Place Of Women In Society Research Articles

The Roles and Duties of Physiotherapists on Women's Health During Disaster Period

The incidence of disasters is increasing in Turkey, and in addition to the great loss of life experienced as a result of these disasters, there is also a large increase in the number of individuals in need of rehabilitation. Today, disasters and the physical, mental and environmental damage caused by disasters affect the lives of women, especially. Considering the place of women in society, starting rehabilitation for women at an early age will play an important role in the recovery of society. Physiotherapists, especially those working on women's health, will become very important in the evaluation, treatment and adaptation of these problems to daily life, with the knowledge and capacity they have. The most common problems experienced by women in the post-disaster period are; deterioration of genital hygiene, menstrual problems, problems experienced during pregnancy and after birth, and pelvic floor dysfunctions. The practices that physiotherapists can do in these problems in accordance with environmental conditions are physiotherapy-related evaluations, manual applications, different exercise approaches and preventive approaches that can be recommended for these problems. However, these manual applications and exercises should be planned specifically for the individual and should be responsive to responses in a short time. Creating comprehensive rehabilitation interventions involving trained and experienced physiotherapists in disaster management programs will increase the functional status and quality of life of disaster victims

Striving to be Men in the Family: Masculinity and Capitalist Transformation in Vietnam

Women in Vietnam, historically and today, have participated in the labor force at a high rate. Since Vietnam opened its markets in 1986, their participation has noticeably declined. Given this change, what does economic transformation mean for how men understand the place of women in society, and relatedly, what does it mean for how they understand masculinity? Through ethnography and interviews with 53 men in Ho Chi Minh City, I find that Vietnamese men in this urban center aspire for projects of masculinity that rely on the reimagination of Vietnamese women as non-workers in history. My findings show that men from different economic positions and occupations evidence divergent views of the family and women’s role in it. Men who are employed in waged occupations with a high school degree or less seek to realize “tradition” through the single-income family and the homemaker wife, yet this family is not necessarily an echo of the past. By contrast, men in salary paying occupations with some or complete college education view the dual-income family and the female worker as progressive despite the long history of women’s labor in Vietnam. This finding presents an opportunity to understand how masculinity as an ideal, a process, and a lived experience occurs during moments of economic transformation.

Pend-nâme-i Attâr’ın Türkçe Şerhlerinde Kadına Bakış Açısı ve Eril Dilin Tespiti

One of the mirrors that best reflects the definition, meaning, feeling, course, change, and transformation of the image of women, which is hidden and censored in the subconscious of social memory, is literary literature. In pend-nāmas, one of the genres that show the view of classical Turkish literature on things, women, and society, the ideal society is imagined, and what the individual should do for this is explained in a simple and understandable style. This study aims to determine the perspective of the poet, the commentator, and thus the society on women, to try to read the place of women in society and to identify the masculine language used in these texts based on the commentaries made by the commentators of the classical Turkish literature period on Pend-nāme-i Attâr, one of the essential works of Persian literature. Although feminist research and gender studies have developed since the 1970s-1980s, it is possible to trace women in texts written in much earlier periods, considering that women are the mothers of society and the generation begins with her. Thus, it will be easier to follow the development of the centuries-long story of women and the changing perspective over time. In this study, in which the document analysis method, one of the qualitative research methods, was used, the largest Pend-nāme-i Attâr commentaries written in the 18th and 19th centuries in Turkish literature were preferred. The commentaries of the commentators on the source couplets in which women are in question were determined, and the intention was read. As a result, based on these commentaries, it was understood that it was not "women" but "women with bad morals" who were criticized. It has been concluded that the view that women with bad morals are beings who cause men to fall into heedlessness and, therefore, should be avoided has gained weight. The reason for the heavy criticism is that women have a high transformative and transformative effect on men and, thus, on society. In short, a woman is a man's weakness, and resisting her requires a strong will. Being aware of this, the masculine mentality actually appeals to its own ego by giving her advice. This emphasizes the fact that men and women are complementary beings and that the degradation of one inevitably leads to the degradation of the other. It is scientifically unsatisfactory to draw general conclusions from a few texts. For this reason, other texts of classical Turkish literature, which has a wide range of genres, should be analyzed one by one, and different perspectives, if any, should be identified. Subsequently, the reasons for the exclusion of women, their being regarded as half-witted, and their being regarded as passive being who must be constantly taken care of and managed will be explained with more concrete and realistic justifications.

Pазвитие женского духовного образования в России во второй половине XIX – начале XX вв. (на примере Кавказской (Ставропольской) епархии)

In the modern world, women’s (gender) history is of increasing interest, which makes it possible to compare social, cultural and psychological features in the ratio of “male” and “female” in history. At present, the life of women of the clergy, including the peculiarities of their education, remains poorly studied. It is worth noting that the education of women of the clergy was closely interrelated with the activities of the Russian Orthodox Church, which has a significant impact on the political and social life of society. The reforms of the second half of the XIX century opened the way for women of all classes to education and social activities and led to changes in public perceptions of the role and place of women in society. While secular educational institutions began to teach women new professions, religious educational institutions were focused exclusively on pedagogical activities. Special diocesan women’s schools were created in dioceses for the education and upbringing of girls of the clergy. There were only three diocesan women’s schools in the North Caucasus, and the very first, and for a long time remained the only one, was the Caucasian (Stavropol) diocesan Women’s School. In this regard, considerable attention is paid in the article to the role and history of this particular school, which made a significant contribution to the development of women’s spiritual education in the Caucasian (Stavropol) diocese. The author substantiates the conclusion that despite the trends and demands of society in the second half of the XIX century, the female education of the clergy remained conservative, which is associated with the role played by the girl of the clergy, and the duties of the future wife of a clergyman.

Karijera, kuhinja, konferencija: žene u hrvatskom društvu šezdesetih

Based on an analysis of Communist Party (i.e., League of Communists of Croatia/Yugoslavia) documents, as well as the women’s, academic, student and youth press, this article explores the status of women in Croatian society during the 1960s. It opens perspectives for the study of “the role and status” of women in communism, with emphasis on the under-researched 1960s, in comparison to scholarship on the Antifascist Front of Women (Antifašistička fronta žena, AFŽ) of the 1940s and 1950s and the second wave of feminism (neo-feminism) of the 1970s and 1980s. The 1960s saw a marked rise in women’s education and employment, which was not accompanied by an increase in their “visibility” in society nor in their political representation (in the period after the abolition of the AFŽ in 1953). Similarly, there was no reformulation of the “women’s question” prior to emergence of the first feminist demands in the form of criticism of or dissent against the state in the 1970s. The first part of the paper defines the problem of the declarative “solution” of the women’s question with the introduction of legal gender equality. Alongside demands for reform, the 1960s witnessed evidence of political, societal and economic crisis during which women, regardless of their ever-growing level of education and qualifications, could not find an unobstructed path to leading positions. Subordinating the women’s question under the class question hindered genuine change in the social status of women, because the place of women in society was an indicator of the failure of the state monopoly over issues pertaining to women. The second part of the article analyzes women’s participation in the student movements of 1968 and 1971, but also their involvement in the emerging civic initiatives of the same period. Criticism of the invisibility of women as active participants in student, youth and academic endeavours correlates to examples of misogynist attitudes that permeated society during the 1960s.

Napoleon and Russia: Recent Historiographical and Social Trends

This article analyses the trends that have emerged in recent years in the study of issues connected with the history of the Napoleonic era, including the study of relations between France and Russia. As the 200th anniversary of Napoleon’s death approached, a serious debate broke out in France, sometimes turning into sharp public clashes on various issues of Napoleon’s policy. A characteristic feature of the discussions was the transfer of the controversies of today (democracy or authoritarianism; the role and place of women in society; repentance or refusal to repent in relation to the slavery of black people, etc.) to the realities of the historical past. In this situation, French historians have made significant efforts to thoroughly study the events and processes of the turn of the nineteenth century and shown the state and society the illegitimacy of such a “modernisation” of the past. Several brilliant and deeply founded works by T. Lenz and other researchers, mainly from the Napoleonic Foundation, as well as the willingness of historians to engage in public discussions, have led to a noticeable improvement in the attitude of French society and the state towards the Napoleonic era. A prominent place in the efforts of French historians to present a “true” past was occupied by the analysis of Franco-Russian relations, e. g. the origin, course, and consequences of the war of 1812. Along with French researchers, historians of Britain and the United States have achieved notable success, having carried out, together with their colleagues from other countries, the extensive project “Cambridge History of the Napoleonic Wars”. Thanks to this project, it was possible not only to include the history of Napoleon (including his Russian campaign) in the global context but also to dwell on the problems of the development of society as such – from moral issues to the specifics of the development of historical memory. In recent years, researchers from Russia have continued to publish yearbooks reflecting the history of the era and have published several important monographs. Along with an in-depth study of the factual side of the events of the Napoleonic time, a noticeable feature was the consistent appeal of Russian authors to the issues of historical memory. Several works by N. P. Tanshina, N. V. Promyslov, and, in particular, A. A. Postnikova helped reveal the mechanisms of functioning not only of domestic historical memory in relation to the era but also of the memory of peoples and other countries, primarily France.

‘If I had any luck, he’d be a corpse’: Harriet Vane and the Psychogeographic Nature of Detection

This article examines the role of women within the culture and society of the interwar period, or, precisely, the 1930s. Through examining the crime fiction of Dorothy L Sayers and focusing specifically on Have His Carcase the figure of the female detective is shown to be inherently psychogeographic. The article, then, analyses the way in which Harriet Vane functions as a psychogeographer through her methods of detection. It goes on to argue that it is the way in which Harriet’s detection methods operate that allows the text to critique the cultural, social and physical place of women in society and culture of the 1930s. With a close examination of walking within the cultural context of the holiday space, the spaces which women inhabit during the 1930s are shown to be influential and significant in the process of successful detection.

Social Thoughts in Ambai's Short Stories

Ambai a Tamil Nadu woman writer who has highlighted the feminist voice for the emancipation of women in society and their strong personality development through her writings on the history of modern Tamil literature, has created in her short stories an understanding of the existence, challenges and place of women in society and her place in the social platform with a keen interest in her life. She has written about the problem of dowry in the social sphere, unrestrained male-female friendships, and women's sexual problems. Predictions about women-dependent fathers, husbands, brothers, companionship are also present in the short stories of the various instances of human relationship persistence. He is also a prolific writer of feminist issues. Who was supportive of the female class. The narrative that emerges in his stories has shaped each narrative to suit each period. Depicts the problems faced by women in the positions of mother, daughter, wife etc. where the woman is placed second. There have also been reports of sexual violence against women and young girls. The purpose of this review article is to express social thought through her works on the notion that women suffer in society because of their ‘virginity’ and the idea that women should be left out of traditional thinking and build a new world for themselves.

Margaret Atwood'Un Damızlık Kızın Öyküsü Romanında Ataerkil Yapı

Back in the old days, the hunting and gathering period shaped the division of labor between men and women, the former being hunters, and the latter gatherers. While men were engaged in battue, i.e. herd hunting, women mostly hunted small animals and gathered plants to share tasks in society. Considering that battue often ended in failure, this period was indeed a time when mostly women covered their family’s food supply. Since women took on the task of care as well as gathering, they essentially had the most critical tasks of society during this period. As a natural consequence of this situation, society had a matriarchal structure.
 With the transition to a sedentary life and the subsequent domestication of animals, men took over most of the farming and livestock work on themselves. Thus, the means of production came under the rule of men. This led women to take care of their family and home, and restricted women’s space. Therefore, society underwent a transformation from a matriarchal to a patriarchal structure.
 On the other hand, women started to take their place in production again with the effect of the Industrial Revolution. They endeavored to rebuild their identity in the patriarchal order, to create a change in the social structure and thinking of society, as well as to make room for themselves in working life. Yet, from the 18th century onwards, the patriarchal social structure has maintained its dominance. In this social order, women’s struggle for social, economic and legal rights has been continuing without interruption. In her dystopian novel, The Handmaid’s Tale, Margaret Atwood addresses women’s issues, gender and cultural dogmas in patriarchal social structure. The novel investigates the place of women in society in the Republic of Gilead, as well as the patriarchal structure in a critical manner. In this context, this study is designed to explore the type of role that patriarchy casts for women in Atwood’s work, The Handmaid’s Tale, and to elaborate on how women are pressured by cultural patterns in this patriarchal structure.

Little Women: Contemporary Polish Novels for Girls as an Example of Engaged Literature

Literature for today’s teenage girl is an important area of YA literature with structural elements of such narratives as vibrant portraits of a teenage girl, her search for an appropriate life path, and, in a broader context, the issue of the changing role and place of women in society. Just as society has evolved in the profile of young girls, so has literature reflected this change. Both a look at earlier Polish novels for girls as well as more contemporary depictions are found in this exploration of socially engaged literature that has developed a new model of teenage heroes and heroines.

ОБРАЗ ЖІНКИ-БОРЦЯ В ПОЕЗІЇ ОЛЕНИ ТЕЛІГИ

The original vision of the role of women in the struggle for national freedom is presented by the work of Olena Teliha, a Ukrainian diaspora writer. The work of the author is closely related to the Prague school - a community of artists who emigrated to Europe in the first half of the 20th century. The writers of this literary circle in their artistic and journalistic texts nurtured the ideas of nationalism and emphasized the need to form an effective Ukrainian, a man of rank, capable of defending and building an independent state. The lyrical and journalistic works of Olena Teliha also actualize these problems. The author believed that a woman's mission in the struggle for state sovereignty is to become a friend, and moral support for male warriors, and, if necessary, also to take up arms. The writer's artistic work has a feminist sound, but the author's views on the role and place of women in society are not entirely consistent with the ideas of the philosophy of feminism. The article focuses on the analysis of Olena Teliha's poems «To Men», «Answer», «Evening Song», «Evening», «I will not forgive the hand that beat me...», and «Everything awaits: both despair and resentment». The study of these works from the standpoint of feminist criticism proved that their lyrical heroine is a gentle and affectionate woman who is a life-giving force for a man-warrior, and defender of the state. At the same time, she is a morally strong and strong-willed person, capable of taking up arms at critical times and courageously defending her land on par with her husband. The woman in the author's poetry is ready to forgive her chosen one and the world everything, except the humiliation of her human dignity. The harmony of the world in her lyrics is based on the idea of parity in the relationship between men and women. Olena Teliha's lyrical works testify that the author was a national-centric feminist. A woman, in the author's understanding, must remain gentle with her husband, and devoted to him, and when the latter has a mission to protect his state, she must become a friend and ally in the struggle.

The history of research on the women's question

The article talks about the beginning of the emergence of the study of gender relations in ancient society. The points of view of many scientists dealing with the issue of the origin and place of women in society are considered. The idea is traced that before the formation of the patriarchy, the social organization was based on the principles of equality of women and men.

06. From Ruler To Literature Role Model; Queen Victoria In Urdu Verse And Novel. حکمران سے خواندہ رول ماڈل تک؛ملکہ وکٹوریا اردو شعروناول میں۔

From Ruler to Literate Role Model: Queen Victoria in Urdu Verse and Novel Literature presents the changes in social and cultural values of a society. Urdu world saw substantial changes during colonial period. Its literature presents some of these changes in verse and prose. After the failure of war of independence and the establishment of Queen Victoria’s rule in 1857, the Indian subjects tried to rehabilitate themselves in new circumstances. Literature was one form for them to start a dialogue with new ruler. In Urdu Qaseeda and Novel presented Queen Victoria as ruler and a literate role model. These representations were also gave Urdu writers a chance to negotiate about the space and place of women in society. Queen helps them to rethink about the position and capabilities of women in a male dominant society.

A view of women in painting from the past to the present: the image of women in art and women painters

The woman, has been one of the main themes of art throughout all art processes. Social processes and the place of women in society were also reflected in art and shaped the image of women in art. The same, artwork sheds light on the social conditions of the period. The fact that women remain in the background in social life is seen in the art of painting as in many other fields since the transition to the patriarchal order. Although the image of the woman has changed over the years, the woman is outside of her identity; It continued to be processed as a mother, wife or sexual object. Despite many advances in the individual works of contemporary artists and in the art that values women, a prejudiced view towards women has not yet been prevented. When the number of women engaged in art increases, women's self-expression has brought a different dimension to this commodification instead of the male gaze. The inclusion of feminist discourse and the changing structure of the world in art has also affected the role of women in social life. Art is one of the methods that can be used to achieve social change. For this reason, it can be said that women should continue to raise their voices for their rights and freedoms through art. One of the biggest roles in this regard falls to female artists. In this research; Throughout history, the image of women in painting and women painters have been examined, and the process of women's existence in art has been evaluated. For this purpose, written documents on the image of women, women painters and their lives from past to present have been examined. The image of women in art and its change throughout history, prominent female painters in the world, the image of women in Turkish painting and Turkish women painters, have revealed the place of women in the field of painting. Levina Teerlinc, Artemisia Gentileschi, Rosa Bonheur, Käthe Kollwitz, Frida Kahlo, Jeny Saville, Mihri Müşfik, Fahrünnisa Zeid, Şükriye Dikmen, Neşe Erdok, Nur Koçak and Gülsün Karamustafa, among the prominent painters in terms of Turkish and world history, were discussed. ​Extended English summary is in the end of Full Text PDF (TURKISH) file. Özet The woman, has been one of the main themes of art throughout all art processes. Social processes and the place of women in society were also reflected in art and shaped the image of women in art. The same, artwork sheds light on the social conditions of the period. The fact that women remain in the background in social life is seen in the art of painting as in many other fields since the transition to the patriarchal order. Although the image of the woman has changed over the years, the woman is outside of her identity; It continued to be processed as a mother, wife or sexual object. Despite many advances in the individual works of contemporary artists and in the art that values women, a prejudiced view towards women has not yet been prevented. When the number of women engaged in art increases, women's self-expression has brought a different dimension to this commodification instead of the male gaze. The inclusion of feminist discourse and the changing structure of the world in art has also affected the role of women in social life. Art is one of the methods that can be used to achieve social change. For this reason, it can be said that women should continue to raise their voices for their rights and freedoms through art. One of the biggest roles in this regard falls to female artists. In this research; Throughout history, the image of women in painting and women painters have been examined, and the process of women's existence in art has been evaluated. For this purpose, written documents on the image of women, women painters and their lives from past to present have been examined. The image of women in art and its change throughout history, prominent female painters in the world, the image of women in Turkish painting and Turkish women painters, have revealed the place of women in the field of painting. Levina Teerlinc, Artemisia Gentileschi, Rosa Bonheur, Käthe Kollwitz, Frida Kahlo, Jeny Saville, Mihri Müşfik, Fahrünnisa Zeid, Şükriye Dikmen, Neşe Erdok, Nur Koçak and Gülsün Karamustafa, among the prominent painters in terms of Turkish and world history, were discussed.

Female Psyche and Search for Self-hood in Shashi Deshpande’s The Dark Holds No Terrors

The place of women in society has differed from culture to culture and from age to age, yet one fact common to almost all societies is that woman has never been considered the equal of men. Her status largely depends on the simple biological fact that she is the bearer of children. In this way her sphere is usually restricted to her familial role. Immemorial woman has been the victim of male domination and oppression and treated like a beast of burden of burden and an object for pleasure. Man has always looked down upon her as the weaker sex, as his property, servile to him. Different religions of the world have given sanction to the female’s subjection to the male members of society, thus perpetuating the women; wives, submit yourselves to your husband’s to the lord woman as regarded subordinate to man because it is believed that she was made out of man. This present paper attempts to analysis researcher’s chosen novel The Dark Holds No Terrors by Shashi Deshpande. Her novels appeared as a voice against the tormented women aimed to create a mass awareness against the suppression and the repression of the corrupted patriarchal society. She focus in her fiction is essentially on women’s role in society.

SEMIOTIC ANALYSIS OF THE IMAGE OF WOMEN IN OSMAN HAMDI’S PAINTINGS

Painter Osman Hamdi Bey, who lived in the last period of the Ottoman Empire, is a successful painter, sculptor, archaeologist, art historian, educator and statesman. He has taken the early modernization steps of Turkish painting. His contributions to Turkish art and culture cannot be denied. He was the first painter to do figüre and portrait works in his period. Osman Hamdi Bey tried to explain the East in the most accurate way with his Orientalist-style paintings on the subject of important historical structures in Turkey and tried to break the prejudices of the West over the East. In his Works, he included in particular the splendor of the East. Because he uses sections of historical sites one-on-one in some of his Works, these Works are document. In some of his Works, he also provides information about Turkish culture and life through fiction. The artist often included masques, shrines and mansions in his paintings. In his figüre studies, he glorified women in everyday and social life by using women. He tried to emphasize the place of women in society. In his female figures, he portrayed the woman as cultural, social and well- groomed, reading rather than being meta. He used his wife and daughter as models in the female figures he used. In this study, four paintings of Osman Hamdi Bey’s women- themed Works were examined through semiotic analysis and an attempt was made to determine the unity of language, suject and style used in the paintings. Keywords: Semiotics, Osman Hamdi Bey, art of painting, female image, Orientalism

Sociologist Janet Wolf is A Perfect Example of the Importance of the Place of Women in Society

In this article, we learn about the sociologist Janet and her synthesis with aesthetics and feminism by getting to know her biography, where she grew up, what positions she held, and what are the most important books she wrote, then we talk about the intellectual trends that were influenced by Wolf, such as the direction of feminist philosophy that was established in order to liberate women from the power of men, and we get to know On the three waves and trends of feminism and what direction Woolf adopted in her writings, then we turn to the postmodern trend and explain the difference between postmodernism and modernity, and whether postmodernism is a continuation of modernity or a rejection of it. That we came up with.

Жадид маърифатпарварларининг ўлкада гeндeр саводхонликка оид қарашлари

Ушбу мақола ХИХ аср охири ХХ аср бошларида Туркистон жадид маърифатпарварларининг хотин қизлар масаласида қарашлари, хусусан жамият ҳаётида хотин-қизлар ўрни ва роли, уларнинг саводхонлик даражаси, бу борада жадидларнинг олиб борган саъйи ҳаракатлари, , хотин–қизлар билимли қилиш, янги усул мактабларига уларни жалб этиш каби қарашлари таҳлил этилган.

XIX АСР ОХИРИ – XX АСР БОШЛАРИДА ТУРКИСТОН МАТБУОТИДА ХОТИН-ҚИЗЛАР ҲУҚУҚЛАРИ ҲАҚИДАГИ МУНОЗАРАЛАР

This article is an attempt to analyze different points of view on issues related to the place of women in society and their education, about the presence of different opinions on this issue. In particular, special attention is paid to the opinion that through education it is necessary, along with religious knowledge, to transfer to women and scientific knowledge in order to make society itself more educated. In addition, the article discusses the issue of women’s participation in the socio-political life of society, as well as women’s participation in elections.

Buovo d’Antona fra originale veneziano e suo adattamento yiddish: la narrazione cavalleresca veicolo delle ideologie

The paper contains some partial findings of a comparative research on the chivalry romance Buovo d’Antona as printed in Bologna and in Venice in the 1480s in a number of different, yet quite similar one to another, incunables; and its ottava rima adaptation in yiddish-taytsh, made by Elye Bokher (Elia Levita) in Padua around 1507, and then published as Bovo-Buch in Isny, Württemberg, as late as 1541. Respectively, the narratives implicitly deliver two different ideologies, meant as consequent sets of socially shared convictions about the good living. In particular, the place of women in society and the family, or better said, the male representation thereof, substantially differs in the Yiddish adaptation compared to the Venetian original.