Although one of the most interesting of Middle English romances, the Avowing of Arthur has been singularly neglected. The story is told with the gratifying freshness which marks Gawain and the Green Knight and the other poems of the Northern school. The incidents of which the story is composed are fitted into the general framework with rare skill. Even more striking is the vividness of the characterization. The ordinary romance character is a dummy upon which are hung splendid clothes tagged with catalogues of all the virtues. Dealing with these personages is often like handling the bits of cardboard stamped “sugar,” “tea,” “potatoes,” with which students in commercial colleges play. But in this romance there is sharp distinction between Arthur, genial, brave, a practical joker, and Baldwin, a man of few words, cynical without being bitter, nonchalant, a man of deeds; between Kay, impulsive, always getting into scrapes, inclined to jeer at others, a great boy with a boy's love of adventure, and Gawain, the courteous knight, equally ready to aid beauty in distress and to assist a comrade in time of need. The story is crowded with incidents, and the verse is vigorous and effective.