My classes were stumped by my question about societal differences; in their estimation, the dissimilarities they saw were inherent. At the NEH Institute at Auburn University, Poovey urged the participants to teach literature which reveals how sex, the biological distinctions between men and women, becomes gender, the set of social meanings we attach to those anatomical differences. Upon my return to school in the fall, I particularly wanted to explore, with my world literature classes, how my students' beliefs about gender serve to consolidate patriarchy, the social dominance of men. I found Henrik Ibsen's Hedda Gabler (1976, trans. William Archer, Of Time and Place, Ed. James E. Miller et al., Glenview, IL: Scott, 126-73) a fitting choice for a study of the cultural production of gender and the ways such an ideology denies a woman access to power. Four poems from Adrienne Rich's Dream of a Common Language (1978, New York: Norton) helped, through common themes with Gabler, to bridge the attitudes of nineteenth-century Norway and twentieth-century United States, and a variety of interview and investigative projects rooted their study of women and power in their immediate surroundingsKnoxville, Tennessee. My classes quickly came to understand, by participating in Hedda Gabler's troubled life, the patriarchal production of the helpless woman stereotype, the woman unfit for any real share of power in society. Ibsen's fascinating protagonist is a woman frustrated by male society's constraints upon her talents and freedom. Dominated by her father in early life-his lasting presence is symbolized by the great portrait which hangs in the living room-Hedda submits to patriarchal expectations and makes a respectable match with George Tesman. Rejecting her favorite suitor, the unconventional author Eilert Lovborg, Hedda throws away a chance at an equal partnership in marriage, or Comradeship in the thirst for life as Eilert says (Ibsen 152). Although vastly her inferior in intelligence and energy, George-as representative of male bourgeois culture-expects his wife to remain without a vocation other than socializing and child rearing, a frightening possibility to Hedda. In spite of this patriarchal society's harsh condemnation of any improper behavior in a woman, the men in the play accept Eilert in spite of his tempestuous per-
Read full abstract