This work discusses the fragmentary state of Pessoa’s Faust and the plurality of its editions. In the dramatic work of Fernando Pessoa, the recreation of Faust occupies a central role. Though Pessoa’s Faust is currently considered by critics as a “theater in ruins” (Gusmão [2003]), its main edition available presents a play supposedly organized in five acts (Pessoa, 1988). An examination of the documents that constitute this Faust reveals more than 200 disconnected fragments, mostly handwritten and undated – a puzzle whose only satisfactory solution is perhaps to accept its intrinsic incompleteness. A promising editorial possibility was presented by the University of Coimbra project Arquivo LdoD, dedicated to rethink the Book of Disquiet through an interactive online platform, with which a reader would be capable of reorganizing the textual fragments, generating her own personal anthology. This essay argues, thus, that a new edition of Pessoa’s Faust would be able to re-present the great Pessoan drama in a way to honor its state of fragment, plurality and labyrinth. FERNANDO PESSOA / FAUST / FRAGMENTS / VERSIFICATION / CRITICAL AND GENETIC EDITION