and relative females were often the perpetrators or victims of violence, accounting for 40 percent. 4% and 23. respectively, it was observed in 2 out of 100 instances, and 2 out of 100 instances, respectively. These results provided further evidence of the pattern of physical violence portrayed in these channels, which indicated the violent portrayal of women.

Impact of Target-Audience Characteristics on the Portrayal of Women in TV Commercials

Impact of Target-Audience Characteristics on the Portrayal of Women in TV Commercials

Potret Perempuan dalam novel Lebih Senyap Dari Bisikan karya Andina Dwifatma

This study aims to describe the portrait of women in the novel Lebih Senyap dari Bisikan by Andina Dwifatma. This research focuses on three aspects: (1) portrait of single women, (2) portrait of women as wives, and (3) portrait of women as mothers. This research uses descriptive qualitative method with the novel Lebih Senyap dari Bisikan by Andina Dwifatma as the research object. The research data are words, phrases, clauses, and sentences that describe women's portraits. The data collection technique is done by reading and understanding the novel, marking relevant data, and inventorying the data. Data analysis was conducted by data classification, data interpretation, and conclusion drawing. The results showed that the novel More Silent than a Whisper by Andina Dwifatma presents a complex and multidimensional portrait of women. The portrait of a single woman is described as independent, ambitious, and has doubts about marriage. The portrait of a woman as a wife is described as loving, strong, and able to adapt to difficult situations. The portrait of women as mothers is described as loving, protective, and willing to sacrifice for their children. This research is expected to contribute to the understanding of the representation of women in Indonesian literature.

Revealing the Influence of Social Media Advertising on Women's Representation in Moroccan Society

In our society, social media has become an integral part of our everyday life. We cannot dissociate ourselves from its hegemony. Also, we are influenced by what is transmitted across all categories. Advertising, a significant component of media content, occupies a substantial portion of social media platforms. Consequently, audiences are easily persuaded to purchase specific products. Through advertising on social media, it is straightforward to convey messages of gender role degradation and stereotypes concerning women, effectively convincing the audience. This article aims to illustrate the detrimental effects of advertising's targets on women. Social media is everywhere in our lives, and advertisements have a significant impact on our lives through the excessive use of social media. However, Social media advertisements frequently depict women negatively, which can lead to negative perceptions of women. This study has shown that social media advertisements negatively portray women, which is alarming. We should be aware of how these advertisements can influence our opinions and take steps to improve them. Ads that fairly and respectfully represent women can contribute to a more inclusive social media environment for all users, including women. It's important to acknowledge the influence of advertising and work toward improving the representation of women online.

Women, Too, Were Blessed: The Portrayal of Women in Early Christian Armenian Texts by David Zakarian (review)

Women, Too, Were Blessed: The Portrayal of Women in Early Christian Armenian Texts by David Zakarian (review)

Exploring the Relationship Between Women’s Empowerment and the Diversity and Positive Representation of Female Images in Fashion Advertising

This paper investigates the relationship between women’s empowerment and the diversity and positive representation of female images in fashion advertising. Using a qualitative content analysis approach, the study examines a selection of fashion advertisements from various magazines and online platforms over the past two years. The analysis focuses on the portrayal of women in terms of diversity, body positivity, and empowerment. The findings reveal a gradual increase in the diversity and positive representation of female images, with more advertisements showcasing a broader range of body types, ethnicities, and ages. There is also a notable trend towards portraying women in more empowered and active roles. However, persistent gaps remain, with limited representation of certain groups, such as older women and plus-size individuals, and some advertisements continue to perpetuate unrealistic beauty standards and objectification. The paper concludes with recommendations for the fashion industry to further promote diversity and positive representation as a means to empower women. Future research should explore the long-term effects of exposure to diverse and empowering representations on women’s self-perception and societal roles.

Who’s the scariest of them all? Depictions of evil women in Greek folktales

This study aims to investigate the portrayal of demonic women in Greek folktales and their significance in reflecting societal perceptions of femininity. We selected 17 editions of folktales in the Greek publishing industry as our primary source material and utilized content analysis as our method of analysis. Negative values such as ferocity, malice, brutality, wickedness, and ugliness were used as criteria to study the demonic woman's external appearance and personality. Vladimir Propp’s Morphologie du conte (1970) served as a reference for examining the demonic woman's qualities such as name, origin, social position, age, external characteristics, and peculiarity of her appearance. We also focused on the demonic woman's actions and relationship with the hero/heroine to highlight the terrifying aspects of her inner world. The study sheds light on how the representation of demonic femininity in Greek folktales reveals societal and traditional assumptions about female gender. Our findings aim to demonstrate the different faces of the diabolical women in Greek folktales and present a collective representation of the demonic.

Toplumsal Cinsiyet Dinamiklerinin Açığa Çıkarılması: İran Sineması Üzerine Eleştirel Bir Analiz

The main purpose of this research is to examine the portrayal of gender in Iranian cinema and the subsequent effects on today ‘society, gender dynamics, and individual identity as a result of those impacts. The historical foundation of Iranian cinema, the key films in the industry, and the impact that political and cultural forces have played are all extensively discussed throughout study. Moreover, the paper delves into the portrayal of men and women in Iranian cinema, as well as the impact of the media on the formation of cultural standards and gender identities. It also analyzes the loosening of traditional gender standards, while calling attention to the predominance of destructive female characters in contemporary Iranian cinema and emphasizing the significance of sensitive male characters in that cinema. Furthermore, the study looks at how family connections are shown in Iranian films across time, as well as the delicate interplay of distinct sex, gender, and cultural features.
 As a result, women in Iranian cinema take on more prominent roles, but gender equality remains a challenge, and women continue to create meaningful films that resonate with audiences. The representation of masculinity in Iranian cinema is complex and varied, reflecting changing social and cultural norms in Iranian society. It is portrayed as heroic and honorable in some films, but violent and aggressive in others. This sparks a discussion about cinema’s role in shaping social norms and values, as well as the need for more diverse and nuanced portrayals of masculinity.

#WomenInSTEM: exploring self-presentation of identity on Instagram

Despite prior research on portrayals of women in STEM in traditional media, fewer studies have considered portrayals on social media. This content analysis of Instagram posts ($N=300$) examined how individuals using the hashtag #WomenInSTEM presented their gender identity, STEM identity, and other social identities through digital self-portraits, selfies, and associated text. Results showed that those associating with this hashtag community primarily presented: 1) counter-gender-stereotyped portrayals, but occasionally reflected gender stereotypes in subtle ways; 2) STEM identity portrayals, mostly focused on self-recognition; and 3) self-promotional and lifestyle portrayals. Findings advance understanding of identity presentation and negotiation for individuals associating with the hashtag #WomenInSTEM through portrayals presented on Instagram. Implications for the use of social media to promote equity in STEM through outreach programs that feature women STEM role models are discussed.

Role of Women in Advertisements A Paradigm Shift

This research report seeks to study the opinion and response of the viewers on the portrayal and role of women in advertisements. The research method used for analysis is Survey. The respondents subjected to the survey were demographically categorized on the basis of gender, occupation and age. The review of literature throws light on how women were used as commodities in some ads, as a mere dependent being and also sexually objectified in many ads. As a parallel observation , it occurs that involving women in advertisements was to incite the audience and make them attentive. The result of this research is to study the change in the portrayal and role of women in advertisements from past to present and also observe the shift in perception of the viewers.

The Image of the Married Woman in Portuguese, Spanish and Russian Proverbs in the Light of Medieval Christian Ethics

Purpose. To examine the portrayal of women in matrimonial contexts through an analysis of 437 proverbs originating from Portuguese, Spanish, and Russian traditions. This study aims to explore how these sayings mirror the cultural, societal, and religious beliefs surrounding women's roles in the institution of marriage.Results. The study found that the image of women in marriage within these proverbs is consistent across the cultures studied. It highlighted that while the Christian Church promotes chastity, it also endorses marriage to combat sexual promiscuity. Similarities were identified between Southern European and Russian proverbs regarding the spiritual foundation of Christian marriage, the nature of spousal relationships, and the expected qualities of a wife and mother.Conclusion. Proverbs serve as a cultural repository, mirroring traditions and values shaped by historical and literary influences. The proverbs perpetuate the religious and moral ideals of the Catholic and Orthodox Churches, particularly the patriarchal view of marriage. This view enforces a hierarchy within marriage, with the wife subordinated to the husband, who is seen as her spiritual guide and the determinant of roles and responsibilities in the family and the broader society.

Exploration of Marginalized Characters in “The Search”: Subaltern Voices

Shaheen Akhter's The Search is a novel that gives insight to how the 1971 liberation war was perceived by various groups of people, from the people of power to the powerless and the victims of that power. It also explores the theme of marginalization, subalternity and cultural hegemony particularly through its portrayal of women, who were not only victims of war and oppression of the enemy but also by their own people and kins. Through the lens of subaltern theory and by using a qualitative approach, this paper aims to expose how the characters of the novel became subalterns, were marginalized by the enemy power and the very society that they themselves belonged to. While focusing on the possible causes that are responsible for their silence, this paper tries to be the voice of the unrecognized whose voices often go unheard, misheard and ultimately muted. Even if they attempt to express themselves, their words are never truly acknowledged.

From the Soil to the Screen: Women Representation in Contemporary Rural China

This research delves into the representation of female characters in contemporary Chinese cinema, focusing on films set in rural and underdeveloped areas between 2010 and 2022. Under the guidance of Professor Luis Duno Gottberg at Rice University, the study scrutinizes the complex interplay between traditional socio-cultural norms and evolving gender perceptions within these cinematic narratives. Central to our inquiry is the exploration of how a distinctly Chinese interpretation of the Male Gaze and entrenched Confucian patriarchal values shape the portrayal of women, signaling a negotiation between historical and cultural influences and modern identities. Employing a qualitative research methodology, this study integrates a comprehensive literature review, focusing on feminist film theory and its application within the Chinese context. Content analysis of selected films is conducted to uncover recurring visual and narrative themes, character development, and gender dynamics.

EXPLORING FEMALE IDENTITY IN KATE CHOPIN’S NOVELS

This study delves into the profound exploration of female identity in the works of Kate Chopin, focusing on key novels such as "The Awakening" and "The Story of an Hour." Through a meticulous analysis of Chopin's characters, themes, and narrative techniques, this research sheds light on the complexities of female identity, autonomy, and self-discovery in a patriarchal society.By closely examining the characters of Edna Pontellier and Louise Mallard, this study reveals the depth of complexity in Chopin's portrayal of women who defy societal norms and grapple with the tensions between personal desires and societal expectations. Themes of autonomy, agency, and the quest for self-realization emerge as central motifs in Chopin's exploration of female identity, inviting readers to contemplate the challenges faced by women seeking to define themselves outside of traditional roles.Drawing upon literary criticism, historical context, and feminist theory, this research offers a comprehensive analysis of how Kate Chopin's novels challenge and redefine traditional notions of female identity. Through a nuanced examination of female characters' struggles, aspirations, and triumphs, this study highlights the enduringrelevance of Chopin's works in inspiring conversations about gender, autonomy, and the complexities of female identity in literature and society.

Merkez Karacaören Köyünden (Hadriani) Bir Mezar Steli

The tomb stele in good condition, which was acquired to the Burdur Museum by a citizen, is preserved in the garden of the museum. The stele from Karacaören village of the central district of the province must have been carved in an itinerant workshop in Hadriani. The tomb stele, which has a flat lower part and a triangular upper part, features a standing man and a woman in the scene. Both figures are of the “Dioscurides” type. This type, which is quite common in the man figures of the Roman Imperial period, is also preferred for the woman figures. The most distinctive features of this type are that the right arm, bent at the elbow with the posture of the figures, is enclosed in a sling formed from the himation, while the left arm adjacent to the body is slightly bent at the elbow and extended downwards, holding the end of the himation. This type also represents the status of the man figure and his family. The tomb stele, which is dated to the Roman Imperial period with its rather simple appearance, has been suggested a period based on the stylistic evaluations of the man and woman figures. The hairstyle of the man figure is similar to that of the portrait of Traianus in type I. The hair fashion in the woman portrait is similar to that in the “Ceres” type portrait of Vibia Sabina, the wife of Hadrianus (117-138 AD). In addition to this hairstyle/fashion, other stylistic features of the figures reflect the stylistic characteristics of the Traianus (98-117 AD) period. As a result of the analyzes, the tomb stele was dated to the Late Traianus-Early Hadrianus period.