Cora Kaplan and Bill Schwarz (eds), James Baldwin: America and Beyond, Ann Arbor, University of Michigan Press, 2011, 259pp; paperback $24.65 James Baldwin: America and Beyond makes forceful contributions to the transnational scholarship on Baldwin's life and works by embedding selected writings of Baldwin within both the national and international contexts that influenced them. The edited book of Cora Kaplan and Bill Schwarz is an excellent addition to black Atlantic studies by providing essays that reveal Baldwin's complex relationships with America, Africa, France, Turkey and other parts of the world. Without a doubt, this volume provides the first extensive study of Baldwin's relationships with the world outside of the United States. James Baldwin: America and Beyond is a unique contribution to the transnational study of a major African American writer whose works have increasingly received the attention of scholars attempting to link America to the rest of the world, but not to the broad extent to which the essays of this volume have done. Before the publications of pioneer works such as William J. Weatherby's James Baldwin: Artist on Fire (1989), Michel Fabre's Black American Writers in France, 1840-1980 (1991), and David Leeming's James Baldwin: A Biography (1994), the scholarship connecting Baldwin to the world outside of the United States was rare. With Ernest A. Champion's Mr. Baldwin, I Presume: James Baldwin--Chinua Achebe, a Meeting of the Minds (1995), the three books above opened up the transatlantic study of Baldwin's writings with such varied emphases as Baldwin's initial impressions about racism in France, the legacy of colonialism in Africa, and the influence of this knowledge on the African American writer's identity. Complementing these works, Femi Ojo-Ade's introduction to his book, Of Dreams Deferred, Dead or Alive: African Perspectives on African-American Writers (1996) and Babacar M'Baye's essays, 'The Image of Africa in the Travel Narratives of W.E.B. Du Bois, Richard Wright, James Baldwin, and Henry Louis Gates, Jr' (2003) and 'African Retentions in Go Tell It on the Mountain' (2006), helped bring Baldwin back to transnational studies by revealing his ambivalent relationships with Africa and some of the Francophone African participants at the 1956 Congress of Black Writers in Paris. The interpretation of Baldwin's works in a transnational framework is an ongoing endeavor that was tremendously enhanced with the publication of Magdalena J. Zaborowska's book, James Baldwin's Turkish Decade: Erotics of Exile (2009) and her essay, 'In the Same Boat: James Baldwin and the Other Atlantic' (2009), which both show the significance of Baldwin's works in Turkey, beyond the local and international settings in which they used to be confined. Kaplan and Schwarz's book make tremendous contributions to the above scholarship, since the essays within it effectively study both the local and transnational relevance of Baldwin's life and works. The first six chapters of the book examine Baldwin's life and works as the development of a black writer who always searched for his identity both within and outside the boundaries of America's national character. These chapters interpret Baldwin's intellectual heritage as the legacy of an American patriot who perfectly understood and embodied the exceptional qualities of his national identity to a point that he also knew its limitations. In this sense, as Cheryl A. Wall suggests, Baldwin was a master of the art of 'strategic American exceptionalism', since he 'repudiates in particular the myths and illusions of the American exceptionalism proposed by American studies scholars' while he 'extends this genealogy and affirms the democratic ideals enunciated in the letters of the republic' (p37). Wall's essay suggests the complex duality in Baldwin's perception of America that many of the contributions in the collection also reveal. While he valued the significance of American national symbols, Baldwin did not perceive these identity markers as unique and perfect. …
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