Modern Narratives Research Articles

Modernity Narratives, Modernity Moments, and Belatedness: Periodization as an Historical Construct

Modernity Narratives, Modernity Moments, and Belatedness: Periodization as an Historical Construct

Not anxious enough: The discursive articulation of ontological security in the European Parliament

Abstract This paper makes the case for a discursive understanding of ontological security and demonstrates the utility of such an approach in an analysis of European Parliament (EP) debates between 1990 and 2020. We argue that articulations of ontological (in)security operate through the (re)inscription of a set of metanarratives in what we call ‘discursive nodal points’. Building on an extensive analysis of EP debates over 30 years, we demonstrate that in contrast to the prevailing view of the European Union (EU) as an ‘anxious community’, at least on the political level, EU actors remain surprisingly confident in the European project. While they do invoke challenges to the EU, they see these as incentives to strengthen the integration project and often consider operating in crisis mode as an essential EU characteristic. In doing so, they draw on modernist metanarratives of progress, control, and power to construct an ontologically secure EU. We argue that the future ontological security of the EU will partly depend on allowing for more ambiguity in this modernist narrative without accepting a nationalist counter-narrative that undermines the idea of European integration.

Exploring the Hero's Journey in Kate Chopin’s The Awakening and Paulo Coelho’s The Alchemist

This research paper explores the quest journeys of the protagonists in Kate Chopin’s The Awakening and Paulo Coelho’s The Alchemist using Joseph Campbell’s concept of the Hero’s Journey from The Hero with a Thousand Faces. The study highlights how the archetypal quest myth is presented in modern narratives. Edna Pontellier in The Awakening embarks on a journey of self-discovery, challenging societal norms and seeking personal freedom. Santiago in The Alchemist follows a more traditional hero’s path, driven by a recurring dream to find a hidden treasure, ultimately realizing that the true treasure lies within. Both journeys lead to significant personal transformations, though their outcomes differ dramatically. While Santiago's journey aligns with the classic structure of departure, initiation, and return, Edna's quest highlights the constraints of her societal context, leading to a tragic conclusion. Santiago encounters physical and spiritual trials in the desert, guided by mentors like Melchizedek and the Alchemist, and returns home enlightened. Conversely, Edna, influenced by characters like Mademoiselle Reisz and Robert Lebrun, faces internal and societal conflicts that ultimately lead her to seek freedom in death. This comparative study illustrates how modern narratives adapt and reinterpret the Hero’s Journey to explore diverse themes and experiences. It emphasizes the enduring relevance of Campbell's monomyth in understanding the complexities of human struggles and aspirations, showing how both protagonists, despite their different paths, reflect universal quests for identity and self-fulfillment. The paper underscores the impact of societal constraints on personal freedom and the varied outcomes of such quests in different cultural contexts.

Cubism in Sweden – from experimental to moderate

In this article, examples of various forms of cubism practiced by Swedish artists are described and analyzed regarding form, content and reception in the field. A certain emphasis is placed on female artists, since there is a need for differencing the narrative of modernism regarding women’s contributions, often disregarded in their own contexts as well as in the writing of art history. Attention has also been paid to changing notions of cubism in the field of art. In the early years of cubism, from the 1910s, a considerable number of Swedish artists experimented enthusiastically with prismatic and other cubist effects in their paintings. Many of them went to Paris, Berlin and Copenhagen to see the new art, and brought new ideas to Sweden. For most of the artists who experimented with different kinds of cubism, it was a temporary activity, although many of them felt they had acquired new insights concerning artistic form. Some of them further developed their findings into new directions of modernist art, such as post-cubism, purism and concrete art. Women artists were active in all of these movements. The art market in Stockholm thrived in the 1910s and 1920s. Several of the art critics and large parts of the art audience had difficulties understanding cubism, and rejected the non-figurative art exhibited at the Stockholm exhibition in 1930. However, most Swedish cubism proved to be of a moderate sort, such as the works by Georg Pauli. On the other hand, Agnes Cleve, Siri Derkert, Gösta Adrian-Nilsson (GAN), and Otto G. Carlsund never ceased to generate bold forms and compositions. Regardless, it took a long time for Swedish art audiences to accept this form of visual art.

Truth in Time Travel: Subversions of Time in An Adventure

This article explores how Frances Lamont and Elizabeth Morison’s An Adventure (1913) disrupts temporal and spatial dichotomies through its supposed representations of time travel. An Adventure presents time as a shifting force that aligns with Bergsonian notions of temporality – specifically the concepts of objective and subjective time as defined in Henri Bergson’s Creative Evolution (1911) and “Time and Free Will” (1913). This article also considers how Freudian notions of “condensation” further outline the subjective rendering of time in An Adventure’s surreal journeys back in time to the French Revolution and how the narrative’s subjective presentation of time aligns with Ford Madox Ford’s later theories of literary impressionism, particularly his idea that modernist narratives are composed of “various unordered pictures”. This article ultimately argues that Lamont and Morison’s book benefited from the temporally minded scientific and social climate of the time and used the theoretical groundwork of thinkers like Henri Bergson, Ford Madox Ford and Sigmund Freud as starting points from which they could tell their tale as truth. Specifically, their formal construction of the text as scientific research seeks to consciously obscure the differentiation between fact and fable, effectively positing their nonlinear time slip as truth. If that truth is humored, Lamont and Morison are proposing a more radical conception of time than Bergson – a nonlinear conception of time – a proposition that sits in tension with their use of scientific diction and discourse.

Locating Paul Olds Within New Zealand Modernism

The place in New Zealand art history of Paul Olds (1922–1976) remains relatively obscure. Olds’ oeuvre defies easy categorisation and does not readily align with established notions of New Zealand modernism. He made a considerable impact as a painter and teacher in Wellington, where he settled in 1957 after six years in Europe. However, his reputation dwindled after his premature death. Olds’ paintings juxtapose figurative and non-figurative elements, organic and inorganic forms and employ nuanced texturing and complex colour layering. Observing his oeuvre chronologically reveals his distinctive approach and his subtle and nuanced contribution to New Zealand’s post-war modernist narrative.[i] [i] The author (Miriam Olds Spence) was born in Wellington in 1963 to Elisabeth and Paul Olds. When I was three years old, my parents separated and my mother and I moved to Germany, where I grew up. My mother was engaged in postgraduate research at the University of Tübingen, and later became a lecturer there. After we moved, I only saw my father twice, briefly. I did not return to Wellington until 1979, three years after my father died. My research stems from a desire to better understand my father’s place in New Zealand’s postwar art history.

Debating Worlds: Contested Narratives of Global Modernity and World Order

Debating Worlds: Contested Narratives of Global Modernity and World Order

Dislocating the Language of Modernity in Amitav Ghosh's The Circle of Reason

Abstract: Engaging with Amitav Ghosh's recent essays that link imperial modernity's mechanistic view of the world to the novel's failure to imagine climate change, this article examines how Ghosh's fiction attempts to dislocate narratives of modernity to reveal a world constructed by capital and naturalized through reason. Drawing on the work of postcolonial theorists on the introduction of Western science to India, this article returns to Ghosh's first novel, The Circle of Reason , to focus on the intimate scale of the transformations that imperial modernity enacted on the human body and psyche. Though underrepresented in scholarship on Ghosh, this novel is a critical site for understanding Ghosh's view of how the ideology of modernity gets entrenched as scientific reason, reshaping humankind's relationship with the human body and the surrounding world. The novel's representation of the body, moreover, proposes an intimate and uncanny space that discloses alternative ways of imagining the world.

An Analysis of the Works of Fazıl İskender and Narine Abgaryan from Contemporary Caucasian Literature in Terms of Cultural Commitment

This article explores the intersection of mythology and modernity in contemporary Caucasian literature, focusing on how contemporary writers from the Caucasus region integrate traditional mythological elements into modern narratives. The study examines selected works of prominent writers such as Fazıl İskender and Narine Abgaryan. It investigates how these writers reflect their commitment to their culture in their works and how they benefit from mythological elements while doing this. For this purpose, Fazıl İskender's Sandro of Chegem and Narine Abgaryan's Three Apples Fell from The Sky were examined, and the way cultural symbols and mythological elements were reflected in these works were supported by quotations from the works. In addition, the cultural and social effects of these works within and outside the Caucasus region were evaluated, and their role in preserving and revitalizing cultural heritage in the globalization environment was emphasized. The study aims to show how regional literary works can be renewed and developed by benefiting from their cultural background, and thus to contribute to a better understanding of contemporary Caucasian literary works.

Huxley's Karma and Lu Xun's Ghosts

This article questions the secularist assumption in the received narrative of Chinese modernity by uncovering the religious ideas and imaginations that have since the outset mediated and shaped the Chinese discovery of evolutionary science, a massive phenomenon that has conventionally been understood in a scientistic and secularistic light. Adopting an interdisciplinary approach, this article revisits Tianyan lun—the Chinese translation of Thomas Henry Huxley's Evolution and Ethics and the single most influential book in initiating late-Qing intellectuals into social Darwinism—as a site for Buddhist global exchange and translingual practice, when the notion of “karma” offered Huxley and his Chinese translator and readers at once a ground of convergence and a point of departure. To Lu Xun and his brother Zhou Zuoren, from a hereditary perspective, karma has assumed the other name of history, while evolution unfolded in perpetual entanglements of humans and ghosts under a samsaric temporal scheme. Lu Xun's obsession with the netherworld has fostered, on the one hand, a deep pessimism about human developmental agency and the promise of the revolution and, on the other hand, an existential courage to confront the “realm of darkness.”

The Public's Perception of Florence Nightingale's Legacy in the Digital Media: A Critical Discourse Analysis.

This study critically examines the public's perception of Florence Nightingale's legacy through a critical discourse analysis (CDA) of digital media, specifically podcasts and YouTube. Nightingale, who is often remembered as "The Lady with the Lamp", holds a complex identity within modern narratives that is celebrated for her pioneering contributions to nursing and public health, even if there are some disagreements about her, given the colonialist setting that may have shaped some of her opinions and decisions. This research employed CDA to analyze 25 podcasts and 18 YouTube videos, which were systematically included according to a priori inclusion criteria. The study synthesized how these media products portray Nightingale and, by extension, shape public discourse about the nursing profession. The findings reveal five thematic representations of Nightingale: as a legendary figure, a modern feminist, a dedicated statistician, a pioneer in public health, and a pivotal STEM contributor. These portrayals challenge traditional nursing stereotypes by emphasizing Nightingale's role as a rigorous scientist and reformer, suggesting broader perceptions of nurses that encompass leadership, analytical skills, and strategic thinking. The study supports the hypothesis that digital narratives significantly influence the public's understanding and appreciation of nursing, advocating for a more nuanced professional identity that integrates traditional caregiving roles with critical and analytical capabilities.

Scientific experimental articles are modernist stories

This paper attempts to revive the epistemological discussion of scientific articles. What are their epistemic aims, and how are they achieved? We argue that scientific experimental articles are best understood as a particular kind of narrative: i.e., modernist narratives (think: Woolf, Joyce), at least in the sense that they employ many of the same techniques, including colligation and the juxtaposition of multiple perspectives. We suggest that this way of writing is necessary given the nature of modern science, but it also has specific epistemic benefits: it provides readers with an effective way to grasp the content of scientific articles which increases their understanding. On the other hand, modernist writing is vulnerable to certain kinds of epistemic abuses, which can be found instantiated in modern scientific writing as well.

All Aboard the Nascopie: Image-Making, Colonial Modernity, and Coastal Memory in the Canadian Eastern Arctic

Between 1912 and 1947, when it sank, the icebreaker the RMS Nascopie, a British-made vessel commissioned by the HBC to be used as a supply ship, serviced the eastern Canadian Arctic. For an eight-year period during this time it also counted tourists among its passengers, alongside HBC personnel, missionaries, medical practitioners, scientists, and government officials. Life aboard the ship, wildlife, sea ice, inclement weather, and Inuit were all documented in the reports, written diaries, and visual records that emanated from the Nascopie as it operated under the many, often contradictory, guises of icebreaker, supply vessel, cruise ship, and sovereign symbol. Looking across photography, painting, and printmaking during the 1930s through to the present day, I consider the Nascopie as an anchor between the visual arts and the coastal landscape. Here, I position Inuit and non-Inuit perceptions of cultural and environmental change and continuity along Canada’s coastline within the transformative effect of colonial modernity. Image-making, notably photography and painting, aboard the Nascopie sought to reproduce the Canadian Arctic as an object of collective history and national identity. Confronting the often-anonymous Inuit and Arctic environments throughout the photography and painting of Lorene Squire and F.H. Varley, I identify how the Nascopie, as a colonial actor in the local landscape, persists in contemporary Inuit visual and cultural memory, most notably in the work of Shuvinai Ashoona. By untangling the inter-media and multi-temporal role of the Nascopie across past and present image cultures, I explore the intertwined narratives of coastal history, visual culture, and colonial modernity in the eastern Canadian Arctic.

The Spirit of the Pluriverse: Africana Spirit-Based Epistemologies and Interepistemic Thinking

Abstract In this article, I argue that interepistemic thinking is characteristic of Africana spirit-based epistemologies and that such thinking is essential to the construction of the pluriverse. I demonstrate that the spiritual basis of many Africana epistemologies facilitates interepistemic thinking and the making of a more equitable, functional, and healthy “modernity.” This is despite narratives of modernity, such as that of Max Weber, that are embedded in a secular-rationalist ideology, which tend to mark spirituality as an invalid means of accessing, representing, or (re)producing truth, marking it as “primitive,” destined to disappear, and as incompatible with the so-called modern world. For this reason, decoloniality as it applies to an analysis of Africana spirit-based epistemologies must demonstrate the limited, Eurocentric nature of the secular-rationalist paradigm. I support these arguments through an analysis of the role of interepistemic thinking in the spirit-based epistemologies apparent in what are commonly referred to as African diasporic religions. In doing so, I will also offer a critical perspective on the application of religion as a conceptual category to the realities of the peoples of the African diaspora, following important recent scholarship in the study of religion. I will begin with a review of the nature of the pluriverse and a brief description of Nelson Maldonado-Torres’s (2008) critique of secularism, followed by an analysis of interepistemic thinking as it can be observed within Africana spirit-based epistemologies, and conclude with an explanation of how this may inform a critical reconsideration of the epistemic bases that undergird the modern/colonial world system.

Myths of Zimbabwean urban nationalism: Narratives of modernity and exceptionalism in the economic crisis

AbstractZimbabwe has distinct urban nationalist myths stemming from the colonial period—urban modernity and economic exceptionalism. The modernity myth has been constructed from the colonial period and came to be associated with urban order, lifestyle and social mobility. The economic exceptionalism myth refers to Zimbabwe's past exceptional economic performance during the colonial and early postcolonial periods. However, the economic crisis and informalisation from the late 1990s have challenged these myths as neither previous practices of urban modernity nor the feeling of exceptional economic performance is attainable any more. In this context, people in the informal sector reimagine what these nationalist myths mean to them. In particular, they engage in debates about which economic practices are modern enough to be implemented in urban areas, especially in the city centre, and how to identify themselves make a claim to urban modernity. The memory of economic exceptionalism in the meantime acts as a reference point in discussions about future national development. All these translate into the question of legitimacy—of the informal economy and its practices and the government that failed to uphold the modernity and exceptionalism myths.

Going Local: An Agency-Based Approach to Collapse, Resistance, and Resilience in Hittite Anatolia

Abstract Crisis and collapse have long been prominent themes in Hittite studies (much more so than the related topics of resistance and resilience) and most of the extant body of scholarship on these themes have concentrated on the disintegration of the Hittite Empire around 1200 BCE. Though the events, conditions and processes that culminated in the disintegration of the Hittite Empire elude historical reconstruction, recent studies have unanimously rejected monocausal explanations of collapse in favor of the view that it was brought about by a combination of factors – internal, external, acute or chronic. In Hittite scholarship, the study of collapse and its aftermath have typically operated within a markedly state-centered and progressivist framework, focusing primarily on figuring out “what went wrong.” Meanwhile, especially in text-based studies, the agency and resilience of local, small(er)-scale, peripheral, and non-state individuals and communities, as well as their role in the construction, maintenance, and collapse of the Hittite empire, remain largely overlooked. The aim of the present paper is to shift the focus and scale of analysis away from the state, and to draw out from the textual record, the long-term agency, resistance, and resilience of local, small-scale, and often non-state individuals, communities, or socio-political institutions, which have typically been left out of text-based modern narratives. This paper will reassess the prominent view of the Hittite king (and state) as the absolute political, military, judicial, and religious authority, and argue that certain local and non-state communities and socio-political institutions exercised diverse kinds of agency, were remarkably resilient in the long term, and survived the final collapse of the Hittite state. In order to situate the inquiry in its broader scholarly and intellectual context, it will begin with an overview of where things stand in the study of the Hittite collapse. The next step will be to identify individual or collective local actors in the textual record. It will lastly focus on the interactions of diverse local agents with the Hittite state.

The Niu–Li Factional Strife: The Origins of a Historiographical Fiction

Abstract The “Niu–Li Factional Strife,” named after Niu Sengru (779–847) and Li Deyu (787–850), is an enduring theme in Tang history. Based on accounts of personal animosity, a narrative evolved in which Niu and Li have become the ringleaders of two factions that drew in almost all high-profile literati of the ninth century. This article revises traditional and modern narratives of the Strife by first showing that the scattered and contradictory evidence in the earliest sources does not bear out the model of a decades-long struggle between two factions. Second, it demonstrates how “Niu and Li” first arose as an emblem of Tang weakness and a rallying cry for unity within the bureaucracy under the Northern Song two centuries later. Finally, it shows how modern historians picked up the loose ends and remoulded them into a struggle between different classes against the backdrop of factious politics in Republican China.

The Evolution of Storylines in Video Games

This paper discusses the evolution of video games, their unique features in Storytelling, and their effects in the presentation of modern narrative through modern video games, namely: The Last of Us, Dark Souls, Skyrim, The Walking Dead, and 3 sample visual novels through content analysis: a method used to analyze works through its narrative structure. The results show how video games help construct Storytelling with how it is intertwined through interactive narrative and fiction for topics regarding critiquing and analyzing narrative in video games to be considered in future research and applied in education.

The Dialectics of Modernity and Tradition: A Decolonial Critique of the University’s Role in Shaping Social Consciousness

Positioned at the intersection of reason and practical life, the study dissecs the university system’s dual role in upholding and contesting the hegemonic narratives of modernity. Through a dialectical analysis, the paper argues how universities have unconsciously perpetuated modern Western concepts of progress and rationality, often overshadowing traditional and indigenous ways of understanding. The article highlights the imperative for universities to undergo a decolonial transformation, integrating contemporary and traditional epistemologies in a dynamic synergy fostering a more encompassing and inclusive societal awareness. The article recommends that academic institutions actively integrate and value diverse epistemologies, challenging long-held Western-centric pedagogies for a more inclusive educational environment. Therefore, dissecting the nuanced interplay between modernity and tradition within universities, this study hopefully will contribute to a deeper understanding of decolonial processes in shaping more holistic and representative knowledge systems in academia.

How do Islamic movements in the 19th and 20th centuries in Egypt help define Islamic modernity?

This research article explores the concept of multiple “modernities” as a counter to Western modernity, with a specific focus on the modernization of Islam. The paper provides a historical context to the modernization of Islam by examining 18th, 19th, and 20th-century Islamic reforms and their impact on the religion while staying true to its core principles. It also examines the influence of globalization on Islamic nations, using Egypt as an example. The article challenges the Western-centric narrative of modernity by emphasizing that modernity is not confined to Europe and can emerge under different conditions in diverse regions. The study highlights the Tajdid movement, the Muslim Brotherhood, and the Salafat movement as examples of Islamic modernization efforts. The research demonstrates how these movements aimed to reform Islam while addressing global political, social, and economic changes. The article concludes that Islamic modernity is a dynamic and multifaceted phenomenon that combines traditional Islamic teachings with contemporary contexts.