The article analyzes the transformation of the image of Turkey in the Soviet satirical press during the 1940s and 1950s. That was a period characterized by a noticeable heating of the Soviet-Turkish relations due to the neutrality policy of Turkey during the Second World War. Using the methodological tools of imagology, the author explores the content diversity and polyphony of political subtexts of cartoons and journalistic essays of the Soviet satirical magazine “Krokodil” during the period of 1944—1953. The substantial deconstruction of the materials allows us to trace the nature of the transformation of the image of Turkey and the perception of Turkish political figures in the USSR. The study revealed the correlation of cartoons and satirical images of Turkey and Turks with the nonlinear dynamics of the development of the Soviet-Turkish relations. If in the mid-1940s individual political figures were mainly criticized, in the late 1940s — early 1950s the focus shifted to criticism of the foreign and domestic political actions of the Republic of Turkey, in particular its involvement in the Korean War (1950—1953), as well as a grotesque depiction of the plight, subordinate position of the Turkish people in relation to the West.