Reviewed by: Godsends: From Default Atheism to the Surprise of Revelation by William Desmond Jeffrey Dirk Wilson DESMOND, William. Godsends: From Default Atheism to the Surprise of Revelation. Notre Dame, Ind.: University of Notre Dame Press, 2021. xii + 297 pp. Cloth, $65.00 Godsends comprises an introduction and eight chapters, much of it a reworking of previously published material, but this is no mere compendium of what is available elsewhere. Desmond offers a "second think" that refreshes and challenges the reader. Each chapter begins with a brief creative offering—chapter 1 in prose, the rest in poetry. Then in chapter 6, this commitment to the creative in conversation with the philosophical explodes into "Dream Monologues of Autonomy: Variations on the Prodigal Son," in which Desmond offers "dreams" that "imaginatively redouble the more dutiful scholarly account that puts them [Kant, Hegel, Marx, and Nietzsche] to the question." Desmond notes that "default atheism" is the state of "advanced intellectuals." At the same time, religion is booming in other quarters. As [End Page 812] ever, Desmond looks to the "in-between" as fertile ground for philosophical reflection. He seeks a companioning relationship of philosophy and theology in which to discover "the constitutive porosity between the human and the divine." Chapter 1 seeks to get beyond "Default Atheism" through a consideration of four hyperboles—"hyperbole" as what throws us above—of being, (1) "the idiocy of being" (the fundamental "thatness" of reality whatever that reality may be), (2) "the aesthetics of happening" (the flesh of being), (3) "the erotics of selving" ("our own 'to be' and the promise of the 'to be' beyond our own being"), and, finally, (4) "the agapeics of communication" ("self-relation" is not possible without "other-relation"). Throughout this book, Desmond seeks to recover a respectability for the contemplative life and for allowing religion and philosophy to speak to each other. There is covenant (chapter 2, "Solitudes: Thresholds between Selving and the Sacred"), prayer (chapter 4, "Mysticism and the Intimate Universal: On the Arnhem Mystical Sermons and Sri Aurobindo"), dream as window onto wisdom (chapter 6). In chapter 7, "Exceeding Virtue: On Aquinas and the Beatitudes," he discusses St. Thomas Aquinas's exposition of the Beatitudes in the commentary on St. Matthew and in the Summa Theologiae. Both Plato and Aristotle seem to suggest that virtue, rightly understood, is sufficient for happiness, but—Desmond observes, makarios exceeds eudaimonia. That excess Desmond discovers in the peace that comes to us as "a transcendence that descends," in other words as a godsend. In the final chapter, Desmond discovers the interior nature of "godsend" as word, idea, and story. What is the relationship of reason and revelation (and the faith inspired by revelation): parallel lines, a married couple, unmarried companions, opposites? Desmond concludes—as had Aquinas before him—that at the end of the day, reason too is revelation. That conclusion, however, is at odds with the modern concept of reason as what is immanently self-determined. Rupture occurs. Something from outside breaks in ("Surprise!") and "an infinity of mystery" seems just possible enough to generate wonder; reason is never the same again. In this context, he returns to the four hyperboles of being: what throws us above the immanent frame. The chapter—and the book—ends with a lyrical reading of Flannery O'Connor's "Revelation": a dawning as the sun goes down. Given his love of word-play—and I may have missed it—I am surprised that Desmond does not speak about the doubleness of the word "Godsends." He fully explores "God sends," but there is also "God's ends." He may have left that for the reader to discover and explore. Mimicking the world in which we live, Desmond creates myriad niches of rich ambiguity such that the reader is never certain what he discovers and what he provides in companionship with the author. If you have read none of Desmond's books, read this one because here he integrates the major themes of his work over decades. If you have read all of his books, read this one because he moves beyond his earlier works, [End Page 813] surmounting them with this synthesis. In addition, Godsends manifests compositional...
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