Major Prophets Christopher T. Begg, Rory K. Pitstick, Paul R. Redditt, Isaac M. Alderman, and Fred W. Guyette 1913. [Prophets/Prophetic Literature] Esther Fuchs, “Women as Prophets/Women in Prophets: Gender, Nation and Discourse,” Feminist Theory and the Bible, 95–113 [see #2022]. An intertextual reading of women as prophets and women in the prophets in the Hebrew Bible reveals that privileged speech is gendered. While narrative texts tend to inscribe and erase women’s prophecies, prophetic literature tends to erase them completely. To the extent that women prophets are inscribed in the narrative text, they are interpolated as subjects in a national saga of military confrontations with various collective enemies. Female prophetic roles are indistinguishable from their political roles in the continuous struggle against the foreign others. The violent language of national demarcation and differentiation is ascribed to women prophets, who thus are made to legitimize and sanction it. These speaking bodies reproduce the nation, culturally and discursively. As the cultural reproducers of the nation women prophets embody one category of idealized feminine identity. As prophets then Israelite women inscribed in the pedagogic narrative are part of a gendered as well as a national script. As poetic figures in prophetic literature women’s bodies are constructed as signifying representations of the nation as such. The signifying body appears as the sexual object of male violence, or as the victimized body of mother/daughter Zion. The metaphoric representation of the nation is a performative elaboration of the narrative script. The performative script which focuses on the nation’s failures and errors is no less “nationalistic” in the sense of its effort to identify a plurality and diversity of subjects as a unitary coherent collective. This imaginary community is repeatedly signified through a seriality of collective subjects among which the female body is only one. [End Page 666] The violence directed at the nation rather than by the nation captures the pivotal moment of political demise, even as the female body signifies the nation at the point of disintegration and defeat. By attributing to the signifying body a series of synonymous deviations from the pedagogic script, prophetic discourse reinterprets, reconstructs, re-encodes, and further elaborates the narration of the nation in poetic terms. The symbolic, recursive, and repetitive poetry of performative discourse envisions the nation’s future, while evaluating, criticizing, and condemning its past. The performative discourse thus affirms national continuity by reinventing and recasting the nation in a new proliferation of shifting subjects and predicates, all pointing to the idea of a shared past and a shared future. Feminist criticism has correctly pointed to the breakdown of the marital and sexual metaphor, and its questionable effectiveness as a representation of a sanctioned relationship. What I have tried to do here is to extend this analysis even further by adding a postcolonial dimension to what has already been written. The postcolonial perspective bridges the divide between those feminists who focus on the signifier, namely, the metaphor of sexual violence, and those who focus on the signified, namely, the nation. Postcolonial theory suggests that the signified is also a signifier, namely, that the nation as well is a metaphor of collective identity, a discursive phenomenon that moves between narration and poetic representation, pedagogy and performance. As such the nation should be as much the object of feminist inquiry as the sexual and marital metaphor which generated so much debate and continues to generate a considerable body of scholarship and historical as well as literary interpretation. (author’s conclusion, adapted, pp. 111–12)—C.T.B. 1914. [Prophetic Literature] Donatella Scaiola, “Abramo nella tradizione profetica,” RSB 26 (2014) 75–87. Prophetic texts rarely make reference to Abraham, but the references that do exist are largely in harmony with the Genesis portrait, except for their focusing primarily on Abraham’s positive characteristics and at the same time emphasizing much more than Genesis does the fidelity of God rather than the faith of Abraham. In the biblical tradition, Abraham was evidently a symbol continually recast as a key for the development and expression of Israel’s understanding of its own identity and vocation.—R.K.P. 1915. [Prophetic Literature] Massimilliano...