While teaching general courses in the history and philosophy of physics, wherein the effects of science on society were discussed at length, I began to appreciate various ways in which aspects of physics had affected the visual arts. Later, in order to pursue this idea in greater depth, several students and I decided to make a study of the use of polarized light and to attempt to develop a technique for the construction of polarized light pictures. We were particularly interested in both static and kinetic pictures of figurative subjects. (Several similar techniques for making kinetic pictures have been discussed in Leonardo [1, 2, 3].) We believe the technique we have devised will be of interest. The pictures obtainable (we call them 'polarized light paintings') remind one of stained glass windows (Fig. 1, cf. color plate). It is well known that, when a piece of sheet birefringent (doubly refracting) material is sandwiched between two polarizers (e.g. two pieces of sheet polarizing material, such as that produced by the Polaroid Co., Cambridge, Mass., U.S.A.), striking color effects are produced when ordinary white light is passed through the sandwich [4, 5]. Furthermore, when one of the polarizers is rotated through 360?, a particular color will change to its complement twice during this rotation. Additional color effects can be produced when different thicknesses or several layers of a birefringent material are used (such as ordinary transparent cellulose tape, cellophane or certain other plastics), when the angle of the surface of these materials is varied with respect to the surfaces of the polarizers and when their birefringent property is altered, for example by heat or chemical treatment. The colors produced also generally vary with the type of light source used. Thus, since the wavelength composition of sunlight and of light from fluorescent and incandescent lamps are different, the amounts of light at each wavelength transmitted by the sandwich are different, leading to the production of different colors.
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