HISTORICAL-CRITICAL STUDY of the New Testament recognized from the beginning that in the context of the great works even the best of NT writings cannot be considered For English speakers, the noble prose of the Authorized Version coupled with an idealized, romantic interpretation of the religious content of the NT kept this fact from the consciousness of literary critics and English departments that continue to treat the as literature within the boundaries of the Western literary canon. As a result, literary studies of the Bible are often considered spurious to the serious task of NT scholars: historical-critical analysis and theological interpretation. Though historical criticism tended to emphasize the development of NT writings out of smaller units of tradition and the correlation of such tradition histories with the emergence of distinctive religious language and theological ideas, it could not ignore altogether the challenge posed by ancient literature. What, if any, literary models did the various authors use in composing their works? How does a presumed genre shape the message which the author presents to the first-century reader? Attempts to answer these questions have created a flood of analyses of ancient literary remains that do not enjoy classical status, such as romances, fragments of ethnic histories, school books on rhetoric, papyrus letters, and the like. The study of ancient literary composition plays an important role in the task of redaction criticism. The exegete is asked to construct a theology of a given Gospel on the basis of the way in which the author has edited and arranged traditional materials. Usually such theologies
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