Walter Pater's reputation is higher now than at any point during the past seventy-five years. The revival of interest in over the past decade or two has to some extent been a by-product of a widespread critical effort to determine how we, as a culture, got from the nineteenth century to wherever we are in the twentieth century. Increasingly is a point of reference; he is pivotal: at once the last of the pre-modems and the first of the moderns. The revival has promoted serious reappraisal of his work and its relation to that of other writers.' Despite the reappraisal, however, the stilted view of him that prevailed a generation or more ago (Pater of the purple prose and the gemlike flame) continues to crop up-particularly in works linking with W. B. Yeats. Yeats is the great modern figure with whose name Pater's is most frequently mentioned. Harold Bloom's Yeats, for example, places midway between Blake and Shelley on the one hand and Yeats on the other. No critic has been more emphatic than Bloom in designating as pivotal: Pater ... is the central link between nineteenth and twentieth-century Romanticism in America and Britain. Pater is halfway between Wordsworth and ourselves ... he is a kind of hinge upon which turns the single gate, one side of which is Romantic and the other modern poetry.2 The present study surveys the scholarship devoted to the literary relations of and Yeats, then roughs out a history of that relationship based on Yeats's published references to Pater, and finally gives its attention to Pater's essay on Leonardo da Vinci, a key passage of which occupied Yeats's interest near the close of his career. The study has two main aims: to contribute to the more accurate understanding of that has been emerging in recent years, and to suggest more precisely than heretofore the outlines of Pater's relation to (including his influence on) Yeats. The latter aim demands the former: to understand Pater's influence on Yeats, it stands to reason, one first has to understand Pater. Although dozens of critics have written about Pater's influence on Yeats, many of the references linking the two can be treated
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