COULD BE MORE DIFFERENT THAN SCIENCE AND ART? The former IS considered as a rational, objective, and cool study of nature; the latter is often regarded as a subjective, irrational outburst of feelings and emotions. One may also consider scientific discoveries as the products of imagination, of sparks of sudden insight, whereas art could be viewed as the product of painstaking work, carefully adding one part to the other by a rational thinking process. Surely art and science have something in common: both are ways to deal with our experiences and to lift our spirits from daily drudgery to universal values. But the roles of art and science in society certainly are very different. Science, unfortunately, is a closed book for most people outside the scientific community; its influence on society, however, is decisive in two ways. One is via sciencebased technology; the other is via the philosophical implications of scientific insights which, as it is often wrongly asserted, support a materialistic, rationalistic view of the world around and within us. The role of art is not so easy to define. It does, or should, contribute tp a deeper appreciation of our existence and should help us to endure the human predicament. Unfortunately, much of contemporary art is also a closed book to a large majority. Let us start with the diversity of human experiences and the diversity of what we are doing with them. There are outer and inner experiences, rational and irrational ones, social experiences between two or many human beings, and experiences with the nonhuman part of nature. Our reactions to these experiences are manifold and varied. We think and ponder about them; we make use of them to improve our lives and to avoid material and emotional hardships; we are oppressed or elated by them; we feel sadness and joy, love and hate. We are urged to act, to communicate them to others; we try to relate them to the pattern of our lives. We want to influence people and our environment. All this is the raw mate-