Discussions in decolonial literature have recently drawn on the concept of “ontological conflict” to reflect on the conflictual entanglements of diverse cosmologies. In Latin America (as elsewhere) these conflicts are frequently of a territorial nature, with indigenous and black communities making claims to communal land rights as indispensable part of their respective ways of being-in-the-world, which the post-colonial state has increasingly begun to acknowledge, often in the form of new political constitutions. In this article I examine the role of cartography in the resolution of such ontological conflicts; in particular a participatory mapping exercise in Colombia known as “social cartography,” which aims to challenge dominant cartographic representations and empowering local communities vis-à-vis the state. At the same time, I reflect on the limits of such an emancipatory vision and on the ways in which Colombia's version of counter-mapping has been coopted by dominant power. Inspired by the Modernity/Coloniality/Decoloniality framework, I contextualize this experience within other radical mapping exercises, or “cartographies otherwise,” in places such as Australia, Palestine and the Straits of Gibraltar, to finally suggest that the art of decolonizing cartography may be seen as a tool of Hardt & Negri's project of a multitude in resistance.