At Huaca de la Luna, an ancient Moche ceremonial centre in northern coastal Peru (c. AD 200–850), archaeologists excavated ceramic vessels that seem to depict captive warriors defeated in battle. These effigies participate in a visual rhetoric of ritual violence that might be compared to the treatment of modern prisoners in the war on terror and to the contemporary exertion of state power. Interpretation of these effigies, some with representations of costumes incised and/or painted on their bodies, is informed by the treatment of sacrificial victims found in two areas of the site. These effigies were standardized, yet malleable: made from clay pressed into moulds, fired, and then individually decorated. Their appearances and presence offer important perspectives on the polity’s discourse of power over actual humans who were found sacrificed at this same site. This essay addresses these effigies as related to the exertion of polity power. It also reveals how they manifest ideas about the relationship between the represented body and the living body. This results in a body-as-iconography that reinforces political power through repetition and regularity. These effigies favour a Foucauldian reading that writes the will of the polity on the bodies of the victims.