Nature Of Art Research Articles

Characteristics of Colour Expression in Modernist Art

The expression of colour has a special role in modern aesthetics, with psychological factors and emotional components. The characteristics of colour are directly related to the personality, concept and artistic background of modern artists. Studying the special charm of colour from the perspective of its production, its expression, its artistic nature and its psychological characteristics, we can discover the distinctive characteristics of colour expression in modern art and the great visual impact it brings.

메타버스 전시환경내 알파세대를 위한 어포던스 요소에 관한 연구

Due to the global spread of the COVID-19 virus, virtual exhibitions based on untact have significantly increased in museums and art galleries. In order for the alpha generation as a new consumers to use metaverse exhibitions smoothly and effectively, adequate affordances based on behavior guidance should be provided in metaverse exhibition spaces, but research on this topic is lacking. In this study, all national museums and public art galleries in Korea were surveyed, and each affordances was evaluated based on the analysis conditions for the alpha generation extracted through prior research according to the concept of affordances by Hartson. As a result, while functional affordances were mostly met in virtual exhibitions, there were some limitations in physical and sensory affordances that could hinder the smooth use of metaverse exhibitions by the alpha generation, especially considering the lack of supply compared to demand. In addition, limitations were found due to the fact that it was conducted on a single medium. This study is significant in that it applies affordances to metaverse exhibition environments from the perspective of the alpha generation and proposes behavior guidance that they can use smoothly.

Sociological Study of the Integration Policy of Ukrainian in the World Cultural Space

Assess the factors influencing the integration of Ukrainian musical culture into the global artistic space. The modern era of globalization has led to increased interaction and mutual influence between cultures, creating a new space for the development of national cultural spheres and world art. As national cultures continue to interact and blend, the boundaries between states are weakened and a singular global cultural environment is formed. Conduct a research project exploring the practical aspects of incorporating Ukrainian music into the global cultural scene. The study reveals that integration processes have significantly impacted Ukrainian musical culture within the global artistic space. However, obstacles such as a lack of qualified teachers and graduates in musical specialties, as well as a low level of knowledge in culture and art, hinder full integration. Efforts to promote Ukrainian music include digitizing the archive of national Ukrainian music and organizing online music concerts. To achieve full integration into the global artistic community, it is essential to improve the qualifications and cultural knowledge of teachers and graduates.

Assessing HIV Care Services in Nigeria: A Comparative Study of the North-East and South-South regions of Nigeria

This study conducted a comparative case study analysis of the HIV program in Nigeria’s South-South and North-East regions of Nigeria to determine the access and quality of HIV care and treatment services. Service delivery is an essential component of the WHO Health systems framework. Data were collected from 385 respondents using structured questionnaires and analysed using descriptive and inferential statistics. The study found that the North-East region of Nigeria had significantly lower numbers of primary healthcare facilities and inpatient beds per 10,000 population compared to the South-South region. The North-East region had an average of 0.02 inpatient beds per 1,000 population, significantly below the WHO standard, while the South-South region had an average of 0.18 inpatient beds per 1,000 population, relatively closer to the WHO standard. The general service readiness score for delivering HIV program services was at least 94% in all health facilities in both the North-East and South-South regions. The HIV service readiness index for the North-East region was higher than that of the South-South region, with some disparities in the availability of national ART guidelines, national HIV counselling and testing guidelines, staff training, and availability of HIV prevention services. HIV testing and counselling services were described as readily available and accessible in both regions, with some communities taking ownership of promoting the availability of these services. However, both regions had a relatively high service readiness score for delivering HIV program services, with some disparities in the availability of national guidelines and training of staff. These findings demonstrate extensive investment of government and donor agencies in delivering quality HIV services with areas to improve to ensure alignment with WHO system strengthening framework. Keywords: Health systems, HIV, North-East, Service delivery, South-South, WHO.

REPRESENTATION OF THE MEMORIAL CULTURE IN CHECHEN PAINTING (2000-2012)

The object of the research is the memorial culture in Chechen painting, the subject being its representation in the works of Chechen artists. The purpose of the study is to consider the representation of the phenomenon of memorial memory in the work of Chechen artists. The paintings of national artists of Chechnya served as empirical material in the work. The methodology is based on comparative studies, art history and the system-constructive analysis.
 The authors construct the concepts of memorial heritage in the paintings of Chechen artists, revealing the universal characteristics of their work. For the authors, memorial culture comes down to a variety of ways to materialize the socio-cultural ethnic context, including the visualization of mythological and religious meanings, as well as the translation of mental characteristics and ethnic archetypes. The deep memory of the people includes historical and cultural areas, which include artistic images born in a creative way. In turn, ethnic art serves as a kind of reflection of ethnophilosophy, the mentality of the people, national traditions and a means of conveying the deep memory of the people.

USABILITY AS A PROBLEM OF EXPRESSIVE WEB DESIGN TOOLS: FROM THE PRACTICE OF WEB USABILITY TO THE CONTEXT OF WEB ACCESSIBILITY

The article is devoted to the problem of analyzing the issue of web usability and web accessibility of using educational web resources in the context of the problems of expressive web design tools. The author considers web usability and web accessibility systems as components of a universal design problem that goes beyond narrow technical issues of website content consumption. An important component of the research discourse of the publication is the study and interpretation of the experience of using educational Internet resources from the point of view of the system of expressive means, aesthetic solutions and artistic and project properties of web design. It is concluded that the artistic nature of an educational website has the capacity for representation within the user experience. It is proved that the parameter of external consistency of expressive means is extremely important for the problem of web accessibility. If a website's learning model uses more than one visual system, this requires coordination of visual solutions at all levels of interface design. The author emphasizes that the practice of gaining experience using an educational web resource is based on functional criteria. At the same time, the usability characteristics are not enough to identifythe typological structure of a certain site and to determine, on this basis, a universal approach to the construction of visual solutions. Practically in all the considered cases there are artistic-figurative or aesthetic-stylistic features, which are either part of the functioning system, or are considered as independent aesthetic components. The inevitability in the functioning of websites requires designers to come up with such solutions that would determine not only the functional properties of the website, but also its artistic direction. The conducted analysis shows that the aesthetics of network Internet resources is formed based on the principles of usability and is a utilitarian system that has its own functionality and a wide range of usage norms. Based on this, educational websites have significant differences compared to representative web resources that form visual messages within a different artistic and figurative system.

P-781 Assisted reproductive technology-associated risk factors for retained placenta

Abstract Study question What are the assisted reproductive technology-associated risk factors for retained products of conception (RPOC) following delivery? Summary answer Frozen embryo transfer (FET) with hormone replacement cycles (HRC) constitutes the largest risk factor for RPOC. What is known already RPOC is a key cause of secondary postpartum hemorrhage. Previous studies have shown that the use of ART increases the risk of RPOC and subsequent transfusion following delivery. However, the relationships between specific ART-treatment factors and the risk of RPOC have not been elucidated. Study design, size, duration We performed a registry-based retrospective cohort study using the Japanese national ART registry, in which all the ART cycles performed in Japan are recorded including the perinatal outcomes. Participants/materials, setting, methods Singleton live births between 2007 and 2017 were studied (n = 306,411). Odds ratios (ORs) and 95% confidence intervals (CIs) for the potential risk factors for RPOC associated with fresh and frozen cycles were obtained from multiple logistic regression analysis, incorporating adjustment for maternal age, infertility, and calendar year. Because information regarding assisted hatching (AH) and HRC for endometrial preparation only became available in 2012, these factors were analysed using the data collected between 2012 and 2017. Main results and the role of chance RPOC was diagnosed for 132 deliveries (0.04%), of which 122 (92.4%) followed FET cycles and only 10 (0.01%) followed fresh embryo transfer (ET). No significant risk factors for RPOC were identified using the fresh ET data. For FET cycles, the use of HRC as an endometrial preparation method represented the largest risk factor (adjusted OR, 4.9; 95% CI, 2.0 to 12.3), with RPOC occurring in 0.05% of deliveries following HRC (51/97, 958 deliveries) but in only 0.01% following natural cycles (5/47, 79 deliveries). AH was also associated with a significantly higher risk of RPOC (adjusted OR, 1.9; 95% CI, 1.2 to 3.1), although the risk was lower than that associated with HRC). Subgroup analysis showed that these significant associations of HRC and AH with RPOC were present for transvaginal deliveries, but not deliveries by caesarean section. Limitations, reasons for caution The registry lacks important information regarding risk factors for RPOC, such as parity, body mass index, and history of previous uterine surgery. Furthermore, the lower prevalence of RPOC in the present study (0.04%) than in other studies (approximately 1%) suggests the possibility of non-differential misclassification for the outcomes of RPOC. Wider implications of the findings Although the possibility of residual confounding factors remains, the present findings suggest that additional care should be taken in the management of patients undergoing vaginal deliveries following FET who have HRC or AH. Trial registration number Not applicable

New Dimension of Lacquered Work

Thai artwork Kammalor patterns (Lacquered Work) are the national art of Thailand that indicate the prosperity of culture that shows Thai identity. Handicrafts in Thai art, therefore, represent a skill that is exquisite, delicate, and tactful. In the midst of the contemporary social trend, social changes in art are diverse in commercial art. There are modifications and developments of works of art. Making the art market, the addiction to commercial art has an alternative channel for people to consume art in a variety of ways and more freely. The result of this creative research, researchers study and collect data. The knowledge from theory and practice in fine arts, surreal art creation, contemporary Thai painting style, analysis of techniques and creative processes from Thai techniques, a black and gold lacquered pattern technique and ancient lacquered patterns, including materials to create works that are even more difficult to find nowadays. The process combines techniques, processes and styles from Vietnamese lacquered works, such as techniques for inlaying materials onto works, using materials from fishbones, crab shells and shells together with mixing techniques on ceramic works from technique Raku firing (The Art of Raku Firing) using the Kintsugi fusion technique in the form of mixed media creations. The result of creating this work will show emotional aesthetics, a feeling that reflects imagination in creating works from inspiration in the fishery profession and the concept that the researcher does not rely on surreal art, which emphasizes the transfer of stories through creativity, symbolic shape display, and artistic visual elements that modified new attitudes through conservative Thai art forms to reflect the image of Thai art in the "New Dimension of Kammalor" series for society in the 21st century to remain sustainable in the future.

"SCIENTIFIC AND METHODOLOGICAL LABARATORY OF KAZAKH DANCE" - A NEW PROJECT FOR NATIONAL ART PRESERVATION

The Kazakh National Scientific and methodological laboratory plays an important role in the promotion of national values in society, the formation of national ideology, the development of respect for cultural heritage among the younger generation. In 2019, the Kazakh National Academy of choreography established the "Kazakh National Scientific and methodological laboratory" in order to develop the art of national dance. The Laboratory employs experienced specialists in the field of Kazakh dance art T. O. Izim, A. A. Tati, A. K. Kulbekova, A. A. Sadykova, A. Sh.Shamshiev.Currently, as a result of the projects implemented in the laboratory, the terms used in the discipline "Kazakh dance" (names of each movement) have been unified. This article is aimed to examine the main direction of the laboratory's work and new ideas aimed at developing national art. The importance of national choreographic art in the formation of methodology has been considered during the world pandemic online concert "persons who contributed to the development of Stage Kazakh dance", the content features of the scientific works "reference (methodological guide)" published in 2021, "choreographic art of Kazakhstan: traditions and modernity" published in 2022. In addition, the concept of a laboratory in the field of dance art is considered and an analysis of the activities of foreign laboratories is carried out. In the course of conducting scientific research, a survey was conducted among the members of the laboratory. The survey questions were aimed at determining the specifics of the laboratory's work and the work plan. The results of the research demonstrate the necessity of studying Kazakh dance art history as well as organizing the activities of laboratories. We are convinced that the “scientific and methodological Laboratory of Kazakh National Dance " is a new project in preserving the continuity of traditions and studying national art.

Local Forms of Festival Space in Drohobych

At the present stage of cultural development, the search for value and semantic guidelines leading to the realization of new forms of cultural life, including music, is underway. As one of such new forms, festivals help embrace new forms, genres, and types of musical art within a common cultural space while simultaneously motivating creative teams and becoming an impetus for new achievements. The relevance of the article is in the active spread and growing importance of music festivals as creative events and an important component of the national art process. The paper reveals various aspects of provincial city festival life during the period of Ukrainian independence. At present, festivals are an integral element of culture, a constantly evolving art phenomenon. They are in demand in various fields of culture and art, and their concert programs attract townspeople and visitors. Festivals contribute to the formation and promotion of city and regional brands, to the transformation of the urban environment, and place focus on various issues, asthey are related to the general cultural situation and the local context of a particular location. As a key element of contemporary cultural life, festivals contribute to the dissemination of creative practices aimed at developing the cultural sphere of the city and raising the level of cultural life in the region. The paper aims to present a “panorama” of festivals, their features, and their significance for the cultural life of Drohobych.

Drawing in the 1990s: historical revisions and phantom visions

Karen Kurczynski suggests that the vulnerability of a paper support and the unfinished ‘open’ quality of drawing has made it a particularly significant medium for artists marginalised because of their gender, sexuality or race. She examines the work of the Native American artist Jaune Quick-to-See Smith and the Sámi artist Britta Marakatt-Labba and discusses drawings by the American artists Nicole Eisenman and Kiki Smith.

Influencing factors of modern and contemporary decorative pattern design on users’ visual perception characteristics

Abstract There are many classic traditional arts incorporated in modern design patterns design. These traditional arts embody China’s profound national art in modern decorative patterns, making the organic combination of modern and traditional national art, thus realizing the promotion of traditional national art and providing more classical excellent elements for the development of modern decorative art. At the same time, modern decorative pattern design draws on traditional art from five aspects: composition, perspective, image, color, and allegory, and applies its advantages and strengths completely to the modern design process. The most important thing is that modern pattern design has a strong sensory impact on people’s visual perception. Therefore, modern decorative pattern design cannot be separated from the integration of traditional ethnic groups, and even more so from the inspiration and reference brought to it by traditional art. The article analyzes the dynamic changes of higher-order aberrations over time in the near-eye and ortho-eye groups from a design perspective by using the generalized additive mixture models (GAMMs). The threshold effect analysis is used to find the turning point of the dynamic change of higher-order aberration. The interaction analysis method compares the differences in the dynamic changes of higher-order aberrations between the two groups, analyzes the application of modern design to decorative patterns, combines ancient and modern design elements, and studies the impact of the combined product on human senses.

BOYS' AND GIRLS' HIGH SCHOOLS IN BURGAS - 1904 - 1944

In the history of education in Burgas high school education occupies a special place and the boys' and girls' high schools in the seaside town were its mainstay in the first decades of the last century. Their development goes through various vicissitudes, reflecting the changes in the educational legislation. The problems the managements of the two educational institutions have to deal with are:- staff turnover, low payment, problems with professional growth;- stuffing of party leaders empowered to take decisions that are not within their competence;- mobilization of students during the wars.At the beginning, the high school education in Burgas was catching up with the other cities in the country, at the end of the given period it trained specialists for the needs of the region and provided personnel for the Bulgarian universities and institutes.The following techniques were applied within the scope of the study:- biographical method;- historical-pedagogical analysis of educational information of a national and regional nature;- cultural-historical retrospective.Emphasis is placed on the high educational qualification of high school teachers who graduated from prestigious European universities: Dr. Minko Adzharov, Raina Kostenceva, Maxim Rajkovich, Sanda Yovcheva, Dimitar Radev, Roman Spatarev, Gencho Kirev. They formed the urban intelligentsia, and subsequently some of them became iconic names in national culture, science, and art. The names of Dimitar Radev, Zheko Radev, Petar Petkov-Osogovets, Tsvetan Minkov can be added to the above. The public appearances of personalities whose life and creative path remained connected to the seaside city began in the high schools in Burgas - these are Stefan Maksimov, Maxim Rajkovich, Georgi Popayanov, Panayot Vodenicharov, Gencho Mitev and a number of others.The review of high school annals, the personal archives of teachers and the published memories of students from this chronological period allow us to say that despite the stormy political events of public life, which resonated in high school everyday life, teachers and students were looking for something that could unite their efforts, and they found it in public events and activities, with which they contributed to the heightening of the authority of educational institutions in front of the citizenry.

Становление жанров драматургии в контексте развития жанрово-родового сознания первых чувашских писателей

The paper deals with the little-studied problem of the folklore origins of drama genres in Chuvash literature. The aim of the study is to identify the folklore origins of individual genres of national drama as the genre-mode consciousness of the first Chuvash writers. Children’s and youth role-playing games, the wedding ceremony, the folklore genre “peyĕt”, which include the characteristic features and elements of drama and theatre serve as the primary sources of Chuvash drama. It is these sources that influenced the formation of the comedic and tragic consciousness of the first Chuvash writers G. Komissarov, K. Ivanov, F. Pavlov and others. The scientific novelty of the study lies in the fact that it considers the origins of drama forms through the lens of genre-mode consciousness formation among the first Chuvash writers. Ethnographic descriptions and terms involved as the research material are considered as one of the foundations of the national dramatic art. The results of the study showed that “văiă” (game, puppet theater), “kamit” (comic performance), “peyĕt” (plot songs) act as the fundamental ethnic constants in the development of comedic and tragic consciousness in Chuvash fiction. These influenced the emergence of various genre-style directions in national drama, namely the formation of the genres of comedy and tragedy.

Recognizing Greatness in Our Own Time

Recognizing Greatness in Our Own Time

Landscape Painting and the Construction of “Icelandicness”: Icelandic Modern National Art vis-à-vis its Danish Origins

The article constitutes an attempt at developing a new approach to Icelandic national art, supported by an analysis of its role in the process of constructing “Icelandicness” and the Icelandic identity. It enters a dialogue with the study Kryptokoloniale landskaber: tid, sted og rum i billeder af islandsk landskab 1874–2011 by Ann-Sofie Nielsen Gremaud, with a concurrent focus on Icelandic landscape painting of the period 1874–1944 and its relation to Danish art. The Nordic, and especially the Icelandic art was routinely overlooked in the European artistic and historical narration, including the Polish scholarly environment, but it is well worthy of a closer scrutiny. Two fundamental assumptions that define the analysis presented herein are that the modern national art of Iceland derives from the Academic tradition in Denmark and that, concurrently, Icelandic artists participated in the process of developing national identity in opposition to the Danish model. In order to find confirmation for the posed theses, methodologies close to post-colonialism and crypto-colonialism have been used, as well as ones inspired by imagology and based on interdisciplinary research in the fields of art history, history, anthropology and cultural studies.

RESTORATION OF TRADITIONS IN THE DEVELOPMENT OF PROVINCIAL SLOBOZHANSKY SACRED ARCHITECTURE

In this way, the two living cosmos of the spiritual and sacred - ethnos and theos - are combined again, the times of the creation of elite (aristocratic-official) architectural and artistic culture - the baroque and classicist tradition - are combined with the continuous time-space of folk sacred culture. The meaningful series of complex and largely forgotten spiritual symbols, which, however, constitute the deep essence of the folk tradition, are reunited. It has been proven. that the first nationally conscious and effective searches for a new uniqueness and originality of national architecture and art originate precisely from the era of modernism and ethnically rooted folk-style (national-romantic) architecture genetically related to this trend. It has been proven that one of the Slobojan architects who successfully developed deep traditions of temple architecture in the modern era was the last Kharkiv diocesan architect (1907-1917) Volodymyr Mykolayovych Pokrovsky. Namagannya yaknaishvidshe to remember three-quarters of the delay in an hour of miserable panuvannya of the atheistic sovereign doctrine of the treasury of sacral architecture once again forced professional designers to turn around until the nadban of the past. After a long break and severe wrongful losses, the creative artists of susilla and mystetsky distillation in the gallery mastered the new and traditional plastic richness of modern church symbols. As in the largest places and creative processes, the processes are least painless, in the regional periphery there is a pardon and a little mor. And it’s not less than the fact that the most ruins appeared here in the past, ale th, the main rank, the one who traditional innovations at the most important gallery, the sacred everyday life was long overdue, stretching out life for many generations, pcs scientifically rapist prizupineno. Tim more importantly assess the whole depth of the living tradition of Slobozhan sacred architecture can be directly far away. Keywords: development, principles, foundations, sacred architecture, regional traditions.

Study on the Protection of the Spatial Structure and Artistic Value of the Architectural Heritage Xizi Pagoda in Hunan Province of China

Xizi Pagoda, or the pagoda for cherishing writing paper, is part of China’s architectural heritage in culture, education, and rites. It symbolizes respect for books and ceremonies, aspirations for virtue and ideals, and hope for literati cultivation. This paper is the first comprehensive study based on the spatial structure and artistic value of the pagoda as rural stone architecture. It analyzes the shape, components, and decoration of typical Xizi Pagodas in Hunan Province, and studies the stress structure with finite element simulation software. This study delves into the science of the shape, structure and space, and the cultural and aesthetic connotations, and proposes protection and renovation methods. In conclusion, the architecture is decided by the cylindrical shape of the paper burning structure and aesthetics; it is also influenced by Hunan culture, which cherishes literature and ceremonies and values candor and optimism. The pagoda is a national art form with a unique role in enlightenment and education. Therefore, the protection and utilization of the pagoda can be approached from its spatial structure, artistic value, and cultural inheritance to facilitate the sustainable development of architectural heritage, environment, and culture, so as to build Xizi Pagoda into a new national brand.

Analysis of the Historical Origin of Ancient Chinese Poetry and Art Songs

The successful combination of poetry and dynamic beauty in poetry and dynamic beauty in music often brings vitality to people with transcendent aesthetic enjoyment. Classical poetry is an important cultural treasure in ancient Chinese literature, and it also has a relatively broad cultural value in the context of the current era, and is a brilliant pearl of Chinese culture. Ancient Chinese poetry and art songs refer to a relatively unique form of music genre produced by taking the poetry of Chinese literati and scholars as the singing content, adding scores and soundtracks by composers, and skillfully integrating poetry, rhyme and vocal emotion. After thousands of years of development, Chinese modern art songs combine literary art and musical art, precipitating thousands of years of cultural connotations of the Chinese nation; It embodies the spiritual feelings of thousands of people and is an important part of the excellent traditional culture of the Chinese nation. It is not only a perfect combination of traditional culture and elegant art, but also the symbiotic link between poetry and music. It has been spread for thousands of years in the long river of literature and art of the Chinese nation for a long time, and has profound historical connotation and high research value.

Strengthening the Character of Patriotism Through the Narantika Rarangganis Dance at a Senior High School in Cimahi

This study aims to determine the implementation of Narantika Rarangganis Dance, instilling patriotism's value. This research uses a case study method with a qualitative approach. The participants that were involved in this study were three teachers from a state senior high school in Cimahi Regency. These participants were senior teachers aged above 50 years old. The results of the study show that (1) the implementation plan of the Cultural Arts Learning for dance branch refers to the curriculum in accordance with basic competencies, planting the character of patriotism is formed from the values of local wisdom in the form of surti, harti, evidence and devotion which is realized by restoring character education as an alignment between knowledge, skills and attitudes. (2) The Cultural Arts Learning Process based on local wisdom by demonstrating the Narantika Rarangganis dance as a West Java regional dance that continuously has a peace-loving character, defends the country, kinship or friendship and upholds the value of local wisdom by maintaining and developing it. (3) Efforts to instill the character of patriotism through Cultural Arts Learning by carrying out cultural performances, language month, carrying out character building, getting to know regional culture, implementing school superior programs, including preserving regional culture, (4) How to preserve local wisdom of Narantika Rarangganis Dance by participating in performing dances at every cultural performance activity both at school and outside of school, participating in the national student art competition festival, holding education and training targeting junior high, high school students and teachers. Recommendations are addressed to school principals, teachers, and future researchers.