ABSTRACTIn this article, I explore the Tumaini Festival at Dzaleka Refugee Camp in Malawi as an important site for the re-imagination of place and the refugee. I argue that through the institution of the festival, refugee artists challenge the perception of refugees as beings without agency. I also argue that the festival becomes a site for the performance of cohesion and social integration, transforming the refugee camp into a prototype for multiculturalism in Malawi. Several scholars have linked the absence of Dzaleka Refugee Camp in national and international discourses with the marginalization of voices emerging from refugees and asylum seekers at the camp. In this article, I consider the Tumaini Festival – a refugee-initiated festival – to be a direct intervention by the refugees in response to the marginalization of their voices and as a useful tool for the re-imagination of the refugee camp.
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