Click to increase image sizeClick to decrease image size Notes 1. Walter Benjamin, ‘A Small History of Photography’(originally written in 1931), in Reflections (New York, Harcourt Brace Jovanovich, 1978), p. 253. 2. Beatriz Colomina, Privacy and Publicity — Modern Architecture as Mass Media (Cambridge Massachusetts, MIT Press, 1994), pp. 13,114–18. 3. Ibid., p. 47. 4. John Berger and Jean Mohr, Another Way of Telling (London, Writers and Guild Co-op, 1982), p. 99. 5. Pierre Bourdieu, Photography: A Middle Brow Art (Cambridge, Polity Press, 1996), p. 36. 6. Ibid., p. 36. 7. Vicki Goldberg, The Power of Photography: How Photographs Changed Our Lives (New York, Abbeville Press. 1993), p. 133. 8. Janet Abrams in the catalogue for the exhibition ‘Site Work, Architecture in Photography’, 1991, in Martha Rosler ‘Image Simulations, Computer Manipulation, Some Considerations’, in, Hubertus V. Amelunxen, ed., Photography After Photography (Munich, G&B Arts, 1997), p. 39. 9. Walter Benjamin, in an address delivered in Paris at the Institute for the Study Of Fascism in 1934: cited in Susan Sontag, On Photography (Harmondsworth, Penguin, 1978), p. 107. 10. John Keats, in a letter to his brothers George and Thomas on the 21st December 1817: found at (http://www.mrbauld.com/negcap.htm). 11. Frederic Jameson, Postmodernism: The Cultural Logic of Late Capitalism (London, Verso, 1991), p. 99. 12. Sigmund Freud, On Sexuality, Vol 7 (Harmondsworth, Penguin, 1981), p. 69. 13. Victor Burgin, The End of Art Theory: Criticism and Postmodernity (London, Macmillan, 1986), p. 19. 14. Ibid. 15. Ignacio Solà-Morales in Raymond Williams, ‘Architecture and Visual Culture’, in, Mathew Rampley, ed., Exploring Visual Culture. Definitions, concepts, contexts (Edinburgh, Edinburgh University Press, 2005), p.107. 16. Roger Fry, Art in Theory 1900–1990. An Anthology of Changing Ideas, Charles Harrison and Paul Wood, eds (Oxford, Blackwell Publishers, 1992), p. 83. 17. Dante, Il Paradiso, final canto, 33. 142–35.