Reviews American WomenWriters andtheNazis: EthicsandPoliticsin Boyle,Porter, Stafford, and Hellman.By THOMAS CARLAUSTENFELD. Charlottesville and London: University Press of Virginia. 200I. viii + I89 pp. $34.50. ISBN:0-8139-2052-3. Thomas Carl Austenfeldconcludes his criticalstudyof Kay Boyle, KatherineAnne Porter,Jean Stafford,and LillianHellman with a seriesof questions. Can a shared literary theory or philosophy, a method of conceptualizing, be detected in their works? Is there a characteristic combination of political apprenticeship, ethical conviction, and woman's intuition which emerges as an approach that can be generalizedand applied beyond these four women? Though he fights shy of a fully affirmativeresponse, the very fact that he considers 'woman's intuition' to be a meaningful concept rai'sesdoubts about the approach. Despite carefullyreminding his readers that he may be mired in a masculinistterminology, he none the less directsthem towardsthe suppositionthat an ethic of care and relationcan provide a new pattern of literaryunderstanding,and that women writersare distinguished by their interestin relationshipsand in the protectionof offspring,compromise,and the privilegingof the immediate over the remote. Although he is not in negligible company intellectually here (citing Nel Noddings and Annette Baier as relevant thinkers)these assumptionsremain unconvincing when applied to literature.What novels are not concerned with relationships?Surelymale novelistsarejust as likely to privilege the personal over the political?By Austenfeld'scriteria E. M. Forster was a woman. Austenfeld'smajor claim is that many sections of the literarylives of his four authors fall into place when they are considered as literary ethicists, women who foregrounded the moral consequences of their protagonists'activities and intended their writings as ethical signposts.Since all four were expatriatesin Germany and Austriain the I930s,witnessingthe rise of Nazism firsthand,it would be highly surprisingif their work did not bear tracesof ethical and politicaldebate. What Austenfeldneeded was a reminderfrom OscarWilde, that there are no moral or immoral books, only books which are well written or badly written. That said, the volume has plenty of local virtues,directingcriticalattentionto the formativeexperiencesof the four women outsideAmerica, and amplifyingand correctingthe conventionalequation of the term 'expatriate'with male novelistsin bars in Spain and France in the 1920s. PeripateticPorter (stuckwith very poor German in Berlin),Boyle (gaininga husband in provincialFranceand losing her US citizenship as a result),Stafford(a naive student in Heidelberg),and Hellman (much less naive, in Bonn) had quite differentexperiences from Hemingway, or indeed from each other. Austenfeld's approach is inductive, thoughtful, and produces subtly nuanced and well-argued readings, notably on the light shed by Porter'swork on notions of collective guilt, read as an illegitimate extension of the mass appeal of totalitarianpolitics. The emphasisis uneven, and rightlyso, with one chapter each devoted to Staffordand Hellman, slightlymore on Porter,and three whole chapters on Boyle, who was, afterall, in Europewithout interruptionfor eighteen years and witnessed the takeoverof both Austriaand France. Staffordwas only in Europe for two shortperiods,though her workremainsexceptionallyinterestingin thisconnection . Austenfeld offers thought-provokingreadings of the short stories. Hellman is a much more familiartopic, but the account of her film 'The North Star', a Hollywood -produced endorsement of Soviet collective life, with happy peasant dancers, lyricsby Gershwin,and a full-lengthrenditionof the 'Internationale'made interesting reading. As Austenfeld notes, Hellman uses Germany as the focus for her own message and is thereforedifferentfrom the other authors studied. They were 340 YES,34, 2004 YES,34, 2004 34I 34I concerned with Europe and themselves, Hellman with the United States and Americans. UNIVERSITY OFNOTrINGHAM JUDIENEWMAN Women Poetson theLeft:Lola Ridge,Genevieve Taggard, MargaretWalker. By NANCY BERKE. Gainesville, Tallahassee, and Tampa: University Press of Florida. 2001. viii + 202 pp. $55. ISBN:0-8130-2I15-4. This study consists of an introduction, a brief conclusion, and three chapters focusing respectivelyon the poetry of Lola Ridge, Genevieve Taggard, and Margaret Walker. In the chapters Nancy Berke offers persuasive and informed introductions to these generally neglected poets. There is an impressiveuse of archival material, an informed and forcefulrepresentationof the I93os, and a sensitivityto the poetry that is complemented by Berke'sapposite use of quotation. Overall the book is an importantreminderof poetry'spublic dimension and of the traditionsof political writing that mappings of twentieth-centuryAmerican poetry frequently ignore. As such this book, like other recent studies, builds on...