doi: 10.3138/ctr.152.3 Costuming Urban Theatricality ... As this issue goes to press, the student protest movement in Quebec has quickly become a massive manifestation of urban theatricality. In opposition to the Quebec government’s proposed tuition hikes, demonstrators have made major incursions into civic life. And, in response to Bill 78, which seeks to constrain the right to protest, the demonstrations have become broader based and ever more inventive. One acoustic expression has been the beating of pots and pans, and in the prelude to the weekend of the Formula One Race, costuming was particularly emphasized. On 7 June, marchers chanted “Everyone naked in the street” as they stripped down to their smalls. Red body paint stood in for bits of clothing while selfmade additions showed a real flare for minimalist, politicized costuming. The now-iconic red rectangle was drawn on chests, arms, faces, and pregnant bellies. The blueness of the police uniforms topped by bright green emergency vests, and some of the hyped clothing of the race car fans, offered competing costume displays and a vivid testimony to the pervasive importance of costume here and now.
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