Reviewed by: German Women's Writing in the Twenty-First Century ed. by Hester Baer and Alexandra Merley Hill Barbara Kosta German Women's Writing in the Twenty-First Century. Edited by Hester Baer and Alexandra Merley Hill. Rochester, NY: Camden House, 2015. Pp. 208. Cloth $90.00. ISBN 978-1571135841. This engaging, provocative volume insists on a renewed focus on "women's literature" and on the significance of a feminist analysis to reflect critically on gender within a larger discursive complex of representation. Well aware of the potentially "loaded" meaning of the title given its associations with second-wave feminist approaches, Baer and Merley Hill assert their aim to develop "new ways of conceptualizing gender and feminism" in view of their analytical and political potential for German studies. In the introduction to German Women's Writing in the Twenty-First Century, Baer and Merely Hill thus caution against an essentialized, prescriptive understanding of gender, while advocating for placing gender at the center of analysis as one significant aspect of the many complex markers of identity. The volume, they explain, sets out to "consider women's writing by examining how the politics of gender continue to inform practices of reading, writing and representation … and [to address] how women's writing participates in the feminist project of transforming gender relations" (2). All nine contributors reclaim feminism, and redefine and demonstrate its critical effectiveness. Feminism is articulated in various ways, but at its foundation is a call for an attentive, critical engagement with gendered experiences as they relate to issues as disparate and intertwined as transnationalism, sexuality, ethnicity, consumerism, labor, and intimacy. Moreover, as Baer and Merley Hill write, "one key emphasis of this volume is to interrogate the ways in which women's writing—in aesthetic and representational terms—might contribute specifically to understanding the neoliberal present." Reading contemporary women's writing through a feminist lens, especially at a time when market pressures and neoliberal thinking deflect from a politicized literary practice, this volume boldly reclaims a feminist analysis of literature as an interdisciplinary, theoretical practice invested in examining how gender works in configurations of language and power. The nine contributors critically analyze a wide selection of themes and issues that contemporary women writers tackle, and the genres and trends that they employ and create, from popfeminism, to a new wave of women's writing that expands on the insights of 1970s feminism, to the Fräuleinwunder, a term coined to market the work of a group of young women writers. The range of aesthetic styles and topics and the reception of the works discussed in the nine essays reflect the vibrancy of women's cultural production and the complex "mosaic" of women's writing that seeks to question, unsettle, and confound notions of gender while historicizing and expanding articulations of gender within larger networks of identifications such as race, class, sexuality, ethnicity and religion, just to name a few. Merley Hill and Baer draw attention to discussions about intersectionality and Butlerian theories of gender performativity, and look to new theoretical approaches [End Page 710] to challenge and undo its normative representations. Significantly, the volume starts off with Necia Chronister's eloquent contribution, which identifies the queering of gender in works by Antje Rávic Strubel and Judith Hermann, whose fluid gendered personas confound heteronormative expectations. Other contributions focus on the experience of Germany's Nazi past and gender. Katherine Stone looks at memoirs in which women authors grapple with family histories to expand the narrative repertoire of women's complicity with and resistance to National Socialism. Valerie Heffernan recognizes in intergenerational matrilineal narratives a multiperspectival account that lends a voice to often marginalized historical actors with little known agency. Sheridan Marshall explores the intersection of gender, faith, and religion, both Christianity and Judaism, in narratives that work through Germany's fascist past and its legacies. Other topics include Lindsay Lawton's analysis of the stereotypes that are used to market Muslim women's writings that undermine the critical issues of ethnicity, motherhood, the body, and religion explored in these texts. According to Lawton, these texts exhibit "the way that gender intersects with and shapes other articulations of difference" (109). Mihaela...