Notion Of Earth Research Articles

Towards an eco-practical theology: An eschatological horizon of true hope

The ecological crisis in the world necessitates the reconfiguration of the hegemony of modern science, theology, politics, economics and technology – the root cause of a pending ecological catastrophe. The aim is to redress a growing culture of apathy in the context of devastating weather conditions, social and political discord, and unrelenting violent wars. Public theology serves as a conceptual framework with transversal rationality as an interlocutor between the different theological (systematic, ethics, pastoral care and eco-theology), religious and philosophical perspectives. The theological ontology of care is presented followed by the role of communities of critical prophetic discourse. The notion of earth as a community leads to the prospect of a new eco-theology. Finally, the pending ecological catastrophe is reconceptualised in and through Christian eschatology. This is an inter- and intra-disciplinary discussion on the disastrous consequences of modernity and anthropocentric behaviour in terms of the current environmental crisis. Various scholars offer valuable insights into what the problem is, who responsible is for the environmental crisis, and how Christian communities should forge an accountability of care for the earth and vulnerable human beings. The eschatological reality of God’s preferred future remains a constant of hopeful and sustainable life in the Anthropocene age. It is recommended that we change the way we exist by transforming modernity as developed and sustained through theology, socio-political, economic and technological ‘advances’.Contribution: This article focussed on the ecological crisis because of anthropocentrism and distorted theological, political and socio-economic paradigms to serve human interests despite the consequences for the earth. We need to reconfigure interdisciplinary and intradisciplinary scientific approaches to embrace earth as a key scientific interlocutor. The ecological crisis should be conceptualised within the reality of Christian eschatology – Jesus Christ is ultimately, the eschaton.

Fare Terra. Istituzione ed espressione in Maurice Merleau-Ponty


 
 
 In this article, we aim to focus on the notion of Earth in Merleau-Ponty’s reflections on the concept of nature and his reinterpretation of the Husserlian Umsturz. In doing so, we will use the expression “Earth-making” to describe a particular instituting dynamic, where by the term “institution” we wish to refer to the Husserlian concept of Stiftung and its original reworking by Merleau-Ponty during his 1954-55 course at the Collège de France: L’institution - La Passivité.
 We will therefore identify the concept of institution as a privileged way to describe our relationship with the Earth, understood as Boden [soil], envisaging in the instituting dynamic as something close to art. Finally, we will try to illustrate what Merleau-Ponty means by transcendental geology, namely the capacity to grasp the original relationship between space and time and a new way of conceptualizing the Earth as a
 
 

The Paradox of Death and Subjectivity

In this paper I examine the paradox of human subjectivity in light of the tension between two forms of approaching subjectivity (as transcendental subject or as empirical being) along with two other paradoxes that, I will argue, are also the expression of the larger tension between first-personal and third-personal accounts of experience. One is the “crazy paradox” Merleau-Ponty points to in his analyses of Husserl’s reflection on the notion of Earth as ground in the text “The originary ark, the Earth, does not move”. The other is the paradox of death, that consists of the contradictory understanding of my own death as being certain yet unconstitutable. I present a brief description of Husserl’s developments on death and argue that its peculiarities present a challenge for the phenomenological method as a whole, and for the distinction between transcendental subjectivity and the empirical human being; then I offer a preliminary analysis of the Merleau-Pontian diagnosis of Husserl’s philosophy as well as Merleau-Ponty’s own way out of the paradox, and point out some of its insufficiencies.

Nothing Else Matters

Abstract If the world in which we are intentionally involved is threatened by climate change, this raises the question about our place on Earth. In this article, we argue that the ecological crisis we face today draws our attention to the Earth as ontic-ontological condition of our being-in-the-world. Because the Earth is often reflected upon in relation to human existence, living systems or material entities in the philosophical tradition, we argue for an ontological concept of the materiality of the Earth as un-correlated being in this article. We develop five principles of the materiality of the Earth: the conativity, non-identity, responsiveness, performativity and eventuality of the Earth. We will argue that it is this notion of Earth that matters to us in the age of global warming.

Writing Indigenous Vampires: Aboriginal Gothic or Aboriginal Fantastic?

The usual postmodern suspicions about diligently deciphering authorial intent or stridently seeking fixed meaning/s and/or binary distinctions in an artistic work aside, this self-indulgent essay pushes the boundaries regarding normative academic research, for it focusses on my own (minimally celebrated) published creative writing’s status as a literary innovation. Dedicated to illuminating some of the less common denominators at play in Australian horror, my paper recalls the creative writing process involved when I set upon the (arrogant?) goal of creating a new genre of creative writing: that of the ‘Aboriginal Fantastic’. I compare my work to the literary output of a small but significant group (2.5% of the population), of which I am a member: Aboriginal Australians. I narrow my focus even further by examining that creative writing known as Aboriginal horror. And I reduce the sample size of my study to an exceptionally small number by restricting my view to one type of Aboriginal horror literature only: the Aboriginal vampire novel, a genre to which I have contributed professionally with the 2011 paperback and 2012 e-book publication of That Blackfella Bloodsucka Dance! However, as this paper hopefully demonstrates, and despite what may be interpreted by some cynical commentators as the faux sincerity of my taxonomic fervour, Aboriginal horror is a genre noteworthy for its instability and worthy of further academic interrogation. (first paragraph)

Toward a New, Musical Paradigm of Place: The Port River Symphonic of Chester Schultz

AbstractIn privileging music as a focus for applied ecology, the goal of this essay is to deepen perspectives on the musical representation of land in an age of complex environmental challenge. As the metaphor driving public narration of environmental crises, the notion of Earth as our home—signified by the prefix “eco”—brings with it a critical expectation for the musical academy to retreat from bland talk about a “sense of place.” Based on the premise that damaged ecologies are a matter of concern to many people, Indigenous and Settler; and building on the late Val Plumwood's theory of “shadow” or “denied” places (Plumwood, 2008), the author introduces Within Our Reach: A Symphony of the Port River Soundscapes by anti-elitist South Australian composer Chester Schultz (b. 1945). Inspired by the tradition of R. Murray Schafer's performances for outdoor sites, Schultz predicated this niche symphony on the noise-polluting defoliation of Adelaide's “wetland wonder,” the Old Port Reach. Presented as a series of narrative soundscapes, the symphony harnesses the power of music, including popular genres, to engender a sense of local “belonging” to the Port. In an ecological subtext an Indigenous Elder sings in the re-awakening language of the Kaurna people who, in 1890, were evicted from their “nourishing terrain” (terminology after Rose, 1996) by the CSR Sugar Refinery. Schultz's ethical musical representation of local oral, natural and industrial history generates a benchmark opus for what shadow place composition might sound like in the modern global city.

Die nuwe hemel en die nuwe aarde: dogmatiese en etiese oorwegings oor ’n aspek van die eskatologie

Most Christians confess their belief in a new heaven and a new earth. The question, however, arises as to what exactly is meant by and expected from the acceptance of the concept of a new heaven and a new earth. In some Christian traditions the idea of heaven is predominantly emphasized- thus neglecting the notion of earth. In line with this emphasis the general idea of "after death we go to heaven" is stimulated. In other views, the new earth as final destination plays an important role, while the concept of the new heaven is underrated. In this article it is attempted not only to investigate different theological views concerning the new heaven and the new earth, but also to present a Biblical perspective on this topic of discussion.