The novel “Snow Crow”, written by female writer Chi Zijian from northeastern China, was published in 2010. It is loved by readers because of its regional writing language and content. The story was based on the geographic space of Harbin in 1910, and the historical context throughout that era was the Great Plague outbreak. By carefully drawing a map of the modern city of Harbin, and depicting the lives of the Fu Jiadian people as well as foreign residents before and after the plague, it shows the writer's unique perspective on the society confronting an unprecedented pandemic. In recent years, because of the impacts of COVID-19, Chi's “Snow Crow” has once again caught the public‘s attention. This paper, in accordance with the principle of “Inside and Outside”, which was proposed by Liang Zongdai for literary appreciation and literary criticism, draws on the disciplinary theory of literary geography. Furthermore, combined with the specific literature, it discusses how the effects of geographical attribute to cultural creation, and analyses the influence of geographical environment on Chi's novels. Moreover, this paper investigates multiple Spaces of Harbin 100 years ago constructed in “Snow Crow” from three aspects: the real and unreal urban space, the exotic space under multi-culture, and the color space full of metaphor. This paper makes a comprehensive investigation of the urban development and evolution history of Harbin, revealing the creation value of “Snow Crow” and its literary significance, in order to make up for a lack of studies on regional literature in the northeast to some extent.