Why Haiti Needs New Narratives: A Post-quake Chronicle. By Gina Athena Ulysse. Middletown, CT: Wesleyan University Press, 2015. ISBN 08195-7546-1. 408 pp. $27.95 US. Paperback.In Why Haiti Needs New Narratives: A Post-quake Chronicle, Gina Athena Ulysse makes four timely interventions. First, she challenges and destabilizes popular understandings of Haiti, particularly as portrayed in traditional news and new media. Second, Ulysse demonstrates necessity of merging her intellectual project with public engagement, thus serving as a model in a moment when more scholars are entering public sphere as public intellectuals-appearing on television news programs, blogs, or participating in town-hall meetings as experts. She also troubles narratives of identity and identification by asking questions about who is considered an expert and producer of knowledge and who is considered to be public, and what it means that one identifies as or HaitianAmerican. Finally, Ulysse questions who identifies as allies and roles that self-identified allies play, offering a critique of some taken-for-granted relationships with journalists, nonprofits, and NGOs.The book is a curated collection of thirty pieces: op-eds, blog posts, meditations, and essays that appeared in outlets including Ms. Blog, pbs.org, Huffington Post, Meridians, and Haitian Times. All were composed between 2010 and 2012, a period that Ulysse describes as a writing spree (19). While pieces center on Haiti, they cover a range of topics including experiences of earthquake, earthquake recovery, governments, media representations, religion, colonization, race, class, gender, and performance. These topics are often intricately woven together. Readers will encounter scholarly rigor and Ulysse's unique voice in language that enables engagement by multiple audiences. The author's deeply reflexive discussion of interactions and relationships with multiple versions of Haiti allows, if not compels, readers to also reflect on such entanglements.On multiple levels, then, this book is one that requires readers to question, or even temporarily suspend, everything they know about Haiti. This includes prickly question that some diasporans encounter of how to identify ourselves. Ulysse claims hyphenated term explaining that it is appropriate mathematically and because of how one identity shapes other. She highlights passionate debate around how people identify with Haiti, as either Haitian or HaitianAmerican, and struggle to articulate or name identity in a way that also accounts for lived experience. This debate includes people of Haitian descent born outside Haiti and those born in Haiti who reside elsewhere, including those such as Ulysse who were born in Haiti and live in United States. Of her own positionality, Ulysse writes: I live with a keen awareness that negotiating my Haitis inevitably means accepting that there are limits to my understanding, given complexity of my position as both insider and outsider (xiii).Regardless of reader's relationship to Haiti-as diasporan, Haitibased, ignorant of Haiti beyond US news, or somewhere in between-Why Haiti Needs New Narratives can (and should) be unnerving. Ulysse states that a primary goal is to shift narrative terrain, and such a shift can cause discomfort as it challenges preexisting notions about Haiti. The pieces question private and public relationships people have with Haiti and encourage vigilant reflection. Ulysse writes that we need narratives to explicate its myriad of contradictions (95). Her critiques will speak to readers of postcolonial theory, particularly ways that she writes about the messiness of race, class, and gender in how people misperceive Haiti (81-82).For scholars of cultural, media, and communication studies, Why Haiti Needs New Narratives exemplifies forward-thinking scholarship for which Bernadette Calafell and Herman Gray have called, in that it pays attention to performance, representation, and affective and ideological labor of media. …