The Croatian author Antun Šoljan (1932–1993) came to the attention of the emerging generations of writers and artists in Vojvodina in the first half of the 1950s. His sensibility as a poet, storyteller, and literary translator, as well as his activity as a newspaper editor and his commitment as a critic, influenced the Symposion generation mostly by encouraging them to follow in his steps, but also by stimulating discussion. My article discusses the multi-directional reception of this attitude, which regards high-quality aesthetic performance and commitment as a function, not of social status, but of free artistic creation, detailing those mutual ideological reference points, connections, or collision surfaces, that are characterized by intellectual self-representation that avoids the false heroism of national myths and continuity of tradition freed from the manic import and/or epigonism of recent trends in world literature.
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