ABSTRACT: I am of Yurok, Maidu, and Pit River Native ancestry from northern California. As a Native person, I feel it is imperative that we own every step of our storytelling process. Our stories and art are vibrant and powerful, but if we do not have editorial or publishing oversight, do they remain ours once they are shared in comic form? The task of crafting fun, exciting, and compelling stories is often fused with the adherence to cultural responsibilities for Native creators. Is the art respectful, is the dialogue correct and not stereotypical, or is it all right to show certain tribal images? These are some of the questions that I’ve pondered while creating and publishing multiple comic stories through my imprint called Original Voices. My graphic novel titled Soldiers Unknown is published by a Native-owned press (Great Oak Press) and printed by a Native-owned print company (Tribal Print Source). I will provide insights from the four-year journey to create this book, and I will cite different forms of Native community involvement as this book was created. It is true that Native people have always used sequential art to convey who we are and why we are here. Comics are another format that can spur dialogue, give meaning, and guide future Native artists. They can also further historical wrongs in publishing. Ownership, historical accuracy, community investment, and cultural responsibility are some of the aspects that Native comic creators must grapple with. These elements of the publishing process are just as important as drafting exciting stories and drawing dynamic characters.
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