REVIEWS Kristjana Gunnars, ed., Crossing ihe River: Essays in Honour of Margaret Laurence. (Winnipeg: Turnstone Press, 1988). xvi, 213. $12.95 (paper). Collections of essays have poured out in honour of Margaret Laurence in the years following her death in 1987. One of the most interesting of these is Crossing the River: Essays in Honour of Margaret Laurence, edited by poet, novelist, editor, translator, and critic Kristjana Gunnars for Turnstone Press. Originally, Gunnars intended, upon hearing of Laurence’s terminal illness, to produce a Manitoba Festschrift, a tribute by Laurence’s fellow Manitobans to be placed in her hands. After learning of Laurence’s death, Gunnars broadened the scope of the collection to include essays from writers across Canada and beyond: It was somehow important to show our appreciation for what she had accomplished in her life. Margaret Laurence has been a founding mother of Canadian literature. She has given voice to the Manitoba prairie. She has raised the value of till sectors of society by showing the full humanity of the most neglected and forgotten among us. From her example we have learned the value of Canadian literature and culture; the importance of art to that culture; the necessity of honesty in a dangerous time in history; the truth of fiction and poetry. Perhaps her greatest gift has been the way in which she showed us the depths and passions of the place in which we are living: Manitoba, through her, has taken full part in the human drama. We no longer needed to look elsewhere. (viii) Including twelve essays in all, all previously unpublished, the collection is structured within the framework of an introductory and a concluding article focussing on Margaret Laurence as a person in her earlier and in her last years: “Knowing through Writing: The Pilgrimage of Margaret Laurence” by Walter Swayze and “The Final Days: Margaret Laurence and Scandi navia” by Per Seyersted. In “Knowing through Writing: The Pilgrimage of Margaret Laurence,” Swayze focusses on the Christian convictions that, he argues, underlie all of her fiction. Her protagonists, while critical of Christian conventions, “at moments of abject hopelessness experience what seem to be Christian E n g lish St u d ie s in C a n a d a , x v iii, 3, Septem ber 1992 illuminations and gain a sense of freedom and strength to go on confidently, evenjoyously” (9). Swayzeasserts that, in her later years, Laurence acknowl edged that “most of her convictions were Christian, that she really believed in Divine Grace, and that she wanted to join publicly in Christian worship in her local community” (10). Swayze shares with the reader Laurence’s last words from her 1986 Manitoba convocation address: Know that your commitment is above all to life itself. Your own life and work and loves will someday come to an end, but life and work and love will go on, in your inheritors. The struggle for peace and social justice will go on, provided that caring humans still live. . . . You are among my inheritors. I give you my deepest blessings, my hope and my faith. (21) In “The Final Days: Margaret Laurence and Scandinavia,” Seyersted cel ebrates the typical courage and generosity with which Laurence faced death. In a letter to Seyersted dated November 18, 1986, just six weeks before her death, Laurence explains that the diagnosis of terminal cancer prevents her from attending a Scandinavian seminar on The Stone Angel. She concludes courageously: In this period of my life, I sometimes feel regretful that I won’t have more time, and I hate the “passage”, even though I am deeply a Christian, albeit an unorthodox one. I don’t believe in an individual immortality, but I do believe in the Holy Spirit. This has been shown to me over and over again in the last months. I feel sometimes overwhelmed by love. In this terrifying world, I still feel that there is hope. (212) The remaining ten essays provide a rich variety of topics and approaches. Approximately half the articles focus on individual novels, while the other half discuss general topics. The Stone Angel deserves two essays — “Hagar ’s Old Age: The Stone Angel as Vollendungsroman” by...
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