Reviews more secular contemporaries in his search for answers to broader, existential questions drawn from theJewish spiritual world. In an especially insightful essay,Mark Gelber probes how interfaces between Young Vienna and the lesser-known Young Jewish Poetic Movement, two streams in Viennese literature normally regarded as completely separate, call into question the viability of 'Young Vienna' as a category in itsown right. Through discussion of both texts and their reception, Gelber explains how the writings of Stefan Zweig and Richard Beer-Hofmann, as members of both groups, were incorporated into various literary strategies with differing goals, such as the promotion of Zionism or attempts to create unified, modern, Jewish national expressions. By examining how interpretations of Young Vienna and Young Jewish texts shifted significantly according to the sites inwhich they appeared, whether in journals intended for a Jewish audience or as part ofmore general Viennese publications, Gelber's thought-provoking analysis questions the extent towhich Jewish' aspects of any literary or cultural movement can truly be separated from other, broader concerns. His essay, along with a number of others, provides a solid basis for further inquiries into the literature of the period from other critical perspectives such as gender and class. Collectively, thisvolume reveals that explorations ofJewish identity, spirituality and anti-Semitism in the texts and narrative histories of Young Vienna writers continue to be relevant in examinations of the literature of thefin de si?cleand reminds us that the insightful questioning of standard frameworks of literary analysis alongside new textual interpretations can lead to even greater insight into the complexities of theYoung Vienna group. Whitman College Lisa Silverman Hofmannsthal Skizzen zu seinem Bild. By Ulrich Weinzierl. Vienna: Zsolnay. 2005. 319 pp. 21,50. isbn 3-552-05340-9. We have no Hofmannsthal biography. Critics apparently have taken to heart Hofmannsthal's dictum 'Wer eine Biographie macht, stellt sich gleich' ('Ad me ipsum'). Weinzierl does not claim that his highly readable study,modestly labelled 'sketches' in the subtitle, is a substitute for a biography, but it is the first extensive discussion that does not focus on Hugo von Hofmannsthal's works but rather on various aspects of his personal life and character. Among these Weinzierl singles out his ambivalent attitude to his Jewish heritage, his mostly unreciprocated attraction to the nobility and his early homoerotically charged friendships (Weinzierl prefers the term 'homophil'), his relations with other Young Vienna writers, the friendships he formed later in his life, and last but not least his courtship of and marriage with Gerty Schlesinger, and his platonic relationship with Ottonie Gr?fin Degenfeld-Schonburg. The book is rounded off by a discussion of Hofmannsthal's relationship with his children ? Christiane, Franz and Raimund. In exploring these major themes Weinzierl draws on Hofmannsthal's correspondence, notes and diaries, on statements and recollections of contemporaries, and on unpublished materials; the last notably include letters AUSTRIAN STUDIES, I4, 20 6 361 tohis parents and toGerty Schlesinger, as well as portions ofHarry Graf Kessler's diaries. Other aspects that are touched upon or discussed in some detail include Hofmannsthal's symbiotic relation with his mother (he was convinced that he would die inMarch just as she had done), his military service (it partly appealed to him because he was serving in the prestigious Dragonerregiment AlbrechtPrinz von Preu?en No 6 with itsaristocratic flair), his behaviour in World War I (he was saved from the trenches though the intervention of friends but tried to put a heroic mask on his actions), his wartime patriotic writings (rightly labelled 'Brokatprosa' byWeinzierl [p. 68]), the conscious creation of a kind of aristocratic lifestyle in Rodaun (Rudolf Alexander Schr?der, half in jest, referred to him as Count Rodaun), his obsession with money (according to Kessler's diary he talked incessantly about money), and the points of contact between him and the radical right. Hofmannsthal's attitude to his Jewish heritage, which I first analysed in a 1993 article ('Zwischen Bewu?tsein und Verdr?ngung. Hofmannsthals j?disches Erbe', Deutsche Vierteljahrsschrift, 67 [1993], 466-83), is delineated in all its complexity. It spanned the entire spectrum from an early identification with his Jewish heritage (p. 31) to troubling outbursts of anti-Semitic...