Reviewed by: Sharko by Franck Thilliez Nathalie G. Cornelius Thilliez, Franck. Sharko. Fleuve, 2017. ISBN 978-2-265-11559-0. Pp. 576. Police detectives Frank Sharko and Lucie Henebelle return along with other brigade regulars for a riveting thriller in their sixth novel together. Investigation leads to counter-investigation when Sharko's cover-up of Henebelle's inadvertent murder of a suspect in a kidnapping case threatens to unravel. As Sharko and Henebelle struggle to keep their secret, macabre elements of the crime scene draw their team into a dark and violent side of Western society. Initially, a seemingly unrelated incident of a man suffering from galeophobia who coolly allows himself to be devoured in a shark tank elicits the fascination of readers and characters alike. Mythology and fact are meshed in a realm where limits normally set by fear, this primordial human instinct for protection and survival, are nonexistent. Central to this intrigue, embedded in layers of culture and history, is blood. In the book, blood has not only symbolic and biological significance, but is also a source of financial profit and political power. Thilliez's knack for blending plausible fiction with meticulously researched fact creates the framework for an elaborate storyline spanning decades and continents, interweaving science, marginalized cults, BioArt (art created using living organisms and live tissues), and colonial history. As with his recent prior novels, Thilliez illustrates the proverbial butterfly's wings whose beat in one location sets off a chain-reaction ending in catastrophe elsewhere. The result compels the readers to avidly google the many authentic references to people, events, and places, in order to reassure themselves of the fictitious nature of a few. The baroque elements of the plot are grounded by the human element of Sharko, who continues to evolve beyond his character as a clinically effective detective (perhaps an allusion to French neurologist Jean-Martin Charcot, whose studies and techniques are referenced by Thilliez in several of his novels). The skeletons of Sharko's past and the psychic flaws that he acquired through experiences in prior novels are further explored as contributors to the character's cruelty, courage and tenacity. Thilliez's stylistic sensibility confers a depth of characterization to the protagonist. Sharko's model train locomotive, charmingly named Poupette, is a soothing presence that helped the protagonist retain his sense of sanity and purpose even when faced with the most heart-wrenching trials in the detective's earlier exploits. The miniature machine also incarnates Sharko's unfailing will to continue to function. Compared to Thilliez's Rêver or Puzzle, this novel is less psychologically destabilizing, and thus less effective in inviting a lasting reader's reflection on the human psyche. [End Page 221] However, the novel's revelations of crimes against individuals and societies illuminate dark truths that politics attempts to sweep under the carpet. This intelligent novel is an important reminder to its readers that history will repeat itself if one is not vigilant, and that, despite everything, the past continues to exert its influence in the present. Nathalie G. Cornelius Bloomsburg University of Pennsylvania Copyright © 2018 American Association of Teachers of French
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