Objects In World Research Articles

The objective world of Soviet everydaylife in illustrated books for children of the 1950s and 1960s

The topic of Soviet everyday life is quite popular in the scientific community. The children's publications themselves are still outside the scope of research practices in the field of studying the culture of everyday life. The article analyzes the subject world in the domestic book illustration of the late 1940s-1960s. The aim is to identify markers of the everyday culture of the Soviet city, in particular Leningrad. The boundaries of the study are publications issued during the specified time period and addressed to children and adolescents. The attention was given to books about the life of a Soviet child of the Leningrad branch of Detgiz publishing house. It is established that in the children's illustrated book of the 1940s-1960s, large objects that visually defined the boundaries of everyday life, as well as elementary things for the organization of everyday life, became objects of everyday culture more often. Small interior items that have a decorative function will appear to a greater extent by the 1960s, that is, the conditions and priorities in the formation of the life of a Soviet citizen will change, and a tendency to detail the world of everyday life is formed in the book illustration. In the course of the study, a group of artists was identified who paid great attention to the depiction of everyday objects, but the illustrators did not separately show the belonging of the plot and the created space to a certain locality. They created a collective image of the everyday life of the Soviet country. Therefore, in the book illustration of the late 1940s-1960s in the subject world of Leningrad, it is not yet possible to clearly distinguish the features of the «Leningrad style», but it is possible to reconstruct the daily life of a Soviet citizen

Application of mixed reality and artificial intelligence to assist medical students in learning injection technique

Introduction: The usage of immersive technology has advanced in a number of areas of life because of the development of technology that keeps pace with the times. Another immersive technology that combines VR and AR is mixed reality (MR), which enables us to interact with 3-dimensional objects in the real world. Since MR technology gives a more nuanced experience, the market is highly promising. This study aims to evaluate the application of mixed reality and artificial intelligence to assist medical students in learning injection technique. Methods: This type of research is analytic with a quantitative and qualitative approach to prove the purpose of the research. This research involved 40 students. Due to the creative nature of immersive technology, it must be combined with other technologies to produce an even more complicated and engaging experience. In order to enhance the quality of the user experience, we will merge MR immersive technology with AI in this research for medical educational field. The integration of these two technologies via an application that can be launched on a Hololens 2 and Magic Leap 1 device and can identify person in a laboratory to support in student learning. Results: For instance, students can utilize artificial intelligence (AI) to learn the names of objects in the lab and do simulation about injection technique. The study 's outcomes are presented in software testing (FPS, CPU, GPU, and load scene) an in the form of user testing utilizing the PIECES Framework (Performance, Information and Data, Economy, Control and Security, Efficiency, and Service), which evaluates the application's utility or significance as well as the satisfaction of its users. Conclusion: The system was able to develop a combining application of artificial intelligence and mixed reality for detecting objects in laboratories to assist learning students, according to the study's conclusions.

Two innovative derivation methods of the Nernst equation without any additional assumptions

It is found that without any additional assumptions, Nernst’s equation can be re-deduced from the experimental data obtained from the thermodynamic systems at ultra-low temperatures, which is different from the derivation processes in textbooks and literature, and consequently, the physical content included by Nernst’s equation should not be referred to as Nernst’s postulate or Nernst’s theorem. It should be renamed as the Nernst statement. This discovery will play an important role in improving the theoretical framework of thermodynamics. It can effectively prevent some artificial assumptions into the third law of thermodynamics, making it a true reflection of the objective world. It solves the awkward problem caused by using a thermodynamic theorem as the core contents of a thermodynamic law for over one hundred years.

Analisis Ikon Pada Cerpen “Gubrak!” Karya Seno Gumira Adjidarma

This study aims to analyze a short story entitled "Gubrak!" by Seno Gumira Ajidarma using Charles Sanders Pierce's Semiotics approach. Pierce developed a theory of semiotics involving three main elements: sign, object, and interpretant. Pierce's semiotic theory provides an in-depth understanding of how language signs are used to represent objects in the real world as well as how meaning is generated through the interpretation of these signs. But the author only focuses on one of them, namely on the Icon contained in the short story. We found several marker icons in the short story "Gubrak!" by Seno Gumira that we can analyze together.

THE PROBLEM OF THE VALUE SYSTEM AND THE VALUATION CATEGORY IN THE HISTORY OF UKRAINIAN LINGUISTIC PHILOSOPHICAL THOUGHT

The value theory, which was formed in the nineteenth and twentieth centuries, emphasises that evaluation establishes value relations between the subject and the object and leads to different approaches in linguistic philosophical systems. In view of this, the article aims to analyse the emergence and formation of the value system and the valuation category in the history of Ukrainian linguistic and philosophical thought. The object of study is the main works of Ukrainian thinkers and philosophers from the Kyivan Rus period to the nineteenth and first third of the twentieth century, which deal with linguistic axiological problems. The subject of the article is an analysis of the contribution of Ukrainian philosophers to the theory of the value system. The relevance of the study is due to the interest of linguists in the origins of problems related to the nature of the relationship between language and the world around us, with human consciousness and thought. It is emphasised that axiological concepts (system of values, evaluation) were at the centre of Ukrainian philosophical thought, occupying a leading place in the works of thinkers and philosophers such as Metropolitan Hilarion, I. Vyshensky, H. Skovoroda, I. Franko, P. Yurkevych, O. Potebnia, and D. Chyzhevsky. The focus of the research is on the concept of value system and evaluation categories, which are reflected in language structures according to the value parameters of the objective world (good/bad, positive/negative, own/other, etc.). Prospects for further research are seen in the study of the valuation category in the linguistic and pragmatic and linguistic and cultural aspects.

Многофункциональность предметного мира романа Н. Мусина «Вечный лес»

The aim of the research is to determine the features of the material world and its functions in the novel “The Eternal Forest” by N. Musin. The poetics of the objective world is considered as an important component of artistic thinking, one of the significant cultural components in the writer’s creative work. Bashkir literary studies and literary criticism to a certain extent have already touched upon the issues related to the problems of poetics, the peculiarities of the artistic world of the prose writer. The paper is original in that it is the first to provide a holistic description of the objective world in the Bashkir writer’s prose, to reveal the artistic specifics and functions of the world of things. As a result of the research, it has been determined that the features of the artistic functioning of the material world in N. Musin’s prose are based on the artistic experience of literature in the late XX century in the depiction of the objective environment. A hero’s characterization through objective details becomes a peculiarity of N. Musin’s artistic worldview, in his writings, the world of things symbolizes both the inner world of a character and the philosophy of the author’s creative work. It is noted that in the works of the writer, the world of things is multifunctional, on the one hand, it highlights the author’s position and, on the other hand, it becomes a significant characteristic of the environment.

Multilayer network alignment based on topological assessment via embeddings

BackgroundNetwork graphs allow modelling the real world objects in terms of interactions. In a multilayer network, the interactions are distributed over layers (i.e., intralayer and interlayer edges). Network alignment (NA) is a methodology that allows mapping nodes between two or multiple given networks, by preserving topologically similar regions. For instance, NA can be applied to transfer knowledge from one biological species to another. In this paper, we present DANTEml, a software tool for the Pairwise Global NA (PGNA) of multilayer networks, based on topological assessment. It builds its own similarity matrix by processing the node embeddings computed from two multilayer networks of interest, to evaluate their topological similarities. The proposed solution can be used via a user-friendly command line interface, also having a built-in guided mode (step-by-step) for defining input parameters.ResultsWe investigated the performance of DANTEml based on (i) performance evaluation on synthetic multilayer networks, (ii) statistical assessment of the resulting alignments, and (iii) alignment of real multilayer networks. DANTEml over performed a method that does not consider the distribution of nodes and edges over multiple layers by 1193.62%, and a method for temporal NA by 25.88%; we also performed the statistical assessment, which corroborates the significance of its own node mappings. In addition, we tested the proposed solution by using a real multilayer network in presence of several levels of noise, in accordance with the same outcome pursued for the NA on our dataset of synthetic networks. In this case, the improvement is even more evident: +4008.75% and +111.72%, compared to a method that does not consider the distribution of nodes and edges over multiple layers and a method for temporal NA, respectively.ConclusionsDANTEml is a software tool for the PGNA of multilayer networks based on topological assessment, that is able to provide effective alignments both on synthetic and real multi layer networks, of which node mappings can be validated statistically. Our experimentation reported a high degree of reliability and effectiveness for the proposed solution.

DIALOGUE IN DEEP KNOWLEDGE OF THE SUBJECT'S PSYCHE

The article presents the results of the functioning of groups of active socio-psychological cognition, which is based on the dialogic interaction of the psychologist with the respondent. Dialogue is interconnected with the mechanism of participation (complicity), which is effective both for understanding the essence of psychoimages and the relationships between them. Objectification is a necessary prerequisite for ensuring the integrity of cognition of the subject's psyche, taking into account both the language of the conscious (word) and the language of the unconscious (objectified means of self-presentation). The article reveals the methodological prerequisites for conducting the psychoanalytic process (with the aim of harmonizing the conscious and unconscious factors of the psyche) in its diagnostic and corrective essence of obedience to the law: «positive disintegration of the psyche (weakening of destructive formations of the psyche) and its secondary integration on a more realistic basis». The ASPC method expands the subject's adaptability reserves thanks to self-knowledge through the symbols of the objective world. In-depth knowledge contributes to the resolution of the internal stabilized contradiction of the psyche, which is a personal problem. The dialogic interaction of the psychologist with the respondent in the «P ↔ P» system is subject to the methodology of in-depth knowledge of the psyche, in which the mechanisms of positive disintegration of the psyche and its secondary integration at a higher level of the subject's mental development play a leading role. The latter explains the dual task of actualizing mental processes by the ASPC method: on the one hand, the spontaneity of the behavior of the participants of in-depth knowledge, and on the other hand, the continuity of dialogic interaction between the psychologist and the respondent, which contributes to the weakening of distortions of socio-perceptual reality. The material of the article is based on the principle of determinism: nothing happens «just like that" in the psyche; the dialogic interaction of the psychologist with the respondent is aimed at «deciphering» the visualized self-presenters, with the aim of actualizing the processes of psychocorrection, which contributes to the optimization of the functioning of the psyche. The purpose of the article is to learn about the fixations of the psyche, which dominate the initiatives of the conscious in terms of energy activity. Dialogue in deep learning is the central chain that connects the visualized means of self-presentation of ASPC participants with their verbal interpretations in dialogue. The results of future psychologists undergoing the diagnostic and corrective process in ASPC groups are related to their knowledge of the deep origins of the internal contradictions of the human psyche, which are manifested in different orientations of the «logic of the conscious» and the «logic of the unconscious». Recognizing and helping the subject solve the personal problems of the psyche revealed in ASPC requires the awakening of the instinct of self-preservation, which strengthens the adaptability of future psychologists to the realities of life and expands their opportunities for personal and professional self-realization. Conclusion. Our research in ASPC groups proved the ability of the psyche to recode into visualized means by preserving informational equivalents; the prospects for further optimization of deep cognition in its diagnostic and corrective parameters are outlined, which is implemented through the psychologist's dialogue with the respondent. Our introduction of the fundamental principle of «visualized self-presentation of the psyche by the participants of the ASPC » creates objective prerequisites for dialogic interaction between the psychologist and the respondent, which is revealed in the article.

The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing's “Preface to the Painting of Landscape”

“A Piercing Glance Elevates the Mind” is a philosophical proposition offered by Zhou Yong (?–493) in his debate with Zhang Rong (444–497) over the similarities and differences between Daoism and Buddhism. The appearance of this previously unknown proposition shows that as early as the Liu-Song dynasty (420–479) writers already went beyond the limitations of the native Chinese conception of “image” (xiang) and consciously applied Buddhist concepts to come to new understandings of the objects, methods, and effects of the visual sense and to probe their transcendental religious significance. Utilizing this proposition as a framework of analysis, this article rereads Zong Bing's (375–443) “Preface to the Painting of Landscape” in terms of the visual sense, to show how the terms, concepts, propositions, and discourse of the text's five sections form a logically coherent, fully systematic Buddhist exposition on painting. Support for the validity of Buddhist interpretations of all its terms and concepts is provided by intertextual readings of Zong Bing's “Elucidating Buddhism” and the poetry and prose by the Buddhist monks of Mt. Lu. We also demonstrate how Zong's consistently Buddhist theory of painting served as a firm foundation over which the Tang poet Wang Changling (698–757) built his Buddhist theory of the world of physical objects (wujing shuo).

Theory of Faith

In the 21st century, scientific research should not only study the objective laws of material movement, but also study how human beliefs affect the objective world. We should research such called faith science. In this paper, research has been introduced on the principle of "unity of mind and object", the principle of "system coordination" and the principle of "faith accomplishment". Collectively, these three principles make up the working system of faith science. Trust in love enables all things, Trust in power accomplishes all things.

Prefrontal Cortex Codes Representations of Target Identity and Feature Uncertainty.

Many objects in the real world have features that vary over time, creating uncertainty in how they will look in the future. This uncertainty makes statistical knowledge about the likelihood of features critical to attention demanding processes such as visual search. However, little is known about how the uncertainty of visual features is integrated into predictions about search targets in the brain. In the current study, we test the idea that regions prefrontal cortex code statistical knowledge about search targets before the onset of search. Across 20 human participants (13 female; 7 male), we observe target identity in the multivariate pattern and uncertainty in the overall activation of dorsolateral prefrontal cortex (DLPFC) and inferior frontal junction (IFJ) in advance of the search display. This indicates that the target identity (mean) and uncertainty (variance) of the target distribution are coded independently within the same regions. Furthermore, once the search display appears the univariate IFJ signal scaled with the distance of the actual target from the expected mean, but more so when expected variability was low. These results inform neural theories of attention by showing how the prefrontal cortex represents both the identity and expected variability of features in service of top-down attentional control.SIGNIFICANCE STATEMENT Theories of attention and working memory posit that when we engage in complex cognitive tasks our performance is determined by how precisely we remember task-relevant information. However, in the real world the properties of objects change over time, creating uncertainty about many aspects of the task. There is currently a gap in our understanding of how neural systems represent this uncertainty and combine it with target identity information in anticipation of attention demanding cognitive tasks. In this study, we show that the prefrontal cortex represents identity and uncertainty as unique codes before task onset. These results advance theories of attention by showing that the prefrontal cortex codes both target identity and uncertainty to implement top-down attentional control.

REPRESENTATIONS OF STILL LIFE IN CHINESE PAINTING OF THE FIRST HALF OF THE 20TH CENTURY: THE SHANGHAI SCHOOL

The purpose of the article is to determine the ways of formation of still life as a genre in the first half of the 20th century and the features of its conceptualization; highlighting the creative output of representatives of the Shanghai school in the field of depicting the objective world. A wide range of visual materials is considered, and a circle of representatives of the Shanghai school who participated in the development of still life as an independent genre of painting is identified. Wu Changshu and Qi Baishi are among the most significant creators of still life. Representative samples and leading approaches to the development of the figurative structure of still life, its understanding as a complete symbolic and artistically expressive composition, as a gift and expression of an individual creative principle are identified. The connection of the Shanghai still life with the previous tradition is shown, and the decisive influence of wenrenhua aesthetics is highlighted; the significance of Shanghai as an artistic center and a cosmopolitan environment for the development of the artistic process is pointed out. It is emphasized that the still life of the Shanghai school became a transitional link to the still life of the Western style. The cultural status of still life as a result of the activity of scientists determined its perception by Japanese artists, the representatives of the Nanga school and ensured its further spread in the art of China, Japan and Korea. The main approaches to the interpretation of pictorial motifs close to still life are determined. Traditional and modern aspects in the depiction of the objective world by representatives of the Shanghai school in the first half of the 20th century are identified. The practical significance of the research results lies in the possibility of their use in the development of the conceptual framework for educational courses, textbooks, as well as in artistic and museum practices.

Modeling the critical fliker fusion frequency in the human visual system

The temporal resolving power of the visual system is essential for the perception of the objective world. The lowest sampling rate of a sequence of images at which perception becomes fused is called the critical flicker fusion frequency. The variety of experimental data on critical frequency thresholds can be explained from a point of view of a model of the contrast sensitivity of the visual system that based on the tremor modulation signal. The model describes the dependence of critical frequency on stimulus brightness, adaptation brightness, duration, and the angular size of the stimulus. This model demonstrates that for bright stimuli with short duration and a large angular size, critical frequency values lie in the range up to 1000 Hz; the frame rate of 300-500 Hz should be considered optimal for the visual system; for small-sized angular stimuli, the critical frequency lies in the low-frequency region. Differences in the rate of flicker fusion can be explained by temporal sensitivity of magno- and parvocellular neurons.

EVALUATION FUNCTION IN THE PROCESSES OF NOMINATION

The article deals with issues related to the role of evaluation in the processes of nomination. In the process of perception f the surrounding world and during communication, a person can not but express his attitude towards it. He lives in an environment of values and operates in a clearly delineated value environment, which increasingly becomes the property of his creative activities. Each of the classes of values combines the main meaning of it — material, objective, psychological and social. By recognizing the natural properties of objects and reproducing their value, a person reveals certain aspects of social relations, since the significance of a thing or phenomenon is determined primarily by the social attitude towards them. There exist universal values (universal, inherent to individual communities) and individual ones. As a concentrated expression of the experience of the vital activity of a specific social community, values form a certain system, to which the individual, as a member of this society, adheres in the process of his own evaluation. In each culture there is a system of values according to which the evaluation is carried out, and in different cultures these systems may not coincide, that is, the value is ethno- and culturally determined in both synchronic and diachronic categorization of the world. Evaluation is anthropocentric by its nature,. To evaluate an object or object, a person must “pass through” his signs through his consciousness. The content of the evaluation reflects the nature of the person. Evaluation is everywhere, where any collision of the subject of knowledge with the objective world takes place. So, we adhere to the point of view on evaluation as a category with its own clearly delineated cobnitive and pragmasemantic potential.

RANCANGAN MEDIA PEMBELAJARAN BERUPA APLIKASI AUGMENTED REALITY BERBASIS ANDROID

Abstract-Augmented Reality (AR) is a technology that combines objects from the real world and virtual objects in real-time conditions. The merging of real and virtual objects occurs with the support of the right technology while the interactions that are carried out can occur using certain devices. AR is a breakthrough in the field of very sophisticated technology. Because with this technology we can make all abstract or virtual things look real or real. So that researchers apply the Waterfall Media AR Mobile Learning Method to be able to display 3D images and animations in class VIII math subjects, specifically geometric shapes including: blocks, balls, cones, cubes, pyramids, prisms, and tubes, Provides convenience for teachers to add insight into the use of AR learning media in increasing student motivation and interest in learning at SMP NEGERI 1 Bengkulu City. Provides convenience for teachers to add insight into the use of AR learning media in increasing student motivation and interest in learning at SMP NEGERI 1 Bengkulu City. Based on the results of testing the learning media application in the form of Android-based Augmented Reality application as expected based on the menu being tested.

The symbolic meaning of the sculpture "Faceless Buddha" in the work of Tsiu Tsitsing

History of development of Chinese jade carving art is dating back some 8000 years into Neolithic period The development of the ideas of Chinese jade carving, the change of their external forms, reflects the close relationships between reality (the objective world) and the inner world of man. The difference between contemporary and traditional jade carvings lies in the artist’s conscious desire to convey and disseminate his own worldview in society. The purpose of contemporary jade carving does not stop at the description of the traditional image and form by the artist, but also, through embodiment in form, tries to reveal an individual aesthetic perception. Jade carved works, possessing symbolic meaning, have a significant impact on the complex interaction between material and spiritual world of the artist; having a deep, symbolic meaning, these works affect the feelings and spirit of people as well. Tsiu Tsitsing (born in 1979) is the most famous and influential jade sculptor in contemporary China from the end of the 20th century and at the start of the 21st century, his jade articles have a distinct personal style, are original and modern. His works not only contain the thoughts and concepts of Buddhism (Zen-Buddhism), Taoism (Lao-Zhuang philosophy), and Confucianism (literary view) in traditional Chinese culture, but also integrate the concepts and formal language of Western modern art. As the most representative type of his (Tsiu Tsitsing) extensive oeuvre of sculptures, the series of jade carvings of " faceless Buddha" contain profound cultural information. The creative subject by inventing new system of symbolic language creates a new world of jade carving. At the same time, the creative subject re-examines the possibility of the current integration of Chinese traditional culture and Western modern art with the help of this symbol system.

Hierarchical relation and entity rotation-based multi-feature knowledge graph embedding

Knowledge graphs are knowledge bases that represent entities and relations in the objective world through graph structure, and they have a boosting effect on many artificial intelligence tasks. To facilitate the development of downstream artificial intelligence tasks, knowledge graph embedding (KGE) is proposed. It aims to express semantic information for each entity and relation in the knowledge graph within a low-dimensional space. However, when it comes to semantic hierarchy, multiple relation patterns and multi-fold relational structures in knowledge graphs, most of the existing models tend to focus on only one or two aspects, often neglecting the importance of considering all three simultaneously. Therefore, we propose a new knowledge graph embedding model, Hierarchical relation and Entity Rotation-based Multi-Feature knowledge graph Embedding (HERotMFE). Concerning hierarchical relation rotation and entity rotation, it can represent semantic hierarchy, multiple relation patterns and multi-fold relations simultaneously. Self-attention mechanism is used to learn the weights of the two-part rotation to further enhance the model’s performance. According to the findings of the experiments, HERotMFE outperforms existing models on most metrics and achieves state-of-the-art results.

Posthumanism and Trauma: The Non-Anthropocentric World of Grief and Objects in Elena Ferrante and Catherine Dunne

ABSTRACT A popular author in Italy since the late 1990s, Irish writer Catherine Dunne, like Elena Ferrante, has engaged with topics of female emancipation, resistance to patriarchal values, and the mother-daughter relationship, among others. The popular and critical acclaim Dunne’s narrative has received in Italy — with her debut novel predating Ferrante’s The Days of Abandonment (2002) and her subsequent work anticipating many Ferrantean themes — begs for a thorough comparative appraisal of these two authors’ oeuvres. In this article, Ferrara first shows how Dunne’s debut novel In the Beginning and her second novel A Name for Himself anticipate important themes and tropes explored by Ferrante in her narrative, including the concept of smarginatura or dissolving margins. Secondly, Ferrara identifies the central place that grief and grievability play in both authors’ non-anthropocentric, anti-patriarchal poetics and in the construction of their female subjects. Through the lens of trauma studies and posthumanist theory, the paper reveals how Dunne and Ferrante’s characters overcome abandonment and loss through a productive interconnection with nonhuman objects and entities that are signifiers of grief, such as photographs, dolls and stuffed animals. The analysis concludes with a comparative case-study of Ferrante’s Neapolitan Novels (2011–2014) and Dunne’s The Years that Followed.

A Mutual Information-Based Assessment of Reverse Engineering on Rewards of Reinforcement Learning

Rewards are critical hyperparameters in reinforcement learning (RL), since in most cases different reward values will lead to greatly different performance. Due to their commercial value, RL rewards become the target of reverse engineering by the inverse reinforcement learning (IRL) algorithm family. Existing efforts typically utilize two metrics to measure the IRL performance: the expected value difference and the mean reward loss, which we call them EVD and MRL respectively. Unfortunately, in some cases, EVD and MRL can give completely opposite results, due to MRL focusing on whole state-space rewards while EVD only considering partly sampled rewards. Such situation naturally rises to one fundamental question: whether current metrics and assessment are sufficient and accurate for more general use. Thus, in this paper, based on the metric called normalized mutual information of reward clusters (C-NMI) we propose a novel IRL assessment; we aim to fill this research gap by considering a middle-granularity state space between the entire state space and the specific sampling space. We utilize the agglomerative nesting algorithm (AGNES) to control dynamical C-NMI computing via a 4-order tensor model with injected manipulated trajectories. With such a model, we can uniformly capture different-dimension values of MRL, EVD, and C-NMI, and perform more comprehensive and accurate assessment and analyses. Extensive experiments on several mainstream IRLs are experimented in Object World, hence revealing that the assessing accuracy of our method increases 110.13% and 116.59% respectively when compared with the EVD and MRL. Meanwhile, C-NMI is more robust than EVD and MRL under different demonstrations.

Formation of the Street Art Discourse by private institutions: on the example of the Inloco Foundation

The subject of this study is the process of entering the art world of a new object – the art of the street wave. Based on the method of discursive analysis proposed by M. Foucault, an attempt is made to determine through which discursive utterances the subjects of the art world form the discourse of street wave art, as well as how the field of utterances is organized. The subject whose activity is being investigated is the St. Petersburg Inloco Foundation, which focuses in its work on artists whose creative career has a street background. The article describes the characteristics of what can be conceptualized as a statement in the activities of the Foundation, and also describes how the field of these statements is organized. In the course of the study, the forms of sequences, forms of coexistence and intervention procedures were considered. It was revealed that the experience of street creativity of representatives of the art of the street wave is being modified under the influence of discursive practices of the field of contemporary art. It is noted that the art of the street wave exists at the junction of two fields – the field of graffiti and the field of institutionalized art. It is concluded that the borderline position of street wave art allows it to expand the field of contemporary art due to the fact that it was once in the field of "non-art", was extracted by the subjects of the art world from the sphere of everyday life and endowed with the status of a candidate for evaluation.